Alistair MacLean

When Eight Bells Toll


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      ALISTAIR MACLEAN

       When Eight Bells Toll

      

Copyright

      HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF

       www.harpercollins.co.uk

      First published in Great Britain by Collins 1966

      Copyright © Devoran Trustees Ltd 1966

      The Author asserts the moral right to be identified as the author of this work

      A catalogue record for this book is available from the British Library

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

      HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

      Source ISBN: 9780006158110

      Ebook Edition © AUGUST 2010 ISBN: 9780007289479 Version: 2017-05-03

       To Paul and Xenia

      Contents

       Cover

       Title Page

       FOUR - Wednesday: 5 a.m. – dusk

       FIVE - Wednesday: dusk – 8.40 p.m.

       SIX - Wednesday: 8.40 p.m. – 10.40 p.m.

       SEVEN - Wednesday: 10.40 p.m. – Thursday: 2 a.m.

       EIGHT - Thursday: 2 a.m. – 4.30 a.m.

       NINE - Thursday: 4.30 a.m. – dawn

       TEN - Thursday: noon – Friday: dawn

       Keep Reading

       About the Author

       Also by Alistair MacLean

       About the Publisher

       ONE

       Dusk Monday – 3 a.m. Tuesday

      The Peacemaker Colt has now been in production, without change in design, for a century. Buy one to-day and it would be indistinguishable from the one Wyatt Earp wore when he was the Marshal of Dodge City. It is the oldest hand-gun in the world, without question the most famous and, if efficiency in its designated task of maiming and killing be taken as criterion of its worth, then it is also probably the best hand-gun ever made. It is no light thing, it is true, to be wounded by some of the Peacemaker’s more highly esteemed competitors, such as the Luger or Mauser: but the high-velocity, narrow-calibre, steel-cased shell from either of those just goes straight through you, leaving a small neat hole in its wake and spending the bulk of its energy on the distant landscape whereas the large and unjacketed soft-nosed lead bullet from the Colt mushrooms on impact, tearing and smashing bone and muscle and tissue as it goes and expending all its energy on you.

      In short when a Peacemaker’s bullet hits you in, say, the leg, you don’t curse, step into shelter, roll and light a cigarette one-handed then smartly shoot your assailant between the eyes. When a Peacemaker bullet hits your leg you fall to the ground unconscious, and if it hits the thigh-bone and you are lucky enough to survive the torn arteries and shock, then you will never walk again without crutches because a totally disintegrated femur leaves the surgeon with no option but to cut your leg off. And so I stood absolutely motionless, not breathing, for the Peacemaker Colt that had prompted this unpleasant train of thought was pointed directly at my right thigh.

      Another thing about the Peacemaker: because of the very heavy and varying trigger pressure required to operate the semi-automatic mechanism, it can be wildly inaccurate unless held in a strong and steady hand. There was no such hope here. The hand that held the Colt, the hand that lay so lightly yet purposefully on the radio-operator’s table, was the steadiest hand I’ve ever seen. It was literally motionless. I could see the hand very clearly. The light in the radio cabin was very dim, the rheostat of the angled table lamp had been turned down until only a faint pool of yellow fell on the scratched metal of the table, cutting the arm off at the cuff, but the hand was very clear. Rock-steady, the gun could have lain no quieter in the marbled hand of a statue. Beyond the pool of light I could half sense, half see the dark outline of a figure leaning back against the bulkhead, head slightly tilted to one side, the white gleam of unwinking eyes under the peak of a hat. My eyes went back to the hand. The angle of the Colt hadn’t varied by a fraction of a degree. Unconsciously, almost, I braced my right leg to meet the impending shock. Defensively, this was a very good move, about as useful as holding up a sheet of newspaper in front of me. I wished to God that Colonel Sam Colt had gone in for inventing something else, something useful, like safety-pins.

      Very slowly, very steadily, I raised both hands, palms outward, until they were level with my shoulders. The careful deliberation was so that the nervously inclined wouldn’t be deceived into thinking that I was contemplating anything ridiculous, like resistance. It was probably a pretty superfluous precaution as the man behind that immobile pistol didn’t seem to have any nerves and the last thought I had in my head was that of resistance. The sun was long down but the faint red after-glow of sunset still loomed on the northwest horizon and I was perfectly silhouetted against it through the cabin doorway. The lad behind the