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THE WOLF HUNTERS A Tale of Adventure in the Wilderness by JAMES OLIVER CURWOOD Copyright © 2013 Read Books Ltd. This book is copyright and may not be reproduced or copied in any way without the express permission of the publisher in writing British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Contents Illustrations
With his rifle ready Rob approached the fissure.
The leader stopped in his snow-shoes
James Oliver Curwood James Oliver ‘Jim’ Curwood was an American action-adventure writer and conservationist. He was born on 12th June, 1878, in Owosso, Michigan, USA – as the youngest of four children. He left high school before graduation, but passed the entrance exam to the University of Michigan, where he enrolled in the English department and studied journalism. After two years, he quit college to become a reporter. In 1900, Curwood sold his first story while working for the Detroit News-Tribune, and after this, his career in writing was made. By 1909 he had saved enough money to travel to the Canadian northwest, a trip that provided the inspiration for his wilderness adventure stories. The success of his novels afforded him the opportunity to return to the Yukon and Alaska for several months each year – allowing Curwood to write more than thirty such books. By 1922, Curwood’s writings had made him a very wealthy man and he fulfilled a childhood fantasy by building ‘Curwood Castle’ in Owosso. Constructed in the style of an eighteenth century French Chateau, the estate overlooked the Shiawassee River, and made for a truly picturesque setting. In one of the homes’ two large turrets, Curwood set up his writing studio. He also owned a camp in a remote area in Baraga County, Michigan, near the Huron Mountains as well as a cabin in Roscommon, Michigan. Curwood’s adventure writing followed in the tradition of Jack London. Like London, Curwood set many of his works in the wilds of the Great Northwest and often used animals as lead characters (Kazan, Baree; Son of Kazan, The Grizzly King and Nomads of the North). Many of Curwood’s adventure novels also feature romance as primary or secondary plot consideration. This approach gave his work broad commercial appeal and helped drive his appearance on several best-seller lists in the early 1920s. His most successful work was his 1920 novel, The River’s End. The book sold more than 100,000 copies and was the fourth best-selling title of the year in the United States, according to Publisher’s Weekly. He contributed to various literary and popular magazines throughout his career, and his bibliography includes more than 200 such articles, short stories and serializations. Curwood was an avid hunter in his youth; however, as he grew older, he became an advocate of environmentalism and was appointed to the ‘Michigan Conservation Commission’ in 1926. The change in his attitude toward wildlife can be best expressed by a quote he gave in The Grizzly King: that ‘The greatest thrill is not to kill but to let live.’ Despite this change in attitude, Curwood did not have an ultimately fruitful relationship with nature. In 1927, while on a fishing trip in Florida, Curwood was bitten on the thigh by what was believed to have been a spider and he had an immediate allergic reaction. Health problems related to the bite escalated over the next few months as an infection set in. He died soon after in his nearby home on Williams Street, on 13th August 1927. He was aged just forty-nine, and was interred in Oak Hill Cemetery (Owosso), in a family plot. Curwood’s legacy lives on however, and his home of Curwood Castle is now a museum. During the first full weekend in June of each year, the city of Owosso holds the Curwood Festival to celebrate the city’s heritage, and in addition, a mountain in L’Anse Township, Michigan was given the name Mount Curwood, and the L’Anse Township Park was renamed Curwood Park. With his rifle ready Rob approached the fissure. CHAPTER I THE FIGHT IN THE FOREST Cold winter lay deep in the Canadian wilderness. Over it the moon was rising, like a red pulsating ball, lighting up the vast white silence of the night in a shimmering glow. Not a sound broke the stillness of the desolation. It was too late for the life of day, too early for the nocturnal roamings and voices of the creatures of the night. Like the basin of a great amphitheater the frozen lake lay revealed in the light of the moon and a billion stars. Beyond it rose the spruce forest, black and forbidding. Along its nearer edges stood hushed walls of tamarack, bowed in the smothering clutch of snow and ice, shut in by impenetrable gloom. A huge white owl flitted out of this rim of blackness, then back again, and its first quavering hoot came softly, as though the mystic hour of silence had not yet passed for the night-folk. The snow of the day had ceased, hardly a breath of air stirred the ice-coated twigs of the trees. Yet it was bitter cold—so cold that a man, remaining motionless, would have frozen to death within an hour.
