modestly bespeak their trade: in the bottles “honey of grapes,” in the jars “strong drink.” Their entreaties are usually lost in the general uproar, and they fare illy against the many competitors: brawny fellows with bare legs, dirty tunics, and long beards, going about with bottles lashed to their backs, and shouting “Honey of wine! Grapes of En-Gedi!” When a customer halts one of them, round comes the bottle, and, upon lifting the thumb from the nozzle, out into the ready cup gushes the deep-red blood of the luscious berry.
Scarcely less blatant are the dealers in birds—doves, ducks, and frequently the singing bulbul, or nightingale, most frequently pigeons; and buyers, receiving them from the nets, seldom fail to think of the perilous life of the catchers, bold climbers of the cliffs; now hanging with hand and foot to the face of the crag, now swinging in a basket far down the mountain fissure.
Blent with peddlers of jewelry—sharp men cloaked in scarlet and blue, top-heavy under prodigious white turbans, and fully conscious of the power there is in the lustre of a ribbon and the incisive gleam of gold, whether in bracelet or necklace, or in rings for the finger or the nose—and with peddlers of household utensils, and with dealers in wearing-apparel, and with retailers of unguents for anointing the person, and with hucksters of all articles, fanciful as well as of need, hither and thither, tugging at halters and ropes, now screaming, now coaxing, toil the venders of animals—donkeys, horses, calves, sheep, bleating kids, and awkward camels; animals of every kind except the outlawed swine. All these are there; not singly, as described, but many times repeated; not in one place, but everywhere in the market.
Turning from this scene in the lane and court, this glance at the sellers and their commodities, the reader has need to give attention, in the next place, to visitors and buyers, for which the best studies will be found outside the gates, where the spectacle is quite as varied and animated; indeed, it may be more so, for there are superadded the effects of tent, booth, and sook, greater space, larger crowd, more unqualified freedom, and the glory of the Eastern sunshine.
Typical Characters at the Joppa Gate
Let us take our stand by the gate, just out of the edge of the currents—one flowing in, the other out—and use our eyes and ears awhile.
In good time! Here come two men of a most noteworthy class.
“Gods! How cold it is!” says one of them, a powerful figure in armor; on his head a brazen helmet, on his body a shining breastplate and skirts of mail. “How cold it is! Dost thou remember, my Caius, that vault in the Comitium at home which the flamens say is the entrance to the lower world? By Pluto! I could stand there this morning, long enough at least to get warm again!”
The party addressed drops the hood of his military cloak, leaving bare his head and face, and replies, with an ironic smile, “The helmets of the legions which conquered Mark Antony were full of Gallic snow; but thou—ah, my poor friend!—thou hast just come from Egypt, bringing its summer in thy blood.”
And with the last word they disappear through the entrance. Though they had been silent, the armor and the sturdy step would have published them Roman soldiers.
From the throng a Jew comes next, meager of frame, round-shouldered, and wearing a coarse brown robe; over his eyes and face, and down his back, hangs a mat of long, uncombed hair. He is alone. Those who meet him laugh, if they do not worse; for he is a Nazarite, one of a despised sect which rejects the books of Moses, devotes itself to abhorred vows, and goes unshorn while the vows endure.
As we watch his retiring figure, suddenly there is a commotion in the crowd, a parting quickly to the right and left, with exclamations sharp and decisive. Then the cause comes—a man, Hebrew in feature and dress. The mantle of snow-white linen, held to his head by cords of yellow silk, flows free over his shoulders; his robe is richly embroidered, a red sash with fringes of gold wraps his waist several times. His demeanor is calm; he even smiles upon those who, with such rude haste, make room for him. A leper? No, he is only a Samaritan. The shrinking crowd, if asked, would say he is a mongrel—an Assyrian—whose touch of the robe is pollution; from whom, consequently, an Israelite, though dying, might not accept life. In fact, the feud is not of blood. When David set his throne here on Mount Zion, with only Judah to support him, the ten tribes betook themselves to Shechem, a city much older, and, at that date, infinitely richer in holy memories. The final union of the tribes did not settle the dispute thus begun. The Samaritans clung to their tabernacle on Gerizim, and, while maintaining its superior sanctity, laughed at the irate doctors in Jerusalem. Time brought no assuagement of the hate. Under Herod, conversion to the faith was open to all the world except the Samaritans; they alone were absolutely and forever shut out from communion with Jews.
As the Samaritan goes in under the arch of the gate, outcome three men so unlike all whom we have yet seen that they fix our gaze, whether we will or not. They are of unusual stature and immense brawn; their eyes are blue, and so fair is their complexion that the blood shines through the skin like blue pencilling; their hair is light and short; their heads, small and round, rest squarely upon necks columnar as the trunks of trees. Woolen tunics, open at the breast, sleeveless and loosely girt, drape their bodies, leaving bare arms and legs of such development that they at once suggest the arena; and when thereto we add their careless, confident, insolent manner, we cease to wonder that the people give them way, and stop after they have passed to look at them again. They are gladiators—wrestlers, runners, boxers, swordsmen; professionals unknown in Judea before the coming of the Roman; fellows who, what time they are not in training, may be seen strolling through the king’s gardens or sitting with the guards at the palace gates; or possibly they are visitors from Caesarea, Sebaste, or Jericho; in which Herod, more Greek than Jew, and with all a Roman’s love of games and bloody spectacles, has built vast theaters, and now keeps schools of fighting men, drawn, as is the custom, from the Gallic provinces or the Slavic tribes on the Danube.
“By Bacchus!” says one of them, drawing his clenched hand to his shoulder, “their skulls are not thicker than eggshells.”
The brutal look which goes with the gesture disgusts us, and we turn happily to something more pleasant.
Opposite us is a fruit stand. The proprietor has a bald head, a long face, and a nose like the beak of a hawk. He sits upon a carpet spread upon the dust; the wall is at his back; overhead hangs a scant curtain, around him, within hand’s reach and arranged upon little stools, lie osier boxes full of almonds, grapes, figs, and pomegranates. To him now comes one at whom we cannot help looking, though for another reason than that which fixed our eyes upon the gladiators; he is really beautiful—a beautiful Greek. Around his temples, holding the waving hair, is a crown of myrtle, to which still cling the pale flowers and half ripe berries. His tunic, scarlet in color, is of the softest woolen fabric; below the girdle of buff leather, which is clasped in front by a fantastic device of shining gold, the skirt drops to the knee in folds heavy with embroidery of the same royal metal; a scarf, also woolen, and of mixed white and yellow, crosses his throat and falls trailing at his back; his arms and legs, where exposed, are white as ivory, and of the polish impossible except by perfect treatment with bath, oil, brushes, and pincers.
The dealer, keeping his seat, bends forward, and throws his hands up until they meet in front of him, palm downwards and fingers extended.
“What hast thou, this morning, O son of Paphos?” says the young Greek, looking at the boxes rather than at the Cypriote. “I am hungry. What hast thou for breakfast?”
“Fruits from the Pedius—genuine—such as the singers of Antioch take of mornings to restore the waste of their voices,” the dealer answers, in a querulous nasal tone.
“A fig, but not one of thy best, for the singers of Antioch!” says the Greek. “Thou art a worshiper of Aphrodite, and so am I, as the myrtle I wear proves; therefore