after the first relishing draft, "that we should be honest, even with defectives like old Timmins. This man in Seattle that keeps track of prices for me writes that the top of the mule market has blown sky-high; that if I got anything looking at all like a mule not to let it go off the place for less than two hundred dollars, because mule buyers is sure desperate. Safety must of got the same tip, only you can bet his correspondent put the full three cents on the letter. Safety would never have trusted a strange postmaster with the excess. Anyway he sold that bunch of rabbits a week later for one hundred and seventy-five a head, thus adding twenty-two hundred and fifty dollars of my money to his tainted fortune. You can imagine the pins and needles he'd been on for a week, scared I'd get the tip and knowing if he even mentioned them runts at any price whatever that I'd be wise at once. That joke of the boys must of seemed heaven-sent to him.
"You ought to heard the lecture I read them fool punchers on common honesty and how the biter is always bit. I scared 'em good; there hasn't been an elephant on the place since that day. They're a chastened lot, all right. I was chastened myself. I admit it. I don't hardly believe I'll ever attempt anything crooked on old Safety again—and yet, I don't know."
The lady viciously expelled the last smoke from her cigarette and again took up the knitting.
"I don't really know but if there was some wanton, duplicity come up that I could handle myself and not have to leave to that pack of amateur thieves out in the bunk house, and it was dead sure and I didn't risk doing more than two years' penal servitude—yes, I really don't know. Even now mebbe all ain't over between us."
II
A LOVE STORY
I had for some time been noting a slight theatrical tinge to the periodical literature supported by the big table in the Arrowhead living room. Chiefly the table's burden is composed of trade journals of the sober quality of the Stockbreeder's Gazette or Mine, Quarry & Derrick or the "Farmer's Almanac." But if, for example, one really tired of a vivacious column headed "Chats on Fertilizers" one could, by shuffling the litter, come upon a less sordid magazine frankly abandoned to the interests of the screen drama.
The one I best recall has limned upon its cover in acceptable flesh tints a fair young face of flawless beauty framed in a mass of curling golden ringlets. The dewy eyes, shaded to mystery by lashes of uncommon length, flash a wistful appeal that is faintly belied by the half-smiling lips and the dimpling chin. The contours are delicate yet firm; a face of haunting appeal—a face in which tears can be seldom but the sprightly rain of April, and the smile, when it melts the sensitive lips, will yet warn that hearts are made to ache and here is one not all too merry in its gladness. It is the face of one of our famous screen beauties, and we know, even from this tinted half-tone, that the fame has been deserved.
On one of those tired Arrowhead nights, inwardly debating the possible discourtesy of an early bedding after ten wet miles of trout stream, I came again and again to this compelling face of the sad smile and the glad tears. It recalled an ideal feminine head much looked at in my nonage. It was lithographed mostly in pink and was labeled "Tempest and Sunshine." So I loitered by the big table, dreaming upon the poignant perfections of this idol of a strange new art. I dreamed until awakened by the bustling return of my hostess, Mrs. Lysander John Pettengill, who paused beside me to build an after-dinner cigarette, herself glancing meantime at the flawless face on the magazine cover. I perceived instantly that she also had been caught by its not too elusive charm.
"A beautiful face," I said.
Ma Pettengill took the magazine from me and studied the dainty thing.
"Yes, he's certainly beautiful," she assented. "He's as handsome as a Greek goddess." Thus did the woman ambiguously praise that famous screen star, J. Harold Armytage. "And the money he makes! His salary is one of them you see compared with the President's so as to make the latter seem a mere trifle. That's a funny thing. I bet at least eighteen million grown people in this country never did know how much they was paying their president till they saw it quoted beside some movie star's salary in a piece that tells how he's getting about four times what we pay the man in the White House. Ain't it a great business, though! Here's this horrible male beauty that would have to be mighty careful to escape extermination if he was anything but an actor. Being that, however, he not only eludes the vengeance of a sickened populace, but he can come out and be raw about it. Here, let me show you."
She turned to the page where J. Harold Armytage began to print a choice few of the letters he daily received from admirers of the reputedly frailer sex. She now read me one of these with lamentable efforts of voice to satirize its wooing note: "My darling! I saw that dear face of yours again to-night in All For Love! So noble and manly you were in the sawmill scene where first you turn upon the scoundrelly millionaire father of the girl you love, then save him from the dynamite bomb of the strikers at the risk of your own. Oh, my dearest! Something tells me your heart is as pure and sweet as your acting, that your dear face could not mask an evil thought. Oh, my man of all the world! If only you and I together might—"
It seemed enough. Ma Pettengill thought so too. The others were not unlike it. The woman then read me a few of the replies of J. Harold Armytage to his unknown worshippers. The famous star was invariably modest and dignified in these. Tactfully, as a gentleman must in any magazine of wide circulation, he deprecated the worship of these adoring ones and kindly sought to persuade them that he was but a man—not a god, even if he did chance to receive one of the largest salaries in the business. The rogue! No god—with the glorious lines of his face there on the cover to controvert this awkward disclaimer! His beauty flaunted to famished hearts, what avail to protest weakly that they should put away his image or even to hint, as now and again he was stern enough to do, that their frankness bordered on the unmaidenly?
I called Ma Pettengill's attention to this engaging modesty. I said it must be an affair of some delicacy to rebuff ardent and not too reticent fair ones in a public print, and that I considered J. Harold Armytage to have come out of it with a display of taste that could be called unusual. The woman replied, with her occasional irrelevance, that if the parties that hired him should read this stuff they probably wouldn't even then take him out on the lot and have him bitterly kicked by a succession of ten large labouring men who would take kindly to the task. She then once more said that the movies was sure one great business, and turned in the magazine to pleasanter pages on which one Vida Sommers, also a screen idol, it seemed, gave warning and advice to young girls who contemplated a moving-picture career.
Portraits of Vida Sommers in her best-known roles embellished these pages. In all of the portraits she wept. In some the tears were visible; in others they had to be guessed, the face being drawn by anguish. Her feminine correspondents wished particularly to be told of the snares and temptations besetting the path of the young girl who enters this perilous career. Many of them seemed rather vague except upon this point. They all seemed to be sure that snares and temptations would await them, and would Vida Sommers please say how these could be avoided by young and impressionable girls of good figure and appearance who were now waiting on table at the American House in Centralia, Illinois, or accepting temporary employment in mercantile establishments in Chicago, or merely living at home in Zanesville, Ohio, amid conditions unbearably cramping to their aspirations?
And Vida Sommers told every one of them not to consider the pictures but as a final refuge from penury. She warned them that they would find the life one of hard work and full of disappointments. It seemed that even the snares and temptations were disappointing, being more easily evaded than many of her correspondents appeared to suspect. She advised them all to marry some good, true man and make a home for him. And surely none of them could have believed the life to be a joyous one after studying these sorrowful portraits of Vida Sommers.
"That's my little actress friend," said Ma Pettengill. "Doesn't she cry something grand!"
"You've been cheating me," I answered. "I never knew you had a little actress friend. How did you get her? And doesn't she ever