Sarah Mallory

At the Highwayman's Pleasure


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of a lady, having thrown off the rather flat, nasal tones of the south that she had assumed, along with another name, whilst working in London. It would be no wonder, therefore, if they thought her a lady of some standing. However, if they lived in or near Allingford it was quite possible that they would realise their error in the next few months, for she had accepted an offer from her old friend to join his theatre company.

      A new town, new roles and a new audience. Once the idea would have filled her with excitement, but for some reason Charity could not raise any enthusiasm.

      Am I getting old? she wondered. I am seven and twenty and all I want is a place of my own—not the lodging houses I own in London, but something more....

      The carriage was rattling through a village and she saw a little cottage set back from the road. Golden light shone from the downstairs window, and the door was open. A woman was standing in the threshold, arms thrown wide to welcome the two little children running up the path towards her. Charity watched her catch the babes in her arms and look up at the man following them. Even in the dying light it was possible to see happiness shining in her face, and Charity felt something clutching at her heart.

      That was what she wanted: a home and a loving family.

      She turned in her seat, pressing her head to the glass to look at the cottage until it was out of sight. The scene had been a happy one, but it was no more than a single moment, and she knew only too well how deceptive appearances could be. Once they were all indoors, out of sight, the children might shrink behind their mother’s skirts as the man towered over them, Bible in one hand and riding crop in the other. He would demand complete obedience and reward any defiance with a thrashing. Shivering, Charity huddled back into her corner and closed her eyes, struggling to repress the memories. Perhaps it had been a mistake to come back to Allingford, so close to her roots.

      The sudden slowing of the coach and raised voices from outside caused the farmer’s wife to shriek. Charity heard a mutter from Betty, her maid, who was sitting beside her.

      ‘Oh, lordy, what’s amiss?’

      ‘Most likely a cow on the road,’ Charity replied calmly. She let down the window and leaned out. ‘No,’ she said with equal calm. ‘It is not a beast. Well, not a four-legged one, at any rate. It is a highwayman.’

      Betty gasped and the farmer’s wife began to gabble hysterically, her hands clasping the silver locket resting on her ample bosom, but Charity felt nothing more than a mild excitement as she regarded the horseman who was standing beside the road and brandishing a pistol towards the driver and guard. In the gloomy half-light he presented a menacing figure with his hat pulled low over his brow, throwing his face into deep shadow. Everything about the highwayman was black, from his tricorn to the hooves of the great horse that carried him. In a rough, cheerful voice he ordered the guard to throw down his shotgun and hand over the mailbag.

      Charity felt a touch on her arm.

      ‘I pray you, madam, come back into the shadows,’ muttered the farmer in an urgent whisper. ‘Mayhap once he has the mail he won’t bother with us.’

      She sat back at once but made no attempt to put up the window again, lest the noise and movement should attract the man’s attention.

      ‘I think it pretty poor of the guard,’ she whispered. ‘He’s made not the least attempt at resistance.’

      ‘There must be a gang of them,’ breathed Betty.

      ‘No, I don’t think so.’ Charity leaned closer to the window again. ‘I can only see the one man.’

      The rider dismounted and picked up the mailbag, throwing it over his saddle. Charity turned to the farmer.

      ‘Surely between you and the two men on the box, you could overpower him?’

      The farmer immediately shrank back farther into his corner.

      ‘Not if he’s armed,’ he declared, a note of alarm in his voice.

      ‘He’s coming over,’ hissed Betty. ‘Oh, lordy!’

      She clutched at Charity’s sleeve as the door was wrenched open and the stranger said jovially, ‘Well, now, let’s be seein’ who we have in here. If ye’d care to step down, ladies and gentleman!’

      The farmer’s wife whimpered and shrank back against her husband as the lamplight glinted on the pistol being waved towards them. With a little tut of exasperation, Charity climbed out, sharply adjuring Betty not to dawdle. The farmer and his wife followed suit and soon they were all four of them standing on the open road, with the winter wind blowing around them. She glanced towards the box, where the driver and guard were sitting with their hands clasped above their heads.

      ‘Will that be everyone?’

      ‘Unless there is someone hiding under the seat,’ retorted Charity, rubbing her cold hands together. ‘If you intend to rob us then please get on with it so we may be on our way.’

      The man’s face was in shadow, but she could feel his eyes upon her. Now that she was closer to him she could see the deeper black of a mask covering his upper face. It did not need Betty’s little gasp of dismay to tell her that drawing attention to herself was not the wisest thing to do.

      ‘And who might you be, ma’am, to be making demands?’

      ‘That is none of your business.’

      ‘Ah, well, now, beggin’ your pardon, ma’am, but I have to disagree with you.’ He waved the pistol. His voice was still cheerful, but there was no mistaking the note of steel in his tone or the menacing gesture. She drew herself up.

      ‘I am Mrs Weston.’

      ‘The devil you are!’ He stepped a little closer and she had the impression that she was being scrutinised very carefully. ‘You’ll be on your way to Beringham, then?’

      ‘I have no business in Beringham.’

      ‘No?’

      ‘No, I am going to Allingford.’ She hesitated. ‘To the theatre. I am an actress.’ She held out her reticule. ‘Here, if you are going to rob us, take it!’

      She saw the flash of white as he grinned. ‘No, I don’t think I will. ’Tis a charitable mood I’m in this evening.’

      ‘Are ye not going to rob us, then?’ The farmer goggled at him.

      ‘I am not. I’ve decided I’ll not take your purse, nor the ornament that’s a-twinkling on your lady wife. Get ye back into the carriage...ah, except you, ma’am.’

      Charity’s heart lurched as he addressed her. Not for the world would she show her fear, and she said with creditable assurance, ‘I have nothing for you.’

      ‘Oh, but I think you have.’

      Betty stepped up, crying, ‘You’ll not touch my mistress!’

      Charity caught her arm. ‘Hush, Betty.’

      The pistol waved ominously.

      ‘Send your maid back to the carriage with the others, Mrs Weston.’

      ‘Do as he says, Betty.’ Charity held her maid’s eye and put her hand up, her fingers touching the discreet pearl head of the hatpin that held her bonnet in place. ‘I’ll deal with this.’

      She saw the understanding in the older woman’s eyes and with a grim little nod Betty walked away, leaving Charity alone with the highwayman.

      ‘I’ve changed my mind,’ he told her. ‘I’ll take that fancy brooch you have pinned to your coat.’

      It was a small cameo and of no particular value. Charity supposed he would present it to his sweetheart and found the idea did not please her. He reached out his hand to pluck the brooch from her breast and she forced herself to keep still while his fingers fumbled with the catch, but after a moment, and with a huff of exasperation, she brushed his hands aside.

      ‘Here,