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Candace Wheeler
The Development of Embroidery in America
Published by Good Press, 2019
EAN 4057664612571
Table of Contents
THE DEVELOPMENT OF EMBROIDERY IN AMERICA
INTRODUCTORY THE STORY OF THE NEEDLE
CHAPTER I BEGINNINGS IN THE NEW WORLD
CHAPTER II THE CREWELWORK OF OUR PURITAN MOTHERS
CHAPTER III SAMPLERS AND A WORD ABOUT QUILTS
CHAPTER IV MORAVIAN WORK, PORTRAITURE, FRENCH EMBROIDERY, AND LACEWORK
CHAPTER VI REVIVAL OF EMBROIDERY, AND THE FOUNDING OF THE SOCIETY OF DECORATIVE ART
CHAPTER VIII THE BAYEUX TAPESTRIES
ILLUSTRATIONS
CANDACE WHEELER. From the painting by her daughter Dora Wheeler Keith Frontispiece
MOCCASINS OF PORCUPINE QUILLWORK. Made by Sioux Indians Facing 12
PIPE BAGS OF PORCUPINE QUILLWORK. Made by Sioux Indians 12
MAN'S JACKET OF PORCUPINE QUILLWORK. Made by Sioux Indians 14
MAN'S JACKET OF PORCUPINE QUILLWORK. Made by Plains Indians 14
CREWEL DESIGN, drawn and colored, which dates back to Colonial times 18
TESTER embroidered in crewels in shades of blue on white homespun linen. Said to have been brought to Essex, Mass., in 1640, by Madam Susanna, wife of Sylvester Eveleth 22
RAISED EMBROIDERY ON BLACK VELVET. Nineteenth century American 22
QUILTED COVERLET made by Ann Gurnee 26
HOMESPUN WOOLEN BLANKET with King George's Crown embroidered with home-dyed blue yarn in the corner. From the Burdette home at Fort Lee, N. J., where Washington was entertained 26
CHEROKEE ROSE BLANKET, made about 1830, of homespun wool with "Indian Rose" design about nineteen inches in diameter worked in the corners in home-dyed yarns of black, red, yellow, and dark green. From the Westervelt collection 26
BED SET, Keturah Baldwin pattern, designed, dyed, and worked by The Deerfield Society of Blue and White Needlework, Deerfield, Mass. 32
BED COVERS worked in candle wicking 32
SAMPLER worked by Adeline Bryant in 1826, now in the possession of Anna D. Trowbridge, Hackensack, N. J. 50
SAMPLER embroidered in colors on écru linen, by Mary Ann Marley, aged twelve, August 30, 1820 52
SAMPLER embroidered in brown on écru linen, by Martha Carter Fitzhugh, of Virginia, in 1793, and left unfinished at her death 52
SAMPLER worked by Christiana Baird. Late eighteenth century American 54
MEMORIAL PIECE worked in silks, on white satin. Sacred to the memory of Major Anthony Morse, who died March 22, 1805 54
SAMPLER of Moravian embroidery, worked in 1806, by Sarah Ann Smith, of Smithtown, L. I. 54
SAMPLER worked by Nancy Dennis, Argyle, N. Y., in 1810 56
SAMPLER worked by Nancy McMurray, of Salem, N. Y., in 1793 56
PETIT POINT PICTURE which belonged to President John Quincy Adams, and now in the Dwight M. Prouty collection 56
SAMPLER in drawnwork, écru linen thread, made by Anne Gower, wife of Gov. John Endicott, before 1628 60
SAMPLER embroidered in dull colors on écru canvas by Mary Holingworth, wife of Philip English, Salem merchant, married July, 1675, accused of witchcraft in 1692, but escaped to New York 60
SAMPLER worked by Hattie Goodeshall, who was born February 19, 1780, in Bristol 60
NEEDLEBOOK of Moravian embroidery made about 1850, now in the possession of Mrs. J. N. Myers, Bethlehem, Pa. 64
MORAVIAN EMBROIDERY worked by Emily E. Reynolds, Plymouth, Pa., in 1834, at the age of twelve, while at the Moravian Seminary in Bethlehem, and now owned by her granddaughter 64
MORAVIAN EMBROIDERY from Louisville, Ky. 66
LINEN TOWELS embroidered in cross-stitch. Pennsylvania Dutch early nineteenth century 70
"THE MEETING OF ISAAC AND REBECCA"—Moravian embroidered picture, an heirloom in the Reichel family of Bethlehem, Pa. Worked by Sarah Kummer about 1790 74
"SUFFER LITTLE CHILDREN TO COME UNTO ME"—Cross-stitch picture made about 1825, now in the possession of the Beckel family, Bethlehem, Pa. 74
ABRAHAM AND ISAAC. Kensington embroidery by Mary Winifred Hoskins, of Edenton, N. C., while attending an English finishing school in Baltimore in 1814 76
FIRE SCREEN embroidered in cross-stitch worsted 78
FIRE SCREEN, design, "The Scottish Chieftain," embroidered in cross-stitch by Mrs. Mary H. Cleveland Allen 78
FIRE