id="ub5c06a1c-b487-5acf-acfd-5e203a0496c5">
Gordon Kent
DAMAGE CONTROL
To the men and women, Japanese and American, who stopped Aum Shinrikyo
Contents
In a porcelain bowl floats a single lotus flower, waiting.
Meditation appears to the untrained as a passive activity. To the observer, the practitioner’s body seems poised but relaxed, the breathing even, the face calm. Westerners speak dismissively of men “studying their belly buttons.”
Mohenjo Daro sits easily on a low leather divan, his long legs crossed under him and his arms relaxed, hands resting easily on his knees. Aside from his pose, little about him suggests meditation. He wears a simple silk sweater from Italy and jeans. His face is that of a warrior from ancient Indian art, with rugged features and a pale walnut color. He was, and is, handsome, in a military way, the iron gray in his hair accenting the strong wrinkles in his skin. Nothing about him speaks of the ascetic except that his feet are bare.
His eyes are open. The pupils are huge, black, and blank, the irises almost as dark under heavy brows. And between them, exactly where a Brahmin’s caste mark would be, there is a birthmark, a third eye placed by nature.
The lotus flower. Daro sees it, regards it as a composite of organic material, as a symbol, an object of power. He seeks to know it without effort, to comprehend both the flower before him and the totality of the lotus. And having accomplished this to his satisfaction, he watches this blossom curl and close and then open, the water undisturbed beneath it, the petals of the flower uncurling like stop-action photography. The petals reach their full, erotic opening, and then he watches them wilt and decay, the first touch of orange brown on the edges to the last black organic mold resting on the surface of the unmoving water. And then he begins to restore the flower, working the mold back to the ravaged blossom and then seeking the full bloom of perfect health. When the petals have risen from their watery grave and stand, shriveled but extant, once again attached to the stamen, Daro gives a sudden gasp as intense pain floods his abdomen, snapping his focus from the life of the flower to the dying of his own body.
In a porcelain bowl floats a single lotus flower, unchanged, but the man is writhing on his divan. The spasm passes, and he is angry,