Jeff VanderMeer

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       COPYRIGHT

      Fourth Estate

      An imprint of HarperCollinsPublishers

      1 London Bridge Street,

       London, SE1 9GF, UK

       www.4thestate.co.uk

      First published in Great Britain by Fourth Estate in 2014

      First published in the United States by Farrar, Straus and Giroux in 2014

      Copyright © VanderMeer Creative, Inc. 2014

      Jeff VanderMeer asserts the moral right to be identified as the author of this work

      A catalogue record for this book is available from the British Library

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

      Source ISBN: 9780007553464

      Ebook Edition © May 2014 ISBN: 9780007553495

      Version: 2018-09-26

       PRAISE FOR THE SOUTHERN REACH TRILOGY

      ‘A tense and chilling psychological thriller about an unravelling expedition and the strangeness within us. A little Kubrick, a lot of Lovecraft, [Annihilation] builds with an unbearable tension and claustrophobic dread that lingers long afterwards’

      LAUREN BEUKES, author of The Shining Girls

      ‘A lasting monument to the uncanny … you find yourself afraid to turn the page … We are less than 200 pages in to the Southern Reach Trilogy … and already home is a distant memory’

      SIMON INGS, Guardian

      ‘Annihilation owes much to the explorations of psycho-geographical landscapes in early J. G. Ballard and also to the work of the old masters of weird fiction such as H. P. Lovecraft and William Hope Hodgson, with their love of nameless horrors haunting liminal realms. VanderMeer synthesises these influences to create a tale with a deliciously creepy atmosphere of dread’

      JAMES LOVEGROVE, Financial Times

      ‘Immersive, insightful and often deeply bloody creepy, this is a startlingly good novel. If the sequels live up to it, then the Southern Reach series will be a major work’

      WILL SALMON, SFX Magazine

      ‘A clear triumph for VanderMeer, [who] has suddenly transcended genre with a compelling, elegant and existential story of far broader appeal … A novel whose world is built seamlessly and whose symbols are rich and dark’

      LYDIA MILLET, LA Times

      ‘A teeming science fiction that draws on Conrad and Lovecraft alike … The writing itself has a clarity that makes the abundancy of the setting more powerful’

      PAUL KINCAID, Sunday Telegraph

       DEDICATION

       For Ann

      Contents

       Cover

       Title Page

      Copyright

      Praise for the Southern Reach Trilogy

      Dedication

      Incantations

      000

      001: Falling

       Rites

       005: The First Breach

       006: Typographical Anomalies

       007: Superstition

       008: The Terror

       009: Evidence

       010: Fourth Breach

       011: Sixth Breach

       012: Sort of Sorting

       013: Recommendations

       014: Heroic Heroes of the Revolution

       015: Seventh Breach

       016: Terroirs

       017: Perspective

       018: Recovery

       Hauntings

       000

       020: Second Recovery

       021: Repeating

       022: Gambit

       023: Break Down

       00X

       Afterlife

       Acknowledgments

       The Southern Reach Trilogy Book 3: Acceptance

       About the Author

       By the Same Author

       About the Publisher

INCANTATIONS

       000

      In Control’s dreams it is early morning, the sky deep blue with just a twinge of light. He is staring from a cliff down into an abyss, a bay, a cove. It always changes. He can see for miles into the still water. He can see ocean behemoths gliding there, like submarines or bell-shaped orchids or the wide hulls of ships, silent, ever moving, the size of them conveying such a sense of power that he can feel the havoc of their passage even from so far above. He stares for hours at the shapes, the movements, listening to the whispers echoing up to him … and then he falls. Slowly, too slowly, he falls soundless into the dark water, without splash or ripple. And keeps falling.

      Sometimes this happens while he is awake, as if he hasn’t been paying enough attention, and then he silently recites his own name until the real world returns to him.

       001: FALLING

      First day. The beginning of his last chance.

      “These are the survivors?”

      Control stood beside the assistant director of the Southern Reach, behind smudged one-way glass, staring