The German Lieutenant, and Other Stories. August Strindberg

       August Strindberg

      The German Lieutenant, and Other Stories

      Published by Good Press, 2019

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      EAN 4057664635136

      Table of Contents

       Cover

       Titlepage

       Text

      August Strindberg. Born at Stockholm, January 22, 1849; died there, May 14, 1912. A Swedish dramatist and novelist, a leader of modern Swedish literature. Among his plays are "Master Olof" (1872), "Gilletshemlighet" (1880), "Fadren" (1887), "Froken Julie" (1888), "Glaubiger" (1889), "Till Damaskus" (1808), and a series of historical dramas including "Gustavas Wasa," "Erik XIV.," "Gustavas Adolphus," and "Carol XII." He wrote also "Roda rummet" (1879), "Det nya riket" (1882), which provoked so much criticism that the author left Sweden for a number of years; "Svenska folket HELG OCH SOKEN" (1882), "GIFTAS" (1884), "DIE BEICHTE EINES THOREN" (1893), "INFERNO" (1897), written after one of his periodical attacks of insanity; "EINSAM" (1903), an autobiographical novel; "DIE GOTISCHEN ZIMMER" (1904), and many other volumes. He has been called "the Shakspere of Sweden."

      —The Century Cyclopædia of Names.

      CONTENTS

       THE GERMAN LIEUTENANT OVER-REFINEMENT "UNWELCOME" HIGHER AIMS PAUL AND PETER A FUNERAL THE LAST SHOT

      THE GERMAN LIEUTENANT

      CHAPTER I

      It was fourteen days after Sedan, in the middle of September, 1870. A former clerk in the Prussian Geological Survey, later a lieutenant in the reserve, named Von Bleichroden, sat in his shirt-sleeves before a writing-table in the Café du Cercle, the best inn of the little town Marlotte. He had thrown his military coat with its stiff collar over the back of a chair, and there it hung limp, and collapsed like a corpse, with its empty arms seeming to clutch at the legs of the chair to keep itself from falling headlong. Round the body of the coat one saw the mark of the sword-belt, and the left coat-tail was rubbed quite smooth by the sheath. The back of the coat was as dusty as a high-road, and the lieutenant-geologist might have studied the tertiary deposits of the district on the edges of his much-worn trousers. When the orderlies came into the room with their dirty boots, he could till by the traces they left on the floor whether they had been walking over Eocene or Pleiocene formations. He was really more a geologist than a soldier, but for the present he was a letter-writer. He had pushed his spectacles up to his forehead, sat with his pen at rest, and looked out of the window.

      The garden lay in all its autumn glory before him, and the branches of the apple and pear trees bent with a load of the most splendid fruit to the ground. Orange-red pumpkins sunned themselves close beside prickly grey-green artichokes; fiery-red tomatoes clambered up sticks near wool-white cauliflowers; sun-flowers as large as a plate were turning their yellow disks towards the west, where the sun was beginning to sink; whole companies of dahlias, white as fresh-starched linen, purple-red like congealed blood, dirty-red like fresh-slaughtered flesh, salmon-red, sulphur-yellow, flax-coloured, mottled and speckled, sang one great flower-concert. Then there was the sand-strewn path lined by two rows of giant gilly-flowers; faintly lilac-coloured, dazzlingly ice-blue, and straw-yellow, they continued the perspective to where the vineyards stood in their brownish-green array, a small wood of thyrsus-staves with the reddened grape-clusters half hidden under the leaves. Behind them were the whitening, unharvested stalks of the cornfields, with the over-ripe ears of corn hanging sorrowfully towards the ground, with wide-open husks and bractlets at every gust of wind paying their tribute to the earth and bursting with their juices. And far in the background were the oak-tree tops and the beechen arches of the Forest of Fontainebleau, whose outlines melted away into the finest denticulations, like old Brussels lace, into the extreme meshes of which the horizontal rays of the evening sun wove gold threads. Some bees were still visiting the splendid honey-flowers in the garden; a robin-redbreast twittered in an apple tree; strong gusts of scent came now and then from the gilly-flowers, as when one walks along a pavement and the door of a scent-shop is opened.

      The lieutenant sat with his pen at rest, visibly entranced by the beautiful scene. "What a lovely land!" he thought, and his recollection went back to the sandy plain of his home, diversified by some wretched stunted firs which stretched their gnarled arms towards the sky as though they implored the favour of not having to drown in the sand.

      But the beautiful landscape which was framed in the window was shadowed as regularly as clockwork by the musket of the sentry, whose bright, shining bayonet bisected the picture, and who turned on his rounds exactly under a pear tree heavily laden with the finest yellow-green Napoleon pears.

      The lieutenant thought for a moment of asking him to choose another beat, but did not venture to do so; so in order to escape the flash of the bayonet, he let his gaze wander to the left over the courtyard. There stood the cook-house with its yellow-plastered wall, and an old knotty vine spread out against it like the skeleton of some animal in a museum; the vine was without leaves or clusters, and it stood there as though crucified, nailed fast to the decaying espalier, stretching out its long tough arms and fingers as though it wished to draw the sentry into its ghostly embrace as he turned.

      The lieutenant turned away and looked at his writing-table. There lay the unfinished letter to his young wife whom he had married four months previously, two months before the war broke out. Beside his field-glass and the list of the French General Staff lay Hartmann's "Philosophy of the Unconscious" and Schopenhauer's "Parerga and Paralipomena." Suddenly he rose from the table and walked up and down the room. It had been the meeting and dining-room of the artists' colony which had now vanished. The wainscoting of the walls was adorned with little oil-paintings recording happy hours in the beautiful hospitable country which so generously opened its art-schools and its exhibitions to foreigners. Here were depicted Spanish dancing-women, Roman monks, scenes from the coasts of Normandy and Brittany, Dutch wind-mills, Scandinavian fishing-villages and Swiss Alps. Into one corner had crept an easel of walnut-wood, and seemed to be hiding itself in the shadow from some threatening bayonets. A palette smeared with half-dried colours hung there and looked like a liver hanging in a pork-shop. Some red Spanish militia caps belonging to the painters, with the colour half faded by exposure to the sun and rain, hung on the clothes-horse.

      The lieutenant felt embarrassed, like one who has intruded into a stranger's house, and expects the owner to come and surprise him. He therefore abruptly ceased walking up and down and took his seat at the table in order to continue his letter. He had finished the first pages, which were full of expressions of his sorrow, home-sickness and anxiety since he had lately heard news which confirmed his joyful hopes of becoming a father. He dipped his pen in the ink rather in order to have someone to talk with than to give or ask for news. He wrote as follows:

      "So, for example, when I with my hundred men after a march of fourteen hours without