Baring Maurice

The Puppet Show of Memory


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       Maurice Baring

      The Puppet Show of Memory

      Published by Good Press, 2019

       [email protected]

      EAN 4057664605160

       ILLUSTRATIONS

       THE PUPPET SHOW OF MEMORY

       CHAPTER I THE NURSERY

       CHAPTER II THE NURSERY AND THE SCHOOLROOM

       CHAPTER III MEMBLAND

       CHAPTER IV MEMBLAND

       CHAPTER V SCHOOL

       CHAPTER VI ETON

       CHAPTER VII GERMANY

       CHAPTER VIII ITALY, CAMBRIDGE, GERMANY, LONDON

       CHAPTER IX OXFORD AND GERMANY

       CHAPTER X PARIS

       CHAPTER XI COPENHAGEN

       CHAPTER XII SARAH BERNHARDT

       CHAPTER XIII ROME

       CHAPTER XIV RUSSIA AND MANCHURIA

       CHAPTER XV BATTLES

       CHAPTER XVI LONDON, MANCHURIA, RUSSIA

       CHAPTER XVII RUSSIA: THE BEGINNING OF THE REVOLUTION

       CHAPTER XVIII ST. PETERSBURG

       CHAPTER XIX TRAVEL IN RUSSIA

       CHAPTER XX SOUTH RUSSIA, JOURNALISM, LONDON

       CHAPTER XXI CONSTANTINOPLE (1909)

       CHAPTER XXII THE BALKAN WAR, 1912

       CHAPTER XXIII CONSTANTINOPLE ONCE MORE (1912)

       CHAPTER XXIV THE FASCINATION OF RUSSIA

       INDEX

       Table of Contents

Coombe Cottage Frontispiece
FACING PAGE
Portraits of Sarah Bernhardt by the Author (age 7), drawn in 1881 228
Sarah Bernhardt in the ’eighties 229

       PUPPET SHOW OF MEMORY

       Table of Contents

       THE NURSERY

       Table of Contents

      When people sit down to write their recollections they exclaim with regret, “If only I had kept a diary, what a rich store of material I should now have at my disposal!” I remember one of the masters at Eton telling me, when I was a boy, that if I wished to make a fortune when I was grown up, I had only to keep a detailed diary of every day of my life at Eton. He said the same thing to all the boys he knew, but I do not remember any boy of my generation taking his wise advice.

      On the other hand, for the writer who wishes to recall past memories, the absence of diaries and notebooks has its compensations. Memory, as someone has said, is the greatest of artists. It eliminates the unessential, and chooses with careless skill the sights and the sounds and the episodes that are best worth remembering and recording. The first thing I can remember is a Christmas tree which I think celebrated the Christmas of 1876. It was at Shoreham in Kent, at a house belonging to Mr. H. B. Mildmay, who married one of my mother’s sisters. I was two years old, and I remember my Christmas present, a large bird with yellow and red plumage, which for a long time afterwards lived at the top of the nursery wardrobe. It was neither a bird of Paradise nor a pheasant; possibly only a somewhat flamboyant hen; but I loved it dearly, and it irradiated the nursery to me for at least two years.

      The curtain then falls and rises again on the nursery of 37 Charles Street, Berkeley Square, London. The nursery epoch, which lasted till promotion to the schoolroom and lessons began, seems to children as long as a lifetime, just as houses and places seem to them infinitely large. The nursery was on the third floor of the house, and looked out on to the street. There was a small night-nursery next door to it, which had coloured pictures of St. Petersburg on the wall.

      I can remember the peculiar roar of London in those days; the four-wheelers and hansoms rattling on the macadam pavement through the fog, except when there was straw down in the street for some sick person; and the various denizens of the streets, the lamplighter and the muffin-man; often a barrel-organ, constantly in summer a band, and sometimes a Punch and Judy. During the war, when the streets began to be darkened, but before the final complete darkness set in in 1917, London looked at night very much as it was in my childhood. But the strange rumbling noise had gone for ever. Sometimes on one of the houses opposite there used to be an heraldic hatchment. The