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SONS OF ANGELS
Laverstone Chronicles, Book 2
RACHEL GREEN
LYRICAL PRESS
KENSINGTON PUBLISHING CORP.
http://www.kensingtonbooks.com/
For Eleanor and Sophie, real-life miniatures of Felicia and Gillian.
Acknowledgements
Thank you to DK and Luisa for living with a writer, Nerine and the staff of Lyrical Press for all the help, and Stephanie for the constant encouragement.
Foreword
The town of Laverstone is fictional, though it references many of the landmarks and legends of rural England. The Unfamiliar becomes Familiar, and vice versa.
Prologue
Carol Goodwin closed the book and placed it on the bedside table. She tucked the bedclothes around her sleeping six-year-old son, kissed his peachy-smooth skin and stood. Her smile lingered as she picked up the clothes left in a pile by the chair, the jumper inside out and the trousers with one leg rucked backward. After she dropped them into the empty laundry basket, she selected Peter’s clothes for the following day: a white shirt, gray trousers, socks, underpants and the garish red jumper the school insisted upon, and placed them on the chair to save Peter searching the house in the morning.
She took a final look around the room, righting several of the dinosaurs Peter collected before turning out the main light, to leave only the small bedside lamp to cast gently turning shadows of cartoon dogs. She closed the door and went downstairs, just in time for the weekly detective series she followed and a glass of the chablis she’d uncorked over dinner.
* * * *
Peter woke in darkness. He looked around, his nervousness and heartbeat increasing as he pulled the covers closer against the cold in the room. He could just make out the thin outline of the window and the sliver of light from the landing under his bedroom door, but his nightlight had been turned off. He felt nervous without the gaily dancing puppies to protect him from encroaching shadows.
He felt all around, his fingers trailing quickly across the scratchy wool of the blanket and the shiny satin of the quilt until it touched the soft velvet of Philip, his stuffed horse. Peter clutched the toy against his chest, the chill of the fur against his pajamas making him shiver. Whether the grasp was for the protection of the horse or for Peter, it was impossible to say. His breath coalesced where it passed the ray of light from the edge of the curtains and he clamped one hand over his mouth to listen.
The room was silent but for the trickle of water through the radiator pipes and the beat of his heart, but Peter could hear the faint sounds of the television in the living room downstairs, so he knew his mummy had not yet gone to bed. He let out his breath, feeling pressure from his bladder due to a bedtime cup of warm milk. He pulled back the quilt to slide out of bed but froze when he heard the creak of a floorboard.
The house didn’t creak. Mummy had bought it new when she and Daddy had got a divorce last year, which meant someone was on the landing. Peter froze. Mummy never crept about at night so the only explanation was. a burglar or a skeleton from the graveyard at St. Pity’s. He lay stock still in the darkness and was about to call for Mummy when the bedroom door opened.
He strained his eyes against the sudden influx of light but the silhouette in the doorway wasn’t Mummy. She would have called out to him to tell him it wasn’t a monster and, besides, the figure was much too tall. He held his breath again, hoping he wouldn’t be noticed. Where was Mummy? The figure stepped farther into the room, the light flickering like white fire around its body. Peter could see it was a man, of sorts. Not a nasty man, for no one nasty could have a face so perfectly calm and a smile so genuine.
Peter relaxed. “Who are you? Are you one of Mummy’s special friends?”
“You could say that.” The man moved closer to the bed and spoke in a voice so soft and gentle it felt like a ribbon trailed through Philip’s fur. I am a special friend to all. I am of the Light and the Life.”
“Are you an angel, then?” Peter remembered the phrase from assembly at school.
“An angel?” The man considered the question. “Yes, I’m an angel.”
“Where are your wings then? Have you come to take me to Heaven?” Peter frowned. “Where’s Mummy?”
“My wings would be too bright for you to see, little one, were I to unfold them.” The angel raised a hand to touch Peter’s face. “Suffer little children to come unto me.” The touch connected, and Peter felt such peace that, for an instant, he understood his mother’s love.
“Suffer little children.”
Peter felt the heat before he saw the flicker of orange flames as they engulfed Philip’s acrylic fur. He tried to scream, but the fire was so very, very hot and the one breath he managed to take he couldn’t release. Everything went gray.
Chapter 1
Felicia Turling felt as if her head was about to explode. She’d never wanted to hit another woman so much in her life. Not that she ever would. A slap would cause more trouble than the temporary satisfaction was worth. She let the woman babble on instead, pretending to listen while planning her outfit for the club tonight. She nodded, as if in response. Emily Baker was a promising young artist but there had been no indication of her temperament in her CV.
“...amongst the bananas. Are you even listening to me?”
“Of course.” Felicia smiled and took the woman’s arm in a gentle but firm grip. “Those bananas are actually an installation by the renowned artist Sarah Whitelaw. Have you come across her work?”
Emily shook her head. “It’s a bit retrogarde in my opinion. Rotting fruit has been done to death.”
Felicia raised an eyebrow. Retrogarde was a new term to her, one she guessed meant the opposite of avant-garde but she took it in her stride. “It’s less to do with the rotting of the fruit than the evolution of the fruit-fly. It will be gone before your show goes up anyway.”
“Oh.” Emily cast her gaze around the basement gallery. “What about that door? Can I cover that?”
“I’m afraid not,” Felicia steered the young woman toward the office. “That leads to the bookshop upstairs. Mr. Waterman and I share a small amount of passing trade. Why don’t we have a cup of coffee while you detail your installation for me on the gallery plans?”
She didn’t regret her small lie for a moment, but it would teach her not to leave her shopping in the gallery.
“It’s great you’re going to let me paint the gallery black.” Emily looked up at the steel pipes criss-crossing the ceiling. “No one’s ever let me do that before.”
“Well, that’s not exactly what I said.” A phone began to ring in the office and she paused. “Would you mind if I got that? I’m waiting for a call from an investor.”
“No. Sure.” Emily diverted her attention to a series of etchings.
Felicia answered the phone and was overtaken with gallery business for the next hour and a half. Working without a break made for one hell of a long day.
* * * *
She was relieved