There is generally a chain attached to the nose, which is held by a second man, and they are attended by several others. In houses to which they can gain access, they go through some kind of performance, the man with the chain telling the horse to rear, open its mouth, &c. Their object, of course, is to obtain money. The horse will sometimes seize persons, and hold them fast till they pay for being set free; but he is generally very peaceable,—for in case of resistance being offered, his companions frequently take flight, and leave the poor horse to fight it out. I could never learn the origin of this strange custom. I remember, when very young, having a perfect horror of meeting this animal in the dark.
Another custom, which I suppose prevails in some other places, is the "Rush-bearing." At the annual Wakes a large quantity of rushes are collected together, and loaded on a cart, almost to the height of a load of hay. They are bound on the cart, and cut evenly at each end. On the Saturday evening a number of men sit on the top of the rushes, holding garlands of artificial flowers, tinsel, &c. The cart is drawn round the parish by three or four spirited horses, decked out with ribbons,—the collars being surrounded with small bells. It is attended by morris-dancers, dressed in strange style,—men in women's clothes, &c. One big man in woman's clothes, with his face blacked, has a belt round his waist, to which is attached a large bell, and carries a ladle, in which he collects money from the spectators. The company stop and dance at the principal public-houses in their route, and then proceed to the parish church(!), where the rushes are deposited, and the garlands hung up very conspicuously, to remain till the next year. I believe a custom somewhat similar exists in the adjoining parish of Warburton, but not carried out in such grand style.
It would be very interesting if your correspondents in different parts of the country would send accounts of these relics of the barbarous ages.
Runcorn, Feb. 13. 1850.
ON AUTHORS AND BOOKS, NO. 5
As a writer of dedications, Samuel Johnson was the giant of his time. He once said to Boswell, the subject arising at a dinner-party, "Why, I have dedicated to the royal family all round,"—and the honest chronicler proves that he spoke advisedly.
Compositions of this nature admit much variety of character. A dedication may be the pure homage which we owe to merit, or the expression of gratitude for favours received, or a memorial of cherished friendship; and such dedications, in point of motive, are beyond the reach of censure—I may fairly assert, are very commendable. Nevertheless, Johnson left no compositions of either class: "the loftiness of his mind," as Boswell gravely states, "prevented him from ever dedicating in his own person."
A more equivocal sort of dedication also prevailed. A book was supposed to require the prefix of some eminent name as its patron, in order to ensure its success. Now the author, though very capable of writing with propriety on his chosen theme, might be unequal to the courtly style which dedicators were wont to display, and as the complement was to be returned substantially, he might be tempted to employ a superior artist on the occasion. It was chiefly under such circumstances that the powers of Johnson were called into action. By what arguments the stern moralist would have endeavoured to justify the deception, for it deserves no better name, is more than I can undertake to decide, and I submit the query to his enthusiastic admirers.
To the dedications enumerated by the faithful Boswell, and by his sharp-sighted editors, Malone and Croker, I have to announce on internal evidence, a gorgeous addition! It is the dedication to Edward Augustus, Duke of York, of An Introduction to Geometry, by William Payne, London: T. Payne, at the Mews Gate, 1767. 4º., 1768. 8º. I transcribe it literatim. It wants no comment:—
"TO HIS ROYAL HIGHNESS THE DUKE OF YORK.
"SIR,
"They who are permitted to prefix the names of princes to treatises of science generally enjoy the protection of a patron, without fearing the censure of a judge.
"The honour of approaching your royal highness has given me many opportunities of knowing, that the work which I now presume to offer will not partake of the usual security. For as the knowledge which your royal highness has already acquired of GEOMETRY extends beyond the limits of an introduction. I expect not to inform you; I shall be happy if I merit your approbation.
"An address to such a patron admits no recommendation of the science. It is superfluous to tell your royal highness that GEOMETRY is the primary and fundamental art of life; that its effects are extended through the principal operations of human skill; that it conducts the soldier in the field, and the seaman in the ocean; that it gives strength to the fortress, and elegance to the palace. To your royal highness all this is already known; GEOMETRY is secure of your regard, and your opinion of its usefulness and value has sufficiently appeared, by the condescension in which you have been pleased to honour one who has so little pretension to the notice of princes, as
A short preface follows, which bears marks of reparation. It may have received some touches from the same masterly hand.
The external evidence in favour of the ascription of the above piece to Johnson, if slight in itself, is not devoid of significance. He had dedicated a book for the same author, which book was also published by Mr. Thomas Payne, who was his brother, in 1756.
PLAGIARISMS, OR PARALLEL PASSAGES. No. 2
"Dans les premières passions les femmes aiment l'amant; dans les autres elles aiment l'amour."—La Rouchefoucauld, Max. 494.
"In her first passions woman loves her lover,
In all the others all she loves is love,
Which grows a habit she can ne'er get over,
And fits her loosely—like an easy glove," etc.
Don Juan, canto iii. st. iii.
There is no note on this passage; but on the concluding lines of the very next stanza,
"Although, no doubt, her first of love affairs
Is that to which her heart is wholly granted;
Yet there are some, they say, who have had none,
But those who have ne'er end with only one,
we have the following editorial comment:—"These two lines are a versification of a saying of Montaigne." (!!!) The saying is not by Montaigne, but by La Rochefoucauld:—
"On peut trouver des femmes qui n'ont jamais eu de galanterie; mais il est rare d'en trouver qui n'en aient jamais eu qu'une."—Max. 73.
Byron borrows the same idea again:—
"Writing grows a habit, like a woman's gallantry. There are women who have had no intrigue, but few who have had but one only; so there are millions of men who have never written a book, but few who have written only one."—Observations upon an Article in Blackwood's Magazine; Byron's Works, vol. xv. p. 87, Moore's Edition, 17 vols duod. London, 1833.
Both the silence of the author, and the blunder of his editor, seem to me to prove that Les Maximes are not as generally known and studied as they deserve to be.
ST. ANTHOLIN'S
Your correspondent MR. RIMBAULT (No. 12.) has made rather a grave charge against my predecessors in office as churchwardens and overseers of this parish; and although, I regret to say, such accusations of unjust stewardship and dereliction of duty are frequently and with justice imputed to some parish officers, yet I am happy to be able, in this instance, to remove the stigma which would otherwise attach to those of St. Antholin. The churchwardens' accounts are in good preservation, and present (in an unbroken series) the parish expenditure for nearly three centuries.
Mr.