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THE MARROWBONE MARBLE COMPANY A Novel GLENN TAYLOR The Borough Press An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF Copyright © Glenn Taylor 2010 Glenn Taylor asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library ISBN: 978-0-00-742328-6 (Hardback) ISBN: 978-0-00-735907-3 (Trade Paperback) Ebook Edition © 2010 ISBN: 9780007369393 Version: 2015-10-28 This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
Black ground was fenced for men to till. The dead of Gauley own this hill.
—Louise McNeill Contents Copyright Prologue - January 1969 I - A Line in the Dirt October 1941 November 1941 December 1941 August 1942 September 1942 October 1942 November 1942 August 1945 May 1946 June 1946 September 1947 October 1947 November 1947 February 1948 May 1948 July 1948 September 1948 November 1948 April 1949 October 1951 June 1953 II - A House on the Sand June 1963 August 1963 September 1963 December 1964 February 1965 March 1965 April 1965 May 1966 June 1966 February 1967 June 1967 July 1967 September 1967 October 1967 February 1968 March 1968 April 1968 July 1968 December 1968 January 1969 Acknowledgments About the Author Also by Glenn Taylor Author’s Note THE GROUND WAS THE color of rust. Holes the size of half-dollars were every where, some encircled by tiny mounds of dirt. This was hard earth, nearly frozen. Dried-up leaves and spruce needles turned brown. A hush had befallen the land, as still as the inside of a coffin. Such quiet recalled a time before timber had framed houses and a church, before plumbing hooked in hot and cold, before electricity snaked conduit. The trees slept. The creek was iced over. At the back of the hollow, there was piled ash and shingle. Sheet metal lengths. Two-by-fours at peculiar angles, their surfaces bubbled and cracked and black. There was a furnace stack, fifty feet high and made from fieldstone. It towered above all that fire had taken, but its mortar was crumbling. A strong wind would soon enough knock it down and stir the ash and frayed black picture-frame wire and lampshade bones below. Snow came. It landed silent on a thick sheath of glass, the size and shape of a backyard pond. This glass had run molten, but now it was cooled, its edges rounded, frozen in rolls. A woman walked a circle around it. She held in her hands a Bolex 16mm movie camera. She filmed the glass. Thought for a moment she had seen a fish eye looking up at her from beneath. This tract of land had known many names. Bonecutter Ridge, Marrowbone Cut, the Land of Canaan. A German hog butcher named Knochenbauer had settled it in 1798. He’d entered into common-law marriage with an Indian woman and they’d raised children and grandchildren and made their surname Bonecutter. The Bonecutters lived on these five hundred West Virginia acres for 150 years. They were hard, proud people who prospered some times and went hungry others. They witnessed love and murder, fire and flood, until only two remained. It was left to them to hold on to the land. They did so with the sure grip that hill people possess. Loyal Ledford came to this place in 1948, and for a time people again walked the ground. They followed paths beaten by the feet of those who’d walked the same routes before them. House to church to meeting hall to woods’ edge, and back to house. The people here made something real and good. They built with their hands. They put down roots. Ledford put his in deep. But his blood carried memories and his temper ran hot. In his dreams, hollows were flooded and people hid in holes they’d dug in the ground. Ledford was apart from this world, and yet the people followed him. “Tell you what,” he once said to them. “We can stir the creek and wake up the trees. We can be a people freed.”
