to be loaded.
But there was one thing, she was no longer directly between him and the door. So long as he did not attack her, she might not have the nerve to shoot. Anyway, he must risk it. Zig-zagging, he ran for the door, through the hall and out through the outer door, banging it behind him. He heard her voice, faint and shaky, calling, ‘Police, Murder!’ She’d have to call louder than that before anyone was likely to hear her. He’d got a start, anyway. Down the stairs he went, running down the open street, then slacking to a walk as a stray pedestrian turned the corner. He had his plan cut and dried. To Gravesend as quickly as possible. A boat was sailing from there that night for the remoter parts of the world. He knew the captain, a man who, for a consideration, would ask no questions. Once on board and out to sea he would be safe.
At eleven o’clock Danahan’s telephone rang. Olga’s voice spoke.
‘Prepare a contract for Miss Ryan, will you? She’s to understudy “Cora”. It’s absolutely no use arguing. I owe her something after all the things I did to her tonight! What? Yes, I think I’m out of my troubles. By the way, if she tells you tomorrow that I’m an ardent spiritualist and put her into a trance tonight, don’t show open incredulity. How? Knock-out drops in the coffee, followed by scientific passes! After that I painted her face with purple grease paint and put a tourniquet on her left arm! Mystified? Well, you must stay mystified until tomorrow. I haven’t time to explain now. I must get out of the cap and apron before my faithful Maud returns from the pictures. There was a “beautiful drama” on tonight, she told me. But she missed the best drama of all. I played my best part tonight, Danny. The mittens won! Jake Levitt is a coward all right, and oh, Danny, Danny—I’m an actress!’
AFTERWORD
‘The Actress’ was first published in the Novel Magazine in May 1923 as ‘A Trap for the Unwary’, the title under which it was re-published in the booklet issued in 1990 to mark the centenary of Christie’s birth.
This story illustrates Christie’s great skill at taking a particular plot device and presenting it again, perhaps in the same form but from a different perspective or with subtle but significant variations to conceal it from the reader. The simple piece of legerdemain in ‘The Actress’ appears in several other stories, most obviously in the intriguing Miss Marple story ‘The Affair at the Bungalow’, collected in The Thirteen Problems (1932), and in the Poirot novel Evil Under the Sun (1941).
This story reminds us that Christie is also one of Britain’s most successful playwrights, even though her first play—which she described as ‘an enormously gloomy play which, if my memory serves me correct, was about incest’—was never performed. Her own favourite was Witness for the Prosecution (1953) but the most famous is undoubtedly The Mousetrap (1952), which is still running in London after nearly 50 years. While the plot of The Mousetrap centres on a murderer’s ability to deceive his potential victims, it depends as a piece of theatre on Christie’s awareness of how people in an audience respond to what they see and hear and her supreme ability to manipulate what they then understand to be happening. After The Mousetrap opened in London, the reviewer in The Times commented that ‘the piece admirably fulfils the special requirements of the theatre’ and, as anyone who has been associated with the play or has studied it carefully knows well, there is a secret to its success, or rather to the success of why so few are able to foresee its astounding denouement.
Clare Halliwell walked down the short path that led from her cottage door to the gate. On her arm was a basket, and in the basket was a bottle of soup, some homemade jelly and a few grapes. There were not many poor people in the small village of Daymer’s End, but such as there were were assiduously looked after, and Clare was one of the most efficient of the parish workers.
Clare Halliwell was thirty-two. She had an upright carriage, a healthy colour and nice brown eyes. She was not beautiful, but she looked fresh and pleasant and very English. Everybody liked her, and said she was a good sort. Since her mother’s death, two years ago, she had lived alone in the cottage with her dog, Rover. She kept poultry and was fond of animals and of a healthy outdoor life.
As she unlatched the gate, a two-seater car swept past, and the driver, a girl in a red hat, waved a greeting. Clare responded, but for a moment her lips tightened. She felt that pang at her heart which always came when she saw Vivien Lee. Gerald’s wife!
Medenham Grange, which lay just a mile outside the village, had belonged to the Lees for many generations. Sir Gerald Lee, the present owner of the Grange, was a man old for his years and considered by many stiff in manner. His pomposity really covered a good deal of shyness. He and Clare had played together as children. Later they had been friends, and a closer and dearer tie had been confidently expected by many—including, it may be said, Clare herself. There was no hurry, of course—but some day … She left it so in her own mind. Some day.
And then, just a year ago, the village had been startled by the news of Sir Gerald’s marriage to a Miss Harper—a girl nobody had ever heard of!
The new Lady Lee had not been popular in the village. She took not the faintest interest in parochial matters, was bored by hunting, and loathed the country and outdoor sports. Many of the wiseacres shook their heads and wondered how it would end. It was easy to see where Sir Gerald’s infatuation had come in. Vivien was a beauty. From head to foot she was a complete contrast to Clare Halliwell, small, elfin, dainty, with golden-red hair that curled enchantingly over her pretty ears, and big violet eyes that could shoot a sideways glance of provocation to the manner born.
Gerald Lee, in his simple man’s way, had been anxious that his wife and Clare should be great friends. Clare was often asked to dine at the Grange, and Vivien made a pretty pretence of affectionate intimacy whenever they met. Hence that gay salutation of hers this morning.
Clare walked on and did her errand. The Vicar was also visiting the old woman in question and he and Clare walked a few yards together afterwards before their ways parted. They stood still for a minute discussing parish affairs.
‘Jones has broken out again, I’m afraid,’ said the Vicar. ‘And I had such hopes after he had volunteered, of his own accord, to take the pledge.’
‘Disgusting,’ said Clare crisply.
‘It seems so to us,’ said Mr Wilmot, ‘but we must remember that it is very hard to put ourselves in his place and realize his temptation. The desire for drink is unaccountable to us, but we all have our own temptations, and thus we can understand.’
‘I suppose we have,’ said Clare uncertainly.
The Vicar glanced at her.
‘Some of us have the good fortune to be very little tempted,’ he said gently. ‘But even to those people their hour comes. Watch and pray, remember, that ye enter not into temptation.’
Then bidding her goodbye, he walked briskly away. Clare went on thoughtfully, and presently she almost bumped into Sir Gerald Lee.
‘Hullo, Clare. I was hoping to run across you. You look jolly fit. What a colour you’ve got.’
The colour had not been there a minute before. Lee went on:
‘As I say, I was hoping to run across you. Vivien’s got to go off to Bournemouth for the weekend. Her mother’s not well. Can you dine with us Tuesday instead of tonight?’
‘Oh, yes! Tuesday will suit me just as well.’
‘That’s all right, then. Splendid. I must hurry along.’
Clare went home to find her one faithful domestic standing on the doorstep looking out for her.
‘There you are, Miss. Such a to-do. They’ve brought Rover home. He went off on his own this morning, and a car ran clean over him.’
Clare