been set aside for their studies, the distant rattle of wheels and hooves upon the roadway outside and the rustle of wind in the golden leaves in the garden.
The figure of Lord Carstairs cast no shadow as he stood between her and the sunlight flooding through the window. ‘Where is it?’ His voice was a hiss of fury.
She did not make the mistake of glancing at the davenport. Slowly she stood up, the paintbrush still clutched in her hand. ‘Nowhere you will ever find it!’
She realised suddenly that they were not alone. Two other figures hovered in the room. Two priests. The guardians of the bottle. He spotted them almost as soon as she did and whirled to face them. ‘So, the moment of confrontation has come! I am sure, my lords of the ancient world, that you are as anxious as I to return the sacred ampulla to the place it rightfully belongs. I can take it there. I can transport it over time and space.’ He stepped closer to Louisa. ‘Only one person stands between us and our hearts’ desire, my lords.’
‘Do not touch her!’ The voice seemed so loud it appeared to fill the spaces of the room, the house, even the sky outside.
Carstairs shrank back. Then he put his hand to his belt and Louisa realised that a wickedly curved broad-bladed sword hung there. As he pulled it free she dropped her paintbrush and fled towards the door. Her shout for help died on her lips. Glancing round as she groped for the doorknob she saw the raised scimitar catch the sunlight in a blinding flash. There was a huge crash. It was not her he had attacked, but the two priests, spirits from another world, and as suddenly as they had come, all three men disappeared.
Shaking with fear she took a step forward. Then another. Nothing in the room appeared to have been touched. The only sign of the interruption was the small splash of bright colour on the thick watercolour paper, where her hand had smudged it, and the paintbrush lying on the floor.
She never saw Lord Carstairs again. Nor the priests, and if a snake appeared in her studio to guard the sacred ampulla she was never aware of it.
That wasn’t the end of the story of course, for the ampulla remained in her desk. She never forgot it, but neither did she think about it. If one day her sons or one of their descendants wanted to take it to Egypt that would be up to them. The portrait of the two priests she pushed into a dark corner. It was not shown in any of her exhibitions. It never occurred to her that someone, some day long after her time, might think the little bottle a pretty trinket suitable to give to a child.
‘Why move?’ they had said. ‘Let him be the one to go. He’s found a new life, a new woman; let him find a new home somewhere else.’ But she knew she couldn’t do it. The house was their house; the garden their garden; the furniture mostly their furniture that they had chosen together. She wanted to move on, to start again with nothing to remind her of the past and how happy they had been.
It had been very hard when she knew she was losing him. Shock, pain, outrage, anger had all taken their place in the queue with loss of self-esteem, but she had forced herself to come through it, and now here she was in a small Victorian terraced cottage instead of a large modern house, in a town instead of the country, with new furniture and even – especially – a new bed. She had defiantly chosen a huge king-size bed. It took up most of the bedroom and came with a gloriously comfortable mattress – not the iron-hard orthopaedic job Steven had needed for his back. She smothered it in a bright duvet and dozens of pillows, and had a TV in the bedroom.
That part of being divorced was good. She could watch her choice of programmes all the time and take her supper to bed if she felt like it. Or breakfast. Or lunch. And she had independence and freedom. And a new-found ability to make decisions and realise that they were perfectly valid. And time for herself. And money.
It might have been better had she needed to work, but Steven had been generous – guilt, she supposed – and that was the problem. A delightful town, a picturesque street, pleasant neighbours, but no friends. She was lonely. She should have stayed where she was, where her friends had been supportive and sympathetic and angry on her behalf. But they had been too angry. Angrier than she was. They kept on about Steven and what he had done, and they wouldn’t let her move on. She wanted new friends who hadn’t known him. People who would show her how to get over that one last hurdle: the feeling that she hadn’t been good/beautiful/successful/young enough to keep her man. But how to meet them? And how to feel a different person?
She stood naked in front of the bathroom mirror and surveyed herself critically. Figure – not bad. Skin – quite good. Legs – still definitely an asset. Eyes – beautiful, or so Steven used to say, and presumably they had not changed. Hair – neat, quite attractive. But even naked the overall effect was demure. How could one look demure naked? She tried a few un-demure poses. No, she had to admit, demure seemed to come naturally.
She went into her bedroom and threw open the cupboard. Smart/pretty. Mid-length hems. Court shoes. Demure. And – she had to face it – middle-aged! But she wasn’t middle-aged! It came out as a wail inside her head. Was she?
Steven obviously thought she was. The new wife was twenty years younger than she was. But also, to her astonishment when she had finally seen (not met, not allowed to meet) her successor, she, too, was demure. So that proved that she had been the wife Steven had wanted her to be. The wife he had conjured out of the malleable young girl she had been. He had made her demure, and she, Janet, didn’t want to be demure any more. She went back to the bathroom and stared at herself again. What could she do about it?
Strangely, it hadn’t occurred to her to throw out her clothes when she began her new life. They had escaped the blitz intact, to every last Jaeger sweater and Jacquemar scarf. The trouble was, how did she want to look? She wasn’t sure.
She put on some clothes – a sensible skirt, tailored shirt, double row of cultured pearls – brushed her hair neatly, and slotted her handbag on her arm. She set out purposefully for the centre of town, where she veered away from the stores she usually frequented and headed for the network of medieval lanes behind the cathedral, looking for the smart ‘little shops’.
Meeting Annette was providential.
Janet was staring at a strikingly attractive narrow window display on the corner of St Anne’s Lane, featuring a dress of the kind she secretly coveted but had never had the courage to buy, when she noticed another woman apparently rapt in admiration of the same dress. She gave her a shy glance. ‘It’s pretty, isn’t it?’
The other woman was, Janet saw in the quick scrutiny she allowed herself, stunningly attractive. She was slim, dressed in a style not dissimilar to the clothes in the window, and had an enviably relaxed elegance. Janet gave her another surreptitious, admiring look. The woman smiled. ‘I’m glad you like it. I’ve just finished arranging it. That’s why I was checking what it looked like.’
Janet felt herself blush. ‘It’s your shop?’
The woman nodded. ‘I’m Annette.’ She indicated the sign on the fascia. ‘Do come inside and look round if you like.’
It was the first shop Janet had entered on her quest for a new identity and she looked round curiously, made an instant assessment of Annette’s obvious grasp of style, and, as the shop was small and empty at that moment of other customers, and the smallness and emptiness fostered a feeling of confidence and confidentiality, she told Annette everything.
And found herself trying on long, soft dresses with plunging necklines, shoes with platform soles, ropes of beads and fringed scarves. She was made to bend from the waist and comb her hair up the wrong way until it stood round her head in a wild ruff which made her look – and feel – twenty years younger. She was bullied into trying new eye-shadow and lipstick out of Annette’s own cosmetic bag, and at last she was allowed to look at herself in the full-length mirror.