Ian Sansom

Westmorland Alone


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       Copyright

      4th Estate

      An imprint of HarperCollinsPublishers

      1 London Bridge Street

      London SE1 9GF

       www.4thestate.co.uk

      This eBook first published in Great Britain by 4th Estate in 2016

      Copyright © Ian Sansom 2016

      Cover image © Science & Society Picture Library / Getty Images

      Ian Sansom asserts the moral right to be identified as the author of this work

      A catalogue record for this book is available from the British Library

      This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

      Source ISBN: 9780008121747

      Ebook Edition © February 2016 ISBN: 9780008121754

      Version: 2016-12-08

       Dedication

       For the other Morley

       Epigraph

      Here we entered Westmoreland, a country eminent only for being the wildest, most barren and frightful of any that I have passed over in England.

      DANIEL DEFOE,

       A Tour Through the Whole Island of Great Britain

      Contents

       Cover

       Title Page

       Chapter 7: Pencilariums and Pharmacopoeias

       Chapter 8: English Archaeological Records

       Chapter 9: Death and Deceit and Despair

       Chapter 10: Merrie Englande

       Chapter 11: Stephen ‘Jawbone’ Sefton

       Chapter 12: The Stench of Cabbage and Onions

       Chapter 13: The Joy of Pickling

       Chapter 14: Gavver-Mush

       Chapter 15: A 22-Lever Midland Tumbler

       Chapter 16: The Hanging Room

       Chapter 17: Ejecta, Rejecta, Dejecta

       Chapter 18: Some Photographic Techniques

       Chapter 19: A Totally Different Complexion

       Chapter 20: Dora’s Station Café

       Chapter 21: The End of the Story?

       Chapter 22: Open to Closed

       Acknowledgements

       Picture Credits

       Keep Reading …

       Also by Ian Sansom

       About the Author

       About the Publisher

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