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Thorley Weir
CHAPTER I
The hottest day of all days in the hottest June of all Junes was beginning to abate its burning, and the inhabitants of close-packed cities and their perspiring congregations cherished the hope that before long some semblance of briskness might return into the ardent streets. Providence, it would appear, justly resentful at the long-continued complaints that hot summers were altogether a thing of the past, had determined to show that something could still be done in that line, but this rejoinder, humorous at first, had long ago ceased to amuse. From morning till night for the last six weeks an unveiled sun had shed a terrific ray on to the baked pavements and reverberating house-walls, but to-day had beaten all previous records, and a solemn glee pervaded the meteorological offices, the reports of which seemed to claim a sort of proprietary credit in the readings of their incredible thermometers.
Under these conditions it was with a sigh of relief that Arthur Craddock subsided into the corner-seat of a first-class smoking carriage at Paddington, finding that it was smoking, figuratively speaking, in less specialized a sense than that intended by the railway-company, for it had been standing for an hour or two in the sun outside the station. But he had clear notions about the risk of chill even on so hot a day, and when the train moved out from the dusky glass vault, he drew up the window beside which he sat, for it was impossible for him to take a seat with his back to the direction of progress, since the sight of receding landscape always made him feel slightly unwell. But, as he was alone in his carriage, there was no reason why he should not refresh his clay-coloured face with a mist of wall-flower scent which he squirted delicately over his forehead and closed eyes from a bottle in his silver-mounted dressing-case. Then he pulled down all the blinds in his carriage and sitting quite still in this restorative gloom indulged in pleasant anticipations.
He was a very large stout person, wearing his hair, which was beginning to grow thin, though no hint of greyness invaded its sleek blackness, conspicuously long. Round his ears and the back of his head it was still thick, but it no longer felt capable of growth on the top of his high peaked head, and in consequence he brushed it from the territories on the left side of his head over the top of his bald skull, and mingled the extremities of these locks with those that grew on the territories on the right of his head. It might thus be hoped that short-sighted and unobservant persons would come to the gratifying conclusion that the thatch was complete. He wore a small reddish moustache which in the centre of his immense colourless face might remind a Biblical beholder of the Burning Bush in the desert of Sin, for he looked vaguely debauched (which he was not) and overfed (which was probable to the verge of certainty). His hands, of which he was exceedingly proud, were small and white and plump; they were carefully manicured and decorated with a couple of rings, each set with a large cabochon stone. When, as now, they were not otherwise occupied, he habitually used one of them to caress the side of this desert of Sin, as if to make sure that no whisker was surreptitiously sprouting there. In dress, though he was certainly old enough to know better, he affected the contemporary style of a fashionable young man, and his brown flannel suit had evidently the benediction of the tailor fresh upon it. His tie, in which was pinned a remarkably fine pearl, was slightly more vivid than his suit, but of the same colour as his socks, a smooth two inches of which appeared below his turned-up trousers, and his shirt had a stripe of the same colour as his tie. No watch-chain glittered on the amplitude where it would naturally repose, but on his left wrist he wore a narrow band of gold braid with a lady's watch set in it. A white straw hat and brown shoes were the alpha and omega of his costume.
Though his face was singularly unwrinkled, except for rather heavy bags of loose skin below his eyes, it was quite evident that Arthur Craddock had left youth far behind him, but it would have been an imprudent man who would have wagered as to his ability to guess it within the limits of four or five years, for his corpulence was of the somewhat gross sort that may come early to an inactive man, in whose sedentary day dinner is something of an event. But it would not have required a very subtle physiognomist to conjecture for him an alert and athletic mind. His small grey eyes, which were unsurmounted by any hint of eyebrow, were, though a little red and moist, of a singular intensity in focus, and as active in poise and dart as a hovering dragon-fly, while even in repose they wore a notably watchful and observant look. His hands, too, which afforded him so constant a gratification, were undeniably the hands of an artist, long-fingered in proportion to the palms, and taper-nailed. Artist he was, too, to the very tips of those pink and shining triumphs of the manicurist, and though he neither painted nor played nor set forth on adventures in romance or poetry, his judgment and perception in all such achievements on the part of others was a marvel of unerring instinct, and was solidly based on an unrivalled knowledge of the arts. Not only, too, could he appreciate and condemn with faultless acumen, but side by side with that gift, and totally distinct from it, he had an astonishing flair for perceiving what the public would appreciate, and just as he was seldom at fault in true artistic judgment, so also was he an accurate appraiser of the money-earning value of play or picture. He was, it may be stated, not unconnected with the artistic columns of the daily press, and the frequent articles he contributed to three leading papers on pictures, concerts and plays, were often masterpieces of criticism, while at other times and for other reasons he plentifully belauded work in which, though he might artistically despise it, he was financially interested. His critical powers and the practical use to which he put them in purchases and in these penetrating paragraphs had proved most remunerative to him during these last fifteen or twenty years, and he had already laid by a very comfortable provision for his declining days, which he sincerely hoped were as yet very far off. He was fond of money, and, very wisely, had not the least objection to spending it in works of art which gave him pleasure, especially when his judgment told him that they would go up in value. Then, if a picture or a bronze could be sold again at a much higher price than that which he paid for it, he would part with it without any agony of reluctance. These transactions were conducted unobtrusively and it occurred to nobody to call him a dealer. If such a supposition ever occurred to himself, he put it from him with the utmost promptitude. But every quarter he paid the rent of Thistleton's Gallery in Bond Street, from which so many of the English masters set forth on their voyage to the United States.
His immediate anticipations, as has been already remarked, were pleasurable, for the Thames-side house at Thorley where he was to dine and sleep would certainly be a refreshing exchange from the baking airlessness of town. It was true that there would be nothing special in the way of dinner to look forward to, for his host Philip Wroughton was a penurious dyspeptic of long but hypochondriacal standing, and Arthur Craddock, made wise by a previous experience, had directed his valet to take with him certain palatable and nutritious biscuits in case dinner proved to be not only plain in quality but deficient in quantity. But there were two attractions which he was sure of finding there, each of which more than compensated the certain short-comings of the table. These were Philip Wroughton's daughter and Philip Wroughton's Reynolds: briefly, he hoped to possess himself of both.
It was impossible to decide between the rival excellencies of these. The Reynolds picture was exquisite: it represented his host's great-grandmother. But Joyce Wroughton his host's daughter might have sat in person for it, and the artist would have congratulated himself on having so supremely caught the frank charm and vigour of her beauty. More than most of the master's portraits it set forth a breezy and glorious vitality; it was as if Diana and an Amazon had been ancestresses to the sitter, in so swift and active a poise the slim white-clad figure paused with head turned and beckoning hand and smile before it passed up the glade of dark-foliaged trees behind it. How often had Craddock seen Joyce Wroughton in just such a momentary attitude as she swung across the lawn from her punting on the river, and turned to call her collies lest they should enter the tent where her father sat and disturb him at his employment of doing nothing at all. Craddock, sluggish of blood and corpulent of limb, found a charm of wonderful potency in the girl's lithe and athletic youth, and his own subtle intricate-weaving mind admired hardly less the serenity and simplicity of hers, which seemed as untroubled and unmorbid as that which he would conjecture for some white Hellenic marble. It cannot be truthfully stated that in the common acceptance of the word he was in love with her, but he immensely admired her, and, being of the age when a man says to himself that if he intends to marry he must without delay put out from the harbour of his bachelorhood, he had decided to set his sails. She,