Hall William Hutcheon

Titter Ye Not!


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      HarperCollinsPublishers Ltd.

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      London SE1 9GF

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      A Grafton Original 1992

      Copyright © William Hall 1992

      William Hall asserts the moral right to be identified as the author of this work

      The Acknowledgements constitute an extension of this copyright page

      A catalogue record for this book is available from the British Library

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereafter invented, without the express written permission of HarperCollins ebooks

      HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

      Source ISBN: 9780586217733

      Ebook Edition © SEPTEMBER 2016 ISBN: 9780008219413

      Version: 2016-09-08

      For Jeannie, Will, Juliette and Lena

      with my gratitude for their inspiration,

      support, and their patience.

      ‘A comedian need not necessarily be a humorous person. Indeed those who have been most successful in exciting laughter have often been men with a disposition towards melancholy.’

      DOCTOR SAMUEL JOHNSON (1709–1784)

      ‘Oh titter ye not. No, listen. Lis-sen! Everyone is being very tittersome tonight.’ FRANKIE HOWERD (1917–1992)

      Contents

       Cover

       Title Page

       5 Radio Waves

       6 Sunny Interlude

       7 The Spice of Life

       8 The Other Women …

       9 Ups and Downs

       10 … And The Other Men

       11 Carry On

       12 Bottoms Up!

       13 In The Wars

       14 Fond Farewell

       Epilogue

       Filmography

       Acknowledgements

       About the Author

       About the Publisher

       by Peter Rogers

      It is easy to make unkind remarks about people. The very thought of them sometimes inspires bitchery that could rival Oscar Wilde or Noel Coward. But when it comes to saying kind things you find yourself at a loss for words, new words, words that haven’t been said before.

      That is how I think of Frankie Howerd, how everybody I know thinks of him. What can you say about such a person? It was impossible not to like him. It wasn’t that magic ingredient misnamed Charm, the sort of thing usually associated with motorcar salesmen. Charm in Frankie would have been suspect. In fact, you could almost say that he was so completely lacking in charm that he actually charmed you. He grew on you, like friendly moss. You could never tire of his company because he was never aggressive or pushy. He didn’t talk about himself all the time as other actors do. He was a patient listener and always gave you the impression that he was interested in you and what you had to say. He made you feel wanted, possibly because that was how he felt himself. He, too, wanted to be wanted.

      Professionally, he was a Master. He was the original Deliberate Mistake. No pause or hesitation in his act was unrehearsed or not carefully considered, and he had that gift of making you feel embarrassed for him as he walked up and down the stage looking as though he didn’t know what to say next. But he knew exactly what he was going to say next and exactly when. It was a very cunningly contrived ruse and quite original. And it worked every time. It was the most successful con trick of all time and every time it came off you admired the perpetrator more.

      The most heartening and heart-breaking of