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CLAIRE SEEBER
Bad Friends
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
AVON
A division of HarperCollinsPublishers Ltd. 1 London Bridge Street London S1 9GF
A Paperback Original 2008
Copyright © Claire Seeber 2008
Claire Seeber asserts the moral right to be identified as the author of this work.
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Source ISBN: 9781847560483
Ebook Edition © JANUARY 2009 ISBN: 9780007281886 Version: 2018-05-25
For all my parents
and in memory of my beloved Granny. I’m running towards you (though it might take me a while).
BAD FRIENDS
‘If love is judged by most of its effects,
it resembles hate more than friendship.’
François de La Rochefoucauld – Les Maximes
I am running for my life, I know that now.
The moon slips behind the clouds. Perhaps the darkness is a boon, but the shadows that fall beside me seem to mock me as I flee, as I fly down the drive from the house. Desperately my hand closes round the bunch of metal; my little finger catches on a jagged edge, I feel my flesh tear slightly, but I ignore the pain. I slide dangerously in the mud but I will not fall, will not allow it; I right myself, though my leaden legs suck me into the stony ground; they scream with every step that I should stop but I can’t, I daren’t. I push myself on, stumbling on and on, because they are nearer now … closing on me for sure …
I am off the gravel drive and tracking across the great wild lawn towards the wooden bridge; towards the pub where there is life. I have no time to look around; worse, I can’t bear to see how long I’ve got.
Running for my life. I cannot get my breath; I fight for it until it sobs up through my chest like a dead man’s rattle. I was fast once, really fast as a child, running for joy and for gold – but I am out of practice now, I haven’t run properly for years and my bad foot hampers me. Terror drives me, terror that drips down and smothers me.
If I can just reach the pub, slam myself inside, I might be safe. Saved. But God, why was I mad enough to think I was safe to come here alone?
It is too late. The car is stopping, skidding behind me, and it’s like I am fastened to the house by its beam. I swing round. I have to face my hunter; I cannot stand unseeing, so exposed. The car door opens smoothly as an oily disc of moonshine slides out from behind fingers of cloud. Everything is illuminated so perfectly and I start towards the car in relief – until that smile meets me, and I actually gasp. I reel in shock like I’ve been punched, gut-punched where it most hurts.
‘You?’ I say numbly. ‘It can’t be you.’
A small and measured step towards me. ‘But it is, Maggie.’ And that smile, it is a flat smile. A traitor’s smile. ‘Weren’t you expecting me?’
I breathe hard onto the coach window and watch the fug slowly spread before me. Tracing the small cloud with my finger, I write my name across the middle like a schoolgirl. My name slants; a single tear tracks downwards from the M. I make a fist and vigorously rub myself out again. My hand is damp now; I wipe it dry. Cocooned in this muggy warmth, safe for the moment from the damp, dark night, I’m struggling to stay awake. Far off in the drizzle a tiny house twinkles with beguiling light, nestled into the old church beside it like a trusting child. I gaze wistfully after the enticing image, but we are truly hurtling down the motorway now, a sleek capsule slicing the M4’s black, and the house has vanished already.
I hold my breath as the teenage boy beside me bobs his head shyly, uncurls his awkward new height from beside me, scuttling with an odd spider’s gait to talk to his mates up-front. Now he’s gone there is some space here for my sadness, some room to acknowledge the pain of what I’ve just left behind. I feel utterly raw; like I’ve been flayed alive. I bite my lip against the grief. The truth is we’ve gone too far this time, I can’t see a return. We said it all; we let the floodgates down and we got truly drenched.
An abandoned can of Strongbow rolls under my feet. I let the can rattle until it annoys me, hitting my heel over and over. I retrieve it, stick it firmly into the net on the seat-back in front, fighting the urge to lick my wet fingers, drying them instead on the knobbly cloth on the seat beside me. I wish I’d had the foresight to find something to kill the ache before embarking. I wish I had some wine, my iPod, a cookery book – any means, in fact, of forgetting. I wish I wasn’t travelling alone. I wish I’d known I would be.
My eyelids droop inexorably until my head bangs against the thick, cool glass.
‘Ouch.’ I jerk up, feeling foolish, forcing myself upright again. I don’t want to sleep here, don’t want to surrender to the inevitable nightmares surrounded by these strangers. So I watch the little woman across the aisle, a mousey hobbit who mouths each word of Northanger Abbey aloud, scanning each page fervently, her pale lips oddly stiff despite their constant movement. I wish that I’d never read the book myself so that I could have that pleasure again for the first time. The couple in front lean into each other, the tops of their heads touching, their hair almost entwined as he whispers something he wants only her to hear. Right now, I think tragically, it’s unlikely I’ll ever feel any first pleasure again; that anyone will ever want to whisper anything to me again. I almost smile at my self-indulgence. Almost – but not quite.
Eventually I succumb to sleep, rocked by the lullaby of voices that murmur through the dim coach. I don’t notice the dark-haired girl as she passes by to use the poky loo, though later the girl swears blind that she saw me in my seat – she liked my hair, the girl says (God knows, it’s hard to miss). Says she knew I was a kindred spirit. But I do notice the tall man who drops his bag as he stumbles past,