Smith Wiggin
A Cathedral Courtship
PREFACE
‘A Cathedral Courtship’ was first published in 1893, appearing in a volume with ‘Penelope’s English Experiences.’ In course of time, the latter story, finding unexpected favour in the public eyes, left its modest companion, and was promoted to a separate existence, with pictures and covers of its own. Then something rather curious occurred, one of those trifles which serve to make a publisher’s life an exciting, if not a happy, one. When the ‘gentle reader’ (bless his or her warm and irrational heart!) could no longer buy ‘A Cathedral Courtship,’ a new desire for it sprang into being, and when the demands became sufficiently ardent and numerous, it was decided to republish the story, with illustrations by Mr. Charles E. Brock, an artist who can be relied upon to put new energy into a live tale or resuscitate a dead one.
At this point the author, having presumably grown in knowledge of grammar, spelling, and punctuation, was asked to revise the text, and being confronted with the printed page, was overcome by the temptation to add now and then a sentence, line, or paragraph, while the charming shade of Miss Kitty Schuyler perched on every exclamation point, begging permission to say a trifle, just a trifle, more.
‘You might allow me to explain myself just there,’ she coaxed; ‘and if you have told them all I was supposed to be thinking in Winchester or Salisbury or Oxford, why not tell them what I thought in Bath or Peterborough or Ely? It was awfully interesting!’
Jack Copley, too, clamoured to be heard still further on the subject of his true-love’s charms, so the author yielded to this twofold pressure, and added a few corroborative details.
The little courtship, running its placid course through sleepy cathedral towns, has not been altered in the least by these new pages. It is only as if the story-teller, meeting a new pair of interested eyes, had almost unconsciously drifted into fresh confidences.
This is all quite true, and anyway we have said nothing that we are a bit ashamed of.
London, July, 1901.
A CATHEDRAL COURTSHIP
We are doing the English cathedral towns, Aunt Celia and I. Aunt Celia has an intense desire to improve my mind. Papa told her, when we were leaving Cedarhurst, that he wouldn’t for the world have it too much improved, and Aunt Celia remarked that, so far as she could judge, there was no immediate danger; with which exchange of hostilities they parted.
We are travelling under the yoke of an iron itinerary, warranted neither to bend nor break. It was made out by a young High Church curate in New York, and if it were a creed, or a document that had been blessed by all the bishops and popes, it could not be more sacred to Aunt Celia. She is awfully High Church, and I believe she thinks this tour of the cathedrals will give me a taste for ritual and bring me into the true fold. Mamma was a Unitarian, and so when she was alive I generally attended service at that church. Aunt Celia says it is not a Church; that the most you can say for it is that it is a ‘belief’ rather loosely and carelessly formulated. She also says that dear old Dr. Kyle is the most dangerous Unitarian she knows, because he has leanings towards Christianity.
Long ago, in her youth, Aunt Celia was engaged to a young architect. He, with his triangles and T-squares and things, succeeded in making an imaginary scale-drawing of her heart (up to that time a virgin forest, an unmapped territory), which enabled him to enter in and set up a pedestal there, on which he has remained ever since. He has been only a memory for many years, to be sure, for he died at the age of twenty-six, before he had had time to build anything but a livery stable and a country hotel. This is fortunate, on the whole, because Aunt Celia thinks he was destined to establish American architecture on a higher plane, rid it of its base, time-serving, imitative instincts, and waft it to a height where, in the course of centuries, it would have been revered and followed by all the nations of the earth.
I went to see the stable, after one of these Miriam-like flights of prophecy on the might-have-been. It isn’t fair to judge a man’s promise by one modest performance, and so I shall say nothing, save that I am sure it was the charm of the man that won my aunt’s affection, not the genius of the builder.
This sentiment about architecture and this fondness for the very toppingest High Church ritual cause Aunt Celia to look on the English cathedrals with solemnity and reverential awe. She has given me a fat note-book, with ‘Katharine Schuyler’ stamped in gold letters on the Russia-leather cover, and a lock and key to conceal its youthful inanities from the general public. I am not at all the sort of girl who makes notes, and I have told her so; but she says that I must at least record my passing impressions, if they are ever so trivial and commonplace. She also says that one’s language gains unconsciously in dignity and sobriety by being set down in black and white, and that a liberal use of pen and ink will be sure to chasten my extravagances of style.
I wanted to go directly from Southampton to London with the Abbotts, our ship friends, who left us yesterday. Roderick Abbott and I had had a charming time on board ship (more charming than Aunt Celia knows, because she was very ill, and her natural powers of chaperoning were severely impaired), and the prospect of seeing London sights together was not unpleasing; but Roderick Abbott is not in Aunt Celia’s itinerary, which reads: ‘Winchester, Salisbury, Bath, Wells, Gloucester, Oxford, London, Ely, Peterborough, Lincoln, York, Durham.’ These are the cathedrals Aunt Celia’s curate chose to visit, and this is the order in which he chose to visit them. Canterbury was too far east for him, and Exeter was too far west, but he suggests Ripon and Hereford if strength and time permit.
Aunt Celia is one of those persons who are born to command, and when they are thrown in contact with those who are born to be commanded all goes as merry as a marriage bell; otherwise not.
So here we are at Winchester; and I don’t mind all the Roderick Abbotts in the universe, now that I have seen the Royal Garden Inn, its pretty coffee-room opening into the old-fashioned garden, with its borders of clove-pinks, its aviaries, and its blossoming horse-chestnuts, great towering masses of pink bloom.
Aunt Celia has driven to St. Cross Hospital with Mrs. Benedict, an estimable lady tourist whom she ‘picked up’ en route from Southampton. I am tired, and stayed at home. I cannot write letters, because Aunt Celia has the guide-books, so I sit by the window in indolent content, watching the dear little school laddies, with their short jackets and wide white collars; they all look so jolly, and rosy, and clean, and kissable. I should like to kiss the chambermaid, too. She has a pink print dress, no fringe, thank goodness (it’s curious our servants can’t leave that deformity to the upper classes), but shining brown hair, plump figure, soft voice, and a most engaging way of saying ‘Yes, miss? Anythink more, miss?’ I long to ask her to sit down comfortably and be English while I study her as a type, but of course I mustn’t. Sometimes I wish I could retire from the world for a season and do what I like, ‘surrounded by the general comfort of being thought mad.’
An elegant, irreproachable, high-minded model of dignity and reserve has just knocked and inquired what we will have for dinner. It is very embarrassing to give orders to a person who looks like a Justice of the Supreme Court, but I said languidly:
‘What would you suggest?’
‘How would you like a clear soup, a good spring soup, to begin with, miss?’
‘Very much.’
‘And a bit of turbot next, miss, with anchovy sauce?’
‘Yes, turbot, by all means,’ I said, my mouth watering at the word.
‘And what else, miss? Would you enjoy a young duckling, miss, with new potatoes and green peas?’
‘Just the thing; and for dessert—’ I couldn’t think what I ought to order next in England, but the high-minded model coughed apologetically, and, correcting my language, said:
‘I