Western Rock Artists, Madame Butterfly, and the Allure of Japan. Christopher T. Keaveney

Аннотация:

Using the framework of Edward Said’s Orientalism, this work examines how Western rock and pop artists—particularly during the age of album rock from the 1970s through the 1990s—perpetuated long-held stereotypes of Japan in their direct encounters with the country and in songs and music videos with Japanese content.