Regency Improprieties: Innocence and Impropriety / The Vanishing Viscountess. Diane Gaston

       Don’t miss these other Regency delights from Mills & Boon® Historical romance’s bestselling authors!

      REGENCY PLEASURES

       Louise Allen

      REGENCY SECRETS

       Julia Justiss

      REGENCY RUMOURS

       Juliet Landon

      REGENCY REDEMPTION

       Christine Merrill

      REGENCY DEBUTANTES

       Margaret McPhee

      REGENCY IMPROPRIETIES

       Diane Gaston

      REGENCY MISTRESSES

       Mary Brendan

      REGENCY REBELS

       Deb Marlowe

      REGENCY SCANDALS

       Sophia James

      REGENCY MARRIAGES

       Elizabeth Rolls

      REGENCY INNOCENTS

       Annie Burrows

      REGENCY SINS

       Bronwyn Scott

      About the Author

      As a psychiatric social worker, DIANE GASTON spent years helping others create real-life happy endings. Now Diane crafts fictional ones, writing the kind of historical romance she’s always loved to read.

      The youngest of three daughters of a US Army Colonel, Diane moved frequently during her childhood, even living for a year in Japan. It continues to amaze her that her own son and daughter grew up in one house in Northern Virginia. Diane still lives in that house with three very ordinary housecats. Visit Diane’s website at http://dianegaston.com

      REGENCY

       Improprieties

       Innocence and Impropriety

       The Vanishing Viscountess

      Diane Gaston

      

       www.millsandboon.co.uk

      

      

       Innocence and Impropriety

      Diane Gaston

      

      

      To the ‘Roses’ in my life:

      My sister, Marilyn Rose (though she was never fond of her middle name) and my sister-in-law, Rosemarie

       Chapter One

       London—July 1817

      Vauxhall Gardens was not a place Jameson Flynn would have chosen to spend his night hours, but his employer, the Marquess of Tannerton, required his presence.

      To Flynn, Vauxhall was all façade. Mere wooden structures painted to look like Greek temples or Chinese pavilions. Revellers were equally as false, wearing masks to disguise whether they be titled, rich, respectable, or rogue, pickpocket, lady of ill repute.

      ‘Have some more ham.’ Tannerton handed him the plate of paper-thin ham slices, a Vauxhall delicacy of dubious worth.

      Rich as Croesus, Tanner—as he liked to be called—ate with as much enthusiasm as if he were dining at Carlton House instead of a supper box at Vauxhall. Flynn declined the Vauxhall delicacy but sipped his arrack, a heady mixture of rum and Benjamin flower that redeemed Vauxhall only a little in his eyes. It was not unusual for Tanner to seek Flynn out for companionship, but Flynn had no illusions. He was Tanner’s secretary, not his friend.

      To look at them, you might not guess which one was the marquess. Flynn prided himself on his appearance. His dark brown hair was always neatly in place, his black coat and trousers well tailored. Tanner, a few years older and lighter in colouring, took less care, often giving the impression he’d just dismounted from his horse.

      Flynn placed his tankard on the table. ‘You brought me here for a purpose, sir. When am I to discover what it is?’

      Tanner grinned and reached inside his coat, pulling out a piece of paper. He handed it to Flynn. ‘Regard this, if you will.’

      It was a Vauxhall programme, stating that, on this July night, a concert of vocal and instrumental music would be performed featuring a Miss Rose O’Keefe, Vauxhall Garden’s newest flower.

      Flynn ought to have guessed. A woman.

      Ever since returning from Brussels, Tanner had gone back to his more characteristic pursuits of pleasure in whatever form he could find it. Or, Flynn might say, from whatever woman. And there were plenty of women willing to please him. Tanner had the reputation of being good to his mistresses, showering them with gifts, houses, and ultimately a nice little annuity when his interest inevitably waned. As a result, Tanner usually had his pick of actresses, opera dancers and songstresses.

      ‘I am still at a loss. I surmise you have an interest in this Miss O’Keefe, but what do you require of me?’ Flynn usually became involved in the monetary negotiations with Tanner’s chère amies or when it came time to deliver the congé, Tanner having an aversion to hysterics.

      Tanner’s eyes lit with animation. ‘You must assist me in winning the young lady.’

      Flynn nearly choked on his arrack. ‘I? Since when do you require my assistance on that end?’

      Tanner leaned forward. ‘I tell you, Flynn. This one is exceptional. No one heard of her before this summer. One night she just appeared in the orchestra box and sang. Rumour has it she sang again at the Cyprian’s Masquerade, but that is not certain. In any event, this lady is not easily won.’

      Flynn shot him a sceptical expression.

      Tanner went on, ‘Pomroy and I came to hear her the other evening. You’ve never heard the like, Flynn, let me tell you. There was nothing to be done but try to meet her.’ He scowled and took a long sip of his drink. ‘Turns out she has a papa guarding her interests. I could not even manage to give the man my card. There were too many ramshackle fellows crowding him.’

      Flynn could just imagine the top-lofty marquess trying to push his way through the sorts that flocked around the female Vauxhall performers. ‘What is it you wish of me?’

      Tanner leaned forward eagerly. ‘My idea is this. You discover a way to get to this father and how to negotiate on my behalf.’ He nodded, as if agreeing with himself. ‘You have the gift of diplomacy, which you know I do not.’

      Flynn suspected all the negotiating required was to have said, ‘How much do you want?’ and the lady would have fallen, but he kept that opinion to himself. He would act as broker; he’d performed such tasks for Tanner before, but always after Tanner made the initial conquest. The way Flynn looked at it, he was negotiating a contract, not so different from other contracts he negotiated for Tanner. Flynn negotiated the terms, the limits, the termination clause.

      The orchestra, playing some distance from their supper box, its strains wafting louder and softer on the breeze, suddenly stopped. Tanner pulled out his timepiece. ‘I believe it is about time for her to perform. Make haste.’

      Flynn dutifully followed Tanner’s long-legged stride to the Grove in the centre of the gardens where the two-storeyed gazebo held the orchestra high above the crowd. Tanner pushed his way to the front for the best view. He was filled with excitement, like a small boy about to witness a balloon ascent.

      The