>
A NOVEL
WOODY GUTHRIE
Edited and Introduced by
Douglas Brinkley and Johnny Depp
TO
Nora Guthrie
AND
Tiffany Colannino
AND
Guy Logsdon
I ain’t seen my family in twenty years
That ain’t easy to understand
They may be dead by now
I lost track of them after they lost their land
—BOB DYLAN, “Long and Wasted Years”
And seeing the multitudes, he went up into a mountain: and when he was set, his disciples came unto him:
And he opened his mouth, and taught them, saying,
Blessed are the poor in spirit: for theirs is the kingdom of heaven.
Blessed are they that mourn: for they shall be comforted.
Blessed are the meek: for they shall inherit the earth.
—MATTHEW 5:1–5 (King James Version)
Life’s pretty tough. . . . You’re lucky ifyou live through it.
—WOODY GUTHRIE
1
On Sunday, April 14, 1935—Palm Sunday—the itinerant sign painter and folksinger Woody Guthrie thought the apocalypse was knockin’ on the door of Pampa, Texas. An immense dust cloud—one that had emanated from the Dakotas—swept grimly across the Panhandle, like the Black Hills on wheels, blotting out sky and sun. As the dust storm approached the town, the bright afternoon was eclipsed by an ominous darkness. Fear engulfed the community. Had its doom arrived? No one in Pampa was safe from this beast. Huddled around a lone lightbulb in a shabby, makeshift wooden house with family and friends, Guthrie, a Christian believer, prayed for survival. The demented winds fingered their way through the loose-fitting windows, cracked walls, and wooden doors of the house. The people in Guthrie’s tight quarters held wet rags over their mouths, desperate to keep the swirling dust from asphyxiating them. Breathing even shallowly and irregularly was an exercise in forbearance. Guthrie, eyes shut tight, face firm, kept coughing and spitting mud.
What Guthrie experienced in Pampa, a vortex in the Dust Bowl, he said, was like “the Red Sea closing in on the Israel children.” According to Guthrie, for three hours that April afternoon a terrified Pampan couldn’t see a “dime in his pocket, the shirt on your back, or the meal on your table, not a dadgum thing.” When the dust storm finally passed, locals shoveled dirt from their front porches and swept basketfuls of debris from inside their houses. Guthrie, incessantly curious, tried to reconcile the joy of being alive with the widespread despair. He surveyed the damage in Pampa the way a veteran reporter would have done. The engines of the usually reliable G.M. motorcars and Fordson tractors had been ruined by thick grime. Huge dunes had accumulated in corrals and alongside wooden ranch homes. Most of the livestock had perished in the storm, the sand clogging their throats and noses. Even vultures hadn’t survived the maelstrom. Images of human anguish were everywhere. Some old people, hit the hardest, had suffered permanent damage to their eyes and lungs. “Dust pneumonia,” as physicians called the many cases of debilitating respiratory illness, became an epidemic in the Texas Panhandle. Guthrie would later write a song about it.
To express his sympathy for the survivors of that Palm Sunday, Guthrie wrote a powerful lament, which set the tone and tenor of his career as a Dust Bowl balladeer:
On the fourteenth day of April,
Of nineteen thirty-five,
There struck the worst of dust storms
That ever filled the sky.