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Plays : First Series
THE SILVER BOX
PERSONS OF THE PLAY
JOHN BARTHWICK, M.P., a wealthy Liberal
MRS. BARTHWICK, his wife
JACK BARTHWICK, their son
ROPER, their solicitor
MRS. JONES, their charwoman
MARLOW, their manservant
WHEELER, their maidservant
JONES, the stranger within their gates
MRS. SEDDON, a landlady
SNOW, a detective
A POLICE MAGISTRATE
AN UNKNOWN LADY, from beyond
TWO LITTLE GIRLS, homeless
LIVENS, their father
A RELIEVING OFFICER
A MAGISTRATE'S CLERK
AN USHER
POLICEMEN, CLERKS, AND OTHERS
TIME: The present. The action of the first two Acts takes place on Easter Tuesday; the action of the third on Easter Wednesday week.
ACT I. SCENE I. Rockingham Gate. John Barthwick's dining-room. SCENE II. The same. SCENE III. The same.
ACT II. SCENE I. The Jones's lodgings, Merthyr Street. SCENE II. John Barthwick's dining-room.
ACT III. A London police court.
ACT I
SCENE I
The curtain rises on the BARTHWICK'S dining-room, large, modern, and well furnished; the window curtains drawn. Electric light is burning. On the large round dining-table is set out a tray with whisky, a syphon, and a silver cigarette-box. It is past midnight.
A fumbling is heard outside the door. It is opened suddenly; JACK BARTHWICK seems to fall into the room. He stands holding by the door knob, staring before him, with a beatific smile. He is in evening dress and opera hat, and carries in his hand a sky-blue velvet lady's reticule. His boyish face is freshly coloured and clean-shaven. An overcoat is hanging on his arm.
JACK. Hello! I've got home all ri – [Defiantly.] Who says I sh'd never 've opened th' door without 'sistance. [He staggers in, fumbling with the reticule. A lady's handkerchief and purse of crimson silk fall out.] Serve her joll' well right – everything droppin' out. Th' cat. I 've scored her off – I 've got her bag. [He swings the reticule.] Serves her joly' well right. [He takes a cigarette out of the silver box and puts it in his mouth.] Never gave tha' fellow anything! [He hunts through all his pockets and pulls a shilling out; it drops and rolls away. He looks for it.] Beastly shilling! [He looks again.] Base ingratitude! Absolutely nothing. [He laughs.] Mus' tell him I've got absolutely nothing.
[He lurches through the door and down a corridor, and presently returns, followed by JONES, who is advanced in liquor. JONES, about thirty years of age, has hollow cheeks, black circles round his eyes, and rusty clothes: He looks as though he might be unemployed, and enters in a hang-dog manner.]
JACK. Sh! sh! sh! Don't you make a noise, whatever you do. Shu' the door, an' have a drink. [Very solemnly.] You helped me to open the door – I 've got nothin, for you. This is my house. My father's name's Barthwick; he's Member of Parliament – Liberal Member of Parliament: I've told you that before. Have a drink! [He pours out whisky and drinks it up.] I'm not drunk [Subsiding on a sofa.] Tha's all right. Wha's your name? My name's Barthwick, so's my father's; I'm a Liberal too – wha're you?
JONES. [In a thick, sardonic voice.] I'm a bloomin' Conservative. My name's Jones! My wife works 'ere; she's the char; she works 'ere.
JACK. Jones? [He laughs.] There's 'nother Jones at College with me. I'm not a Socialist myself; I'm a Liberal – there's ve – lill difference, because of the principles of the Lib – Liberal Party. We're all equal before the law – tha's rot, tha's silly. [Laughs.] Wha' was I about to say? Give me some whisky.
[JONES gives him the whisky he desires, together with a squirt of syphon.]
Wha' I was goin' tell you was – I 've had a row with her. [He waves the reticule.] Have a drink, Jonessh 'd never have got in without you – tha 's why I 'm giving you a drink. Don' care who knows I've scored her off. Th' cat! [He throws his feet up on the sofa.] Don' you make a noise, whatever you do. You pour out a drink – you make yourself good long, long drink – you take cigarette – you take anything you like. Sh'd never have got in without you. [Closing his eyes.] You're a Tory – you're a Tory Socialist. I'm Liberal myself – have a drink – I 'm an excel'nt chap.
[His head drops back. He, smiling, falls asleep, and JONES stands looking at him; then, snatching up JACK's glass, he drinks it off. He picks the reticule from off JACK'S shirt-front, holds it to the light, and smells at it.]
JONES. Been on the tiles and brought 'ome some of yer cat's fur.
[He stuffs it into JACK's breast pocket.]
JACK. [Murmuring.] I 've scored you off! You cat!
[JONES looks around him furtively; he pours out whisky and drinks it. From the silver box he takes a cigarette, puffs at it, and drinks more whisky. There is no sobriety left in him.]
JONES. Fat lot o' things they've got 'ere! [He sees the crimson purse lying on the floor.] More cat's fur. Puss, puss! [He fingers it, drops it on the tray, and looks at JACK.] Calf! Fat calf! [He sees his own presentment in a mirror. Lifting his hands, with fingers spread, he stares at it; then looks again at JACK, clenching his fist as if to batter in his sleeping, smiling face. Suddenly he tilts the rest o f the whisky into the glass and drinks it. With cunning glee he takes the silver box and purse and pockets them.] I 'll score you off too, that 's wot I 'll do!
[He gives a little snarling laugh and lurches to the door. His shoulder rubs against the switch; the light goes out. There is a sound as of a closing outer door.]
The curtain falls.
The curtain rises again at once.
SCENE II
In the BARTHWICK'S dining-room. JACK is still asleep; the morning light is coming through the curtains. The time is half-past eight. WHEELER, brisk person enters with a dust-pan, and MRS. JONES more slowly with a scuttle.
WHEELER. [Drawing the curtains.] That precious husband of yours was round for you after you'd gone yesterday, Mrs. Jones. Wanted your money for drink, I suppose. He hangs about the corner here half the time. I saw him outside the "Goat and Bells" when I went to the post last night. If I were you I would n't live with him. I would n't live with a man that raised his hand to me. I wouldn't put up with it. Why don't you take your children and leave him? If you put up with 'im it'll only make him worse. I never can see why, because a man's married you, he should knock you about.
MRS. JONES. [Slim, dark-eyed, and dark-haired; oval-faced, and with a smooth, soft, even voice; her manner patient, her way of talking quite impersonal; she wears a blue linen dress, and boots with holes.] It was nearly two last night before he come home, and he wasn't himself. He made me get up, and he knocked me about; he didn't seem to know what he was saying or doing. Of course I would leave him, but I'm really afraid of what he'd do to me. He 's such a violent man when he's not himself.
WHEELER. Why don't you get him locked up? You'll never have any peace until you get him locked up. If I were you I'd go to the police court tomorrow. That's what I would do.
MRS. JONES. Of course I ought to go, because he does treat me so badly when he's not himself. But you see, Bettina, he has a very hard time – he 's been out of work two months, and it preys upon his mind. When he's in work he behaves himself much better. It's when he's out of work that he's so violent.
WHEELER. Well, if you won't take any steps you 'll never get rid of him.
MRS. JONES.