Preethi Nair

Gypsy Masala


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      Gypsy Masala

      Preethi Nair

      

       Copyright

      This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

      

      HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF

      www.harpercollins.co.uk

      

      First published by Ninefish 2000

      Copyright © Preethi Nair 2000 and 2004

      

      Preethi Nair asserts the moral right to be identified as the author of this work

      

      A catalogue record for this book is available from the British Library

      

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

      

      This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

      

      HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

      Source ISBN: 9780007305018

      Ebook Edition © JUNE 2010 ISBN: 9780007391479 Version: 2016-12-20

       Praise

       Praise for Preethi Nair:

      ‘A little gem of fiction…a mystic and beautifully lyrical book.’

       New Woman

      ‘This book will have you praying for a delayed train.’

       Glamour

      ‘A genuinely moving novel.’

       Daily Express

      ‘She writes evocatively about childhood and there are passages of tight and lyrical immediacy.’

       Guardian

      ‘A warm-hearted tale of survival.’

       The Bookseller

       Dedicated to you the reader, in the hope that you may follow the African dancer.

      Table of Contents

       Cover Page

       Title Page

       Dedication

       SHEILA

       BALI

       Author’s Note

       Keep Reading

       About the Author

       About the Publisher

       EVITA

      ‘Go away phantom sore throat, untie the muffler and release me so that I may go forth and conquer all that lies before me.’

      I have always been a drama queen. I can remember being about seven, scarf tied around my neck, sitting with my Auntie Sheila and her friends listening to incessant banter and clattering coffee cups. Suddenly, I would bolt forth, untie my scarf and ask Argentina not to cry for me. My aunties would stop their slurping and look at me with bewildered eyes. Twenty years later, Evita plays on and the echo of that child resounds deep within me.

      I want to bring back this crazy, impetuous child – just for an instant – so I can jump out of my chair at work and tell my boss what I really think of him. And then, maybe, I will stop making excuses and finally escape the mundane routine of a 9-5 existence.

      A lot has happened over the past few weeks, and in order to think about things and to locate the little girl I once was, I have feigned illness – the sore throat to be precise – taking a few days off work only to develop the real thing. Cosily tucked up under my duvet, muffler around my neck, my mind wanders.

      When I was about eight and played the Virgin Mary in the nativity, I looked at smiling, innocent little Joseph and questioned why he was wearing a tea towel on his head. Indeed, why was I wearing one on my head? The Angel Gabriel and the three shepherds just yawned and accepted the situation, whilst I further contemplated how I had managed to conceive a baby Jesus who was not of ethnic origin.

      I took that plastic baby Jesus in hand and threw him into the audience where my Auntie Sheila was sitting. She shared their stern, dismayed looks. It was then I knew that things were going to be difficult.

      Not that things prior to that incident had not been difficult. Having lost my own parents in an accident, a long, dusty road had led me to the doorstep of the Vishavans. I’m not too sure about the details of how I arrived there but it was my Auntie Sheila and my Uncle Bali who brought me up. They were a very practical couple and veering away from the realms of reality into flights of imagination was strictly prohibited. The consequences were dire: at best there would be stern looks of disapproval from my Auntie Sheila, and at worst the fear of further abandonment forever loomed around me.

      So, like one of those little messages, I have managed to make myself fit into a bottle and have bobbed up and down for a long time