Michael Stewart

Ill Will


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      MICHAEL STEWART is from Salford but is now based in Bradford. He has won several awards for his scriptwriting, including the BBC Alfred Bradley Bursary Award. His debut novel King Crow was the winner of the Guardian’s Not the Booker Award. Ill Will is his latest novel.

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      An imprint of HarperCollins Publishers Ltd.

      1 London Bridge Street

      London SE1 9GF

      First published in Great Britain by HQ in 2018

      Copyright © Michael Stewart 2018

      Michael Stewart asserts the moral right to be identified as the author of this work.

      A catalogue record for this book is available from the British Library.

      This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

      Ebook Edition © March 2018 ISBN: 9780008248178

       Version: 2018-09-17

      For Lisa and Carter

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      Contents

       Cover

       About the Author

       Title Page

       Dedication

       Conjuring the Dead

       Tripe and Black Pudding

       In the Shadow of the Gallows

       A Game of Skittles

       Jonas Bold

       Pierce Hardwar

       Penny Buns and Jew’s Ears

       Humility, Cleanliness and Pure Thinking

       The Man with One Hand

       Vying the Ruff

       1783

       Acknowledgements

       About the Publisher

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      You are walking through Butcher’s Bog, along the path at Birch Brink. Traipsing across Stanbury Moor, to the Crow Stones. A morass of tussock grass, peat wilderness and rock. There are no guiding stars, just the moaning of the wind. Stunted firs and gaunt thorns your only companions.

      Perhaps you will die out here, unloved and unhomed. There was the tale of Old Tom. Last winter, went out looking for a lost lamb. Found a week on, icicles on his eyelids, half-eaten by foxes. Or was it the last wolf said to roam these moors? The ravens will eat out your eyes and the crows will pick at your bones. The worms will turn you into loam. You’ve forgotten your name and your language. Mr Earnshaw called you ‘it’ when first he came across you. Mrs Earnshaw called you ‘brat’ when first she took you by the chuck. Mr Earnshaw telt to call him Father and Mrs Earnshaw, Mother, but they were not your real parents. Starving when they took you in. They named you after their dead son. The man you called your father carried you over moor and fell, in rain and in snow. When finally you got to the gates of the farm it was dark and the man could hardly stand. He took you into the main room and plonked himself in a rocker. By the fire you stood, a ghost in their home. Next to you a living girl and living boy, who spat and kicked. This was their welcome to your new hovel. Nearly ten years ago now. You’d spent weeks on the streets, eating scraps from bin and midden. Kipped by the docks and ligged in doorways. You’d trusted no one, loved no one, believed in nothing.

      It was tough in the new place but you’d had it worse. You’d almost died many times. You’d been beaten inside an inch of your life. Gone five days without food. Slept with rats and maggots. Nothing this new place had in store could harm you more than you’d been harmed before. Or so you thought. The girl was called Cathy, the boy Hindley, and you hated them apiece.

      Almost ten years ago. But you can still feel her hot spit on your face, and his boot in your groin. None of it ever hurt you as much as her words. Words that cut to the bone. Words that stab you in the back.

      You stand on top of the Crow Stones on the brink of the wilderness. It is said that the stones were used for ritual sacrifice. The slit throat of a slaughtered goat. The gushing blood of a lamb seeping into the craggy carpet beneath your feet. The wind tries to blow you off your perch. Blow harder. You are the goat, the lamb, you care not for sacrifice. Let them take you. Let them bleed you. Fuck the lot of them.

      For two years your adopted father tried to protect you from Hindley. From his maniac beatings,