Katie Manning

The Gospel of the Bleeding Woman


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      The Gospel of the Bleeding Woman

      Poems

      Katie Manning

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      The Gospel of the Bleeding Woman

      Point Loma Press Series

      Copyright 2013 Wipf and Stock Publishers. All rights reserved. Except for brief quotations in critical publications or reviews, no part of this book may be reproduced in any manner without prior written permission from the publisher. Write: Permissions, Wipf and Stock Publishers, 199 W. 8th Ave., Suite 3, Eugene, OR 97401.

      Point Loma Press Wipf and Stock Publishers

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      San Diego, CA 92106 Eugene, OR 97401

      www.wipfandstock.com

      ISBN 13: 978-1-62564-097-0

      EISBN 13: 978-1-4982-7058-8

      Foreword for Point Loma Press Series

      Point Loma Press was founded in 1992 to provide a publishing outlet for faculty and to serve the distinct theological mission of Point Loma Nazarene University (San Diego, CA). Over time the press has grown to publish authors from a wider range of institutional backgrounds, but its core mission remains the same: to encourage and extend a distinctly Wesleyan theological perspective on various topics and issues for the church today. Most Point Loma Press books are theological in scope, though many are quite practical in their focus, and some address non-theological topics but from a Wesleyan theological perspective. All Point Loma Press books are written with a broad audience in mind, intended to contribute effectively to contemporary scholarship while also being accessible to pastors, laypersons, and students alike. Our hope is that our new collaboration with Wipf & Stock Publishers will continue to allow us to expand our audience for the important topics and perspective of our work.

      Point Loma Press welcomes any submissions that meet these criteria. Inquiries should be directed to [email protected] or 619-849-2359. When submitting, please provide rationale for how your work supports the mission of the Point Loma Nazarene University Wesleyan Center to articulate distinctly Wesleyan themes and trajectories.

      Acknowledgments

      Special thanks to the journal editors who first published the following poems, sometimes in earlier forms.

      Fickle Muses: “The Flesh Made Word” and “Where Death Is Not an Is”

      So to Speak: “The Gospel of the Bleeding Woman” and

      “The Resurrection of Nura”

      Trivia: “First Blood,” “Well,” and “The History of Bleeding”

      Thanks also to Hadara Bar-Nadav, Michelle Boisseau, Ki Russell, Rashad Givhan, Katie Galvin, and Piper Abernathy for their invaluable feedback on these poems; to Mark Mann for his thoughtful editorial suggestions and great enthusiasm for this collection; and to Jon Manning for his translations, multiple readings, and constant encouragement.

      I.

      First Blood

      Just dawn. The warmth

      wakes me. I feel wet

      and ashamed

      but then I know.

      I bolt up, look

      down at the cloth.

      A dark tide pool

      spreads out

      from the center—

      a red sun rises

      where life begins.

      Seven Weeks Later

      The tears won’t flow

      from my face the way blood

      flows from my womb.

      The current continues

      daily down my legs

      though I have begged

      the God whose temple

      I may not enter to sew

      me closed. Once,

      they say, he turned

      an Egyptian sea to blood

      and back to water.

      I don’t believe this now.

      The blood remains

      and never turns. My tide

      moves ever out and out.

      The Doctors Advise

      She has—

      She is—

      She miscarried—

      a leaking heart.

      an abnormality.

      a demon.

      She must have—

      She could have—

      She has sinned.

      touched herself.

      eaten unclean meat.

      Bleed her arms each day.

      Kill one goat a week.

      At the next full moon, float face

      down in the center of the sea.

      Passover

      They tell me my body

      is impure.

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