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Gemma groaned in protest at the kiss ending too soon, and looked up into Stefano’s eyes.
Suddenly she was all too aware of standing in his embrace, her breasts pressed to his chest, her belly flush with the flat planes of his abdomen, and the hard evidence of his desire.
She scrambled out of his reach, hating his assumption that she was his for the taking now. Hating herself even more for letting this situation spiral out of control.
He was a playboy, arrogantly sure of his prowess. He was rich and sought-after and likely believed every woman he met would gladly crawl into his bed. She certainly didn’t want to feel this burning pull toward him, but she couldn’t squash it either.
Yes, the sooner they got this business over with, the sooner she and Stefano could settle into a suitable work arrangement as secretary and boss.
For as long as Janette Kenny can remember, plots and characters have taken up residence in her head. Her parents, both voracious readers, read her the classics when she was a child. That gave birth to a deep love for literature, and allowed her to travel to exotic locales—those found between the covers of books. Janette’s artist mother encouraged her yen to write. As an adolescent she began creating cartoons featuring her dad as the hero, with plots that focused on the misadventures on their family farm, and she stuffed them in the nightly newspaper for him to find. To her frustration, her sketches paled in comparison with her captions.
Her first real writing began with fan fiction, taking favourite TV shows and writing episodes and endings she loved—happily ever after, of course. In her junior year of high school she told her literature teacher she intended to write for a living one day. His advice? Pursue the dream, but don’t quit the day-job.
Though she dabbled with articles, she didn’t fully embrace her dream to write novels until years later, when she was a busy cosmetologist making a name for herself in her own salon. That was when she decided to write the type of stories she’d been reading—romances.
Once the writing bug bit, an incurable passion consumed her to create stories and people them. Still, it was seven more years and that many novels before she saw her first historical romance published. Now that she’s also writing contemporary romances for Mills & Boon®, she finally knows that a full-time career in writing is closer to reality.
Janette shares her home and free time with a chow-shepherd mix pup she rescued from the pound, who aspires to be a lap dog. She invites you to visit her website at www.jankenny.com. She loves to hear from readers—e-mail her at [email protected]
Innocent In The Italian’s Possession
By
Janette Kenny
All the characters in this book have no existence outside the imagination of the author, and have no relation whatsoever to anyone bearing the same name or names. They are not even distantly inspired by any individual known or unknown to the author, and all the incidents are pure invention.
All Rights Reserved including the right of reproduction in whole or in part in any form. This edition is published by arrangement with Harlequin Enterprises II B.V./S.à.r.l. The text of this publication or any part thereof may not be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, storage in an information retrieval system, or otherwise, without the written permission of the publisher.
This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out or otherwise circulated without the prior consent of the publisher in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
® and ™ are trademarks owned and used by the trademark owner and/or its licensee. Trademarks marked with ® are registered with the United Kingdom Patent Office and/or the Office for Harmonisation in the Internal Market and in other countries.
First published in Great Britain 2010
Harlequin Mills & Boon Limited, The News Building, 1 London Bridge Street, London SE1 9GF
© Janette Kenny 2010
ISBN: 978-1-408-91904-0
Version: 2018-07-18
CHAPTER ONE
GEMMA CARDONE hurried down the hall toward the executive suite of Marinetti Shipyard, heart pounding and nerves snapping like a ship’s sails. Church bells chimed six times, the distant echo clear in the quiet Tuscan morning.
Since the day she’d come to work in Viareggio nine months ago, she’d relished her leisurely morning walk to her office. Even inside the old building, the tall narrow windows reminded her of the arched portals of the stone train tunnel along Cinque Terre, giving a teasing glimpse of endless sky, the Ligurian Sea and the rugged cliffs that crashed into the water.
In the ancient village of Manarolo where she had been born and raised, the old-world buildings scrambled up the steep rocky cliffs as if clinging to the stone face like colorful gems.
On the same rugged cliffs grew the most magnificent grapes used to make a wine found nowhere else.
It was small and remote and older than time. Everywhere there were steps and narrow lanes. Yet she missed it dreadfully at times, for there was a peace there she’d never found anywhere else.
It was just the opposite here in Viareggio. It was close to Cinque Terre by sea, yet a world apart with a festive carnival and scores of ships and industry and more tourists than she’d ever seen in a season.
This seaside coastal town stretched along the endless sandy beaches, meeting the water in a gentle slope. The architecture was pure art nouveau and the pulse of the town was upbeat.
Every day she looked forward to coming to work for Cesare Marinetti at his shipyard. But not today.
Just one week ago a tragic accident had taken the life of Cesare’s wife and landed him in the hospital. Marinetti Shipyard had been shut down ever since, in mourning for Signora Marinetti and out of respect for the family.
Gemma had been on pins and needles since the funeral, worried sick about the heart attack that had kept Cesare hos-pitalized. It was no small wonder that the employees wondered when Cesare would be able to resume control of his shipyard. Until then, who would manage it in his stead?
The answer had come in the wee hours of the morning.
“I do not have long to talk,” Cesare had rasped in a voice clearly laced with pain. “The doctors say I need heart bypass surgery, and I believe them.” His sigh was long and weary, like one resigned to his fate. “The shipyard will open today, but I will not return to work for weeks.”
“Of course,” she said, her heart heavy over what he’d be facing with surgery and recuperation while still burdened with grief over losing his wife. “Who are you placing in charge of Marinetti?”
A thick curse rumbled over the line. “My son is taking over the shipyard.”
No! Cesare had called in the son who’d turned his back