The Hero’s Guide to Saving Your Kingdom. Christopher Healy. Читать онлайн. Hotlib. HOTLIB.NET

Don’t worry. There’s a lot you don’t know about Prince Charming: Prince Charming has no idea how to use a sword; Prince Charming has no patience for dwarfs; Prince Charming has an irrational hatred of capes.

Some of you may not even realize that there’s more than one Prince Charming. And that none of them are actually named Charming. No one is. Charming isn’t a name; it’s an adjective.

But don’t blame yourself for your lack of Prince Charming–based knowledge; blame the lazy bards. You see, back in the day, bards and minstrels were the world’s only real source of news. It was they who bestowed fame upon people. They were the ones who sculpted any hero’s (or villain’s) reputation. Whenever something big happened—a damsel was rescued, a dragon was slain, a curse was broken—the royal bards would write a song about it, and their wandering minstrels would perform that tune from land to land, spreading the story across multiple kingdoms. But the bards weren’t keen on details. They didn’t think it was important to include the names of the heroes who did all that damsel rescuing, dragon slaying, and curse breaking. They just called all those guys “Prince Charming.”

It didn’t even matter to the bards whether the person in question was a truly daring hero (like Prince Liam, who battled his way past a bone-crushing, fire-blasting magical monster in order to free a princess from an enchanted sleeping spell) or some guy who merely happened to be in the right place at the right time (like Prince Duncan, who also woke a princess from a sleeping spell, but only because some dwarfs told him to). No, those bards gave a man the same generic name whether he nearly died (like Prince Gustav, who

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