Richard Holmes

Dr Johnson and Mr Savage


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      Dr Johnson and Mr Savage

      Richard Holmes

       Copyright

      Harper Press

      An imprint of HarperCollinsPublishers

      1 London Bridge Street

      London SE1 9GF

      www.harpercollins.co.uk

      This edition published by Harper Press 2005

      2

      First published by Hodder & Stoughton 1993

      Copyright © Richard Holmes 1993

      Richard Holmes asserts the moral right to be identified as the author of this work

      A catalogue record for this book is available from the British Library

      All chapter head illustrations are by William Hogarth, from Hogarth’s Graphic Works, compiled by Ronald Paulson, The Print Room, 1989

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

      This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

      Ebook Edition © AUGUST 2010 ISBN: 9780007386789

       Version: 2019-09-25

      To the Rose in the Grove

      … For as Johnson is reported to have once said, that ‘he could write the Life of a Broomstick’.

      Boswell

      Table of Contents

       Cover Page

       Title Page

       Epigraph

       Chapter 4 Mother

       Chapter 5 Bard

       Chapter 6 Murder

       Chapter 7 Fame

       Chapter 8 Friendship

       Chapter 9 Arcadia

       Chapter 10 Charon

       Appendix Note on Savage’s birth and identity

       Select Bibliography

       References

       Index

       Acknowledgements

       About the Author

       Praise

       Also By Richard Holmes

       About the Publisher

       Prologue

      When Samuel Johnson was compiling his great Dictionary of the English Language, which defines more than forty thousand words, he decided to illustrate his definitions with suitable literary quotations. ‘I therefore extracted,’ he explained in his Preface, ‘from Philosophers principles of science, from Historians remarkable facts, from Chymists complete processes, from Divines striking exhortations, and from Poets beautiful descriptions.’

      To do this, he read and annotated over two hundred thousand passages from innumerable English authors across four centuries. He marked up these passages, and handed them to his clerks in his attic at Gough Square to be entered into eighty large vellum notebooks.

      He was working at great speed, and he chose his illustrations entirely at random. Most of them are from the great classics of English literature, such as Shakespeare, Milton, Dryden and Pope. But of the 116,000 quotations eventually included, he chose seven from the works of his strange friend Richard Savage. These quotations, and the seven words they illustrate, may have a curious significance. Since they were chosen rapidly and at random, from such a vast source, they could be thought to reveal unconscious links and symbolic meanings. If considered as a form of ‘association-test’, these seven words must instinctively have brought Richard Savage to Johnson’s mind. Thus, to an analyst they might suggest something about the nature of that most puzzling relationship. Here are the seven words, and their illustrations, in alphabetical order.



1. ‘Elevate’ to raise with great conceptions.
Savage: ‘Now rising fortune elevates his mind, He shines unclouded, and adorns mankind.’