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THE BEST OF
RUDYARD KIPLING
A COLLECTION OF
ESSENTIAL POETRY
By
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Contents
THE GODS OF THE COPYBOOK HEADINGS
Rudyard Kipling
A British author who was born in Bombay on the 30th of December 1865. His father, John Lockwood Kipling (1837–1911), an artist of considerable ability, was from 1875 to 1893 curator of the Lahore museum in India. His mother was Miss Alice Macdonald of Birmingham, two of whose sisters were married respectively to Sir E. Burne-Jones and Sir Edward Poynter. He was educated at the United Services College, Westward Ho, North Devon, of which a somewhat lurid account is given in his story Staley and Co. On his return to India he became at the age of seventeen the sub-editor of the Lahore Civil and Military Gazette.
In 1886, in his twenty-first year, he published Departmental Ditties, a volume of light verse chiefly satirical, only in two or three poems giving promise of his authentic poetical note. In 1887 he published Plain Tales from the Hills, a collection mainly of the stories contributed to his own journal. During the next two years he brought out, in six slim paper-covered volumes of Wheeler's Railway Library (Allahabad), Soldiers Three, The Story of the Gadsbys, In Black and White, Under the Deodars, The Phantom 'Rickshaw and Wee Willie Winkee, at a rupee apiece. These were in form and substance a continuation of the Plain Tales. This series of tales all written before the author was twenty-four, revealed a new master of fiction. A few, but those the best, he afterwards said that his father gave him. The rest were the harvest of his own powers of observation vitalized by imagination. In method they owed something to Bret Harte; in matter and spirit they were absolutely original.
They were unequal, as his books continued to be throughout; the sketches of Anglo-Indian social life being generally inferior to the rest. The style was to some extent disfigured by jerkiness and mannered tricks. But Mr Kipling possessed the supreme spell of the story-teller to entrance and transport. The freshness of the invention, the variety of character, the vigour of narrative, the raciness of dialogue, the magic of atmosphere, were alike remarkable. The soldier-stories, especially the exuberant vitality of the cycle which contains the immortal Mulvaney, established the author's fame throughout the world. The child-stories and tales of the British official were not less masterly, while the tales of native life and of adventure"beyond the pale” disclosed an even finer and deeper vein of romance.
India, which had been an old story for generations of Englishmen, was revealed in these brilliant pictures as if seen for the first time in its variety, colour and passion, vivid as mirage, enchanting as the Arabian Nights. The new author's talent was quickly recognized in India, but it was not till the books reached England that his true rank was appreciated and proclaimed.
Between 1887 and 1889 he travelled through India, China, Japan and America, finally arriving in England to find himself already famous. His travel sketches, contributed to The Civil and Military Gazette and The Pioneer, were afterwards collected (the author's hand having been forced by unauthorized publication) in the two volumes From Sea to Sea (1899). A further set of Indian tales, equal to the best, appeared in Macmillan's Magazine and were republished with others in Life's Handicap (1891). In The Light that Failed (1891, after appearing with a different ending in Lippincott's Magazine). Mr Kipling essayed his first long story (dramatized 1905), but with comparative unsuccess.
In his subsequent work his delight in the display of descriptive and verbal technicalities grew on him. His polemic against"the sheltered life” and"little Englandism” became more didactic. His terseness sometimes degenerated into abruptness and obscurity. But in the meanwhile his genius became prominent in verse.
Readers of the Plain Tales had been impressed by the snatches of poetry prefixed to them for motto, certain of them being subscribed"Barrack Room Ballad” Mr Kipling now contributed to the National Observer, then edited by W. E. Henley, a series of Barrack Room Ballads. These vigorous verses in soldier slang, when published in a book in 1892, together with the fine ballad of"East and West” and other poems, won for their author a second fame, wider than he had attained as a story-teller. In this volume the Ballads of the"Bolivar” and of the"Clampherdown,” introducing Mr Kipling's poetry of the ocean and the engine-room, and"The