Megan Lindholm

Cloven Hooves


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      CLOVEN HOOVES

      Megan Lindholm

      Who also writes as

      Robin Hobb

Harper Voyager Logo

       Copyright

      HarperVoyager

      an imprint of HarperCollinsPublishers Ltd

      1 London Bridge Street

      London SE1 9GF

       www.harpercollins.co.uk

      First published in Great Britain by HarperCollinsPublishers 1993

      Copyright © Megan Lindholm Ogden 1991

      Cover design by Claire Ward © HarperCollinsPublishers Ltd 2019

      Cover illustration © Jackie Morris

      Robin Hobb writing as Megan Lindholm asserts the moral right to be identified as the author of this work.

      A catalogue copy of this book is available from the British Library.

      This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

      Source ISBN: 9780008287399

      Ebook Edition © August 2019 ISBN: 9780008363956

      Version: 2019-06-07

       Praise

      ‘Hobb is one of the great modern fantasy writers … As addictive as morphine’

       The Times

      ‘A little slice of heaven’

       The Guardian

      ‘The feelings of anguish, ambiguity, fear and failure [in her novels] are as familiar as those in a novel by Jonathan Franzen’

       Independent on Sunday

      ‘Hobb is always readable. But the elegant translucence of her prose is deceptive … That is the ambition of high art. The novelists in any genre are rare who achieve it with Hobb’s combination of accessibility and moral authority’

       Sunday Telegraph

      ‘A series that recalls HBO’s Game of Thrones, and The Lord of the Rings

       The Telegraph

      ‘In today’s crowded fantasy market Robin Hobb’s books are like diamonds in a sea of zircons’

      George R.R. Martin

      ‘Hobb is superb, spinning wonderful characters and plots from pure imagination’

      Conn Iggulden

      ‘Magic is the word. Absolutely riveting’

      Barbara Erskine

      ‘Hobb seamlessly blends intrigue, action and characters who feel so real that they become more than words on a page’

       SFX

      ‘Glorious and beautiful storytelling from Robin Hobb’

       SciFi Now

      Contents

       Cover

       Title Page

      Copyright

      Praise

      Chapter One

      Chapter Two

      Chapter Three

      Chapter Four

      Chapter Five

      Chapter Six

       Chapter Eight

       Chapter Nine

       Chapter Ten

       Chapter Eleven

       Chapter Twelve

       Chapter Thirteen

       Chapter Fourteen

       Chapter Fifteen

       Chapter Sixteen

       Chapter Seventeen

       Chapter Eighteen

       Chapter Nineteen

       Chapter Twenty

       Chapter Twenty-One

       Chapter Twenty-Two

       Chapter Twenty-Three

       Chapter Twenty-Four

       Chapter Twenty-Five

       Chapter Twenty-Six

       About the Author

       By Robin Hobb

       About the Publisher

       ONE

      In Flight

      11 March 1976

      I turn away from staring out the window, lean over to check my child in the seat beside me. There’s nothing to see out there, anyway. Outside the oval airplane window, a night sky jets soundlessly by. Overcast covers all but a few stars. Nothing to keep my mind from chewing on itself. Inside is the sound of the engines, of the tiny seat fans whirring as they stir the stale air. Rows of red upholstered seat backs, backs of heads. Most of the overhead seat lights are off. Tiny airline blankets are tucked around the shoulders of some dozing passengers. Others read newspapers and magazines, smoke, or talk softly to seatmates. A few drink industriously. Nothing in here to keep my mind busy, either.

      Teddy is asleep. He had asked for the window seat, and of course we had given it to him, even though we knew there would be little to see on this night flight from Fairbanks, Alaska, to the Sea-Tac Airport in Washington. Still, he got to watch the tower and runway lights vanish away beneath us, caught a brief glimpse of the lights of some little town down there a while later. Then he used the airplane’s bathroom twice, giggled over finding the barf bag in the seat pocket, got a coloring book and crayons and plastic pilot wings from a stewardess, colored for a while, and got bored and wiggled for a while. And now, finally, he is asleep. I carefully move his copy of Sendak’s Where