Genanne Walsh

Twister


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      TWISTER

      Genanne Walsh

      Executive Editor: Diane Goettel

      Book design: Janeen Jang / Amy Freels

      Cover art: Each Year We Pray by Camille Seaman

      Copyright © 2015

      ISBN: 978-1-62557-937-9

      All rights reserved. Except for brief quotations in critical articles or reviews, no part of this book may be reproduced in any manner without prior written permission from the publisher: [email protected]

      Published 2015 by Black Lawrence Press.

      Printed in the United States.

      Stanzas from "However," House of Poured-Out Waters by Jane Mead. Copyright © 2001 by the Board of Trustees of the University of Illinois. Used with permission of the University of Illinois Press.

      The lines from Part XI of "An Atlas of the Difficult World." Copyright © 2013 by The Adrienne Rich Literary Trust. Copyright © 1991 by Adrienne Rich, from Later Poems: Selected and New, 1971–2012 by Adrienne Rich. Used with permission of W.W. Norton & Company, Inc.

      "Acts of God" by Heather McHugh from Hinge & Sign: Poems 1968–1993, published by Wesleyan University Press, copyright © 1994 by Heather McHugh. Used by permission.

      For Lauren

      Part I

      I know what the wind knows.

      Tearing across the prairie,

      bits of grit riding its cold storm—

      grit like coal dust, or like ashes:

      What’s the difference?

      There’s enough love here.

      —Jane Mead

      *

      Sweeping over the Arctic Archipelago, puckering nipples and chapping faces across Nunavut: in Grise Fiord, Resolute, Gjoa Haven; crossing into Manitoba, freezing the top layers of Island Lake, Gods Lake, nameless ponds, dew crunching underfoot. The front gathers, pushes over Winnipeg, Grand Forks, Fargo, Lincoln, on it comes, barreling through tornado alley to meet its match: spring! A current weaves a lothario path across the Gulf of Mexico, up through Anguilla, Santo Domingo, Port de Paix, Nassau, bringing the scent of cinnamon, slums, and rotting magnolia leaves, trailing across tobacco farms, mighty rivers, strip malls, state colleges, Army barracks, drained wetlands, golf courses. Pushing west into dry Pacific air. Blowing across the southwest, arid and punishing—imagine dustbowls, cow skulls, locusts, parched earth—rolling off the Rockies, faster as it flows east. Sisters clash and mingle in the wide open skies of the continent’s midpoint—dry meets damp, warmth amassed and shuddering into updrafts and squalls, rushed by the eager fingers of their cold northern lover. Thunderheads build, form, break apart, and build again, gathering strength unseen by those below. North, south, east, west, we’ll put these people to the test. Havoc’s in play, the winged creatures sense it, though even the crows don’t know the scope of what’s to come.

      Hover at the midpoint. Turn the radio dial; hear snatches of the lives below. Listen.

      Crows rustle on the wires over Main Street, over Mondragon’s Emporium and Dunleavy’s Fine Shoes (&Shoe Repair); over The Bluebird Café and the bank and the old town square. Black feathers lift and wheel past the liquor store and a shuttered B&B, past power lines, houses, cars and churches, over the cemetery, streets giving way to fields, farms laid out in a neat expanse: the vast acreage of agribusiness, a few sturdy family farmers holding on, green squares of corn and soy bringing order; and in the center, down the old county road, not far south of Johnson’s Creek and just past the Infamous Elm, Rose’s overgrown reluctant acres.

      One small, tangly patch, that land of hers, the well pulsing like a heart. Listen.

      Rose

      Rose moved through the thickets with a sharp set of shears, pruning, smoking a cigar. Her dog, Fergus, dreamt and farted on the porch. All this growth and nothing to show for it. Lance would have been shocked. Her son was so good at making things grow—crops, blackberries, houseplants, hopes. There was nothing he couldn’t coax into life. A good kid, her soldier boy. Smart in every sense of the word. Fergus thumped his tail. He always knew when she was thinking of his number one love.

      “That’s right,” she said to Fergus. “Him.” He scratched an ear in response. She had the sense of the sky pulling taut into a bow. No, she shook her head—a bowl. Overhead, a great bowl. Chipped at the edges but still functional.

      Rose gave the stogie one final pull and coughed in a hard burst. Phlegm rose and Fergus lifted his head. She set her shears on the porch and peered into the well. Either the well was getting deeper or the sky darker; she couldn’t see her reflection. There must be a scientific reason: cloud patterns, air molecules. Or no reason at all.

      “Onward, into the void,” she told Fergus. “Come on, let’s check the mail.” They walked down the long drive, gravel skittering, her anklebones clicking in protest.

      “How did this happen to me?” she asked Fergus. There must be some mistake.

      The well was getting deeper but the mailbox was smaller. Its little red flag was rusted upright, and faded letters spelled out her dead husband’s name. Theo. She reached in to pull at the contents and could barely wrench her hand free. Nothing but junk. Last week there had been another letter from her stepsister, on prissy peach-colored paper and smelling of lilacs, with the careful spidery lettering of a serial killer. Rose hadn’t read Stella’s letter yet—it waited on the mantel for her to build a fire, so she could throw it in and watch the flames.

      The mailbox held a catalog full of crap she didn’t need. And more notices from the bank, the vultures. She tore the catalog and the bank’s window envelope into strips and threw the pieces into the air. Shiny paper caught in the branches. Then the metal box vibrated a little—something inside wanted her attention. Fergus looked up the drive and whimpered low in his throat.

      She shoved her hand into the mailbox once more and pulled out a flimsy pale blue airmail envelope that had been caught in the back seam. Rose Red looped across the paper, in elegant script. Next to her name was a sketch of a long-stemmed rose with a single thorn. There was no return address.

      The bowl of the sky, paler than the envelope she held in her hands, contracted a bit. She cleared her throat. Her thumb was bloody, nicked in some way that escaped her, and she spread her fingers wide, considering. Something dark as pinesap had worked into her fingerprints and calluses, and her cuticles were a mess. She had no idea about the rest of her. All the mirrors in the house were covered.

      In the parlor she set the new airmail envelope next to Stella’s letter on the mantel, side by side. Just above hung a framed photo of her and Theo and Lance: Lance about four, skinny and stick-straight, grinning wide. Theo’s left hand rested on Lance’s shoulder, and the right dangled down by his side. Theo’s eyes were open wide, giving him a look of quiet surprise, like a deer in headlights. What the hell had astonished Theo all the time? She’d never figured it out. Rose sat on Lance’s other side, eyes squinting against the flashbulb with a fake, purse-lipped smile, looking like a stranger, someone she’d never want to know. Most of the pictures of Lance in the early days had Stella in them, so they weren’t up. Rectangular outlines remained on the wall where Rose had taken them down. The phone rang as if from a distant room, or even further. She ignored it.

      In the kitchen it was hard to find a clear space on the counter or in the fridge. She shoved some dishes aside and dropped meat scraps and yesterday’s leftover oatmeal into a bowl for Fergus. “Eat up.” Branches pattered at the window. She picked up a dish at random from the counter and went out to empty it into the compost pile.

      A faint