receiving directions; but no other corner of the room appeared to offer her any particular reason for crossing to it: she never did such a thing without a great inducement. So she remained standing there as if she were quitting the place in a moment, which indeed she now determined to do; and her interlocutor, rising also, lingered beside her unencouraged but unperturbed. He proceeded to remark that Mr. Sherringham was quite right to offer Miss Rooth an afternoon’s sport; she deserved it as a fine, brave, amiable girl. She was highly educated, knew a dozen languages, was of illustrious lineage, and was immensely particular.
“Immensely particular?” Mrs. Dallow repeated.
“Perhaps I should say rather that her mother’s so on her behalf. Particular about the sort of people they meet — the tone, the standard. I’m bound to say they’re like you: they don’t go everywhere. That spirit’s not so common in the mob calling itself good society as not to deserve mention.”
She said nothing for a moment; she looked vaguely round the room, but not at Miriam Rooth. Nevertheless she presently dropped as in forced reference to her an impatient shake. “She’s dreadfully vulgar.”
“Ah don’t say that to my friend Dormer!” Mr. Nash laughed.
“Are you and he such great friends?” Mrs. Dallow asked, meeting his eyes.
“Great enough to make me hope we shall be greater.”
Again for a little she said nothing, but then went on: “Why shouldn’t I say to him that she’s vulgar?”
“Because he admires her so much. He wants to paint her.”
“To paint her?”
“To paint her portrait.”
“Oh I see. I daresay she’d do for that.”
Mr. Nash showed further amusement. “If that’s your opinion of her you’re not very complimentary to the art he aspires to practise.”
“He aspires to practise?” she echoed afresh.
“Haven’t you talked with him about it? Ah you must keep him up to it!”
Julia Dallow was conscious for a moment of looking uncomfortable; but it relieved her to be able to demand of her neighbour with a certain manner: “Are you an artist?”
“I try to be,” Nash smiled, “but I work in such difficult material.”
He spoke this with such a clever suggestion of mysterious things that she was to hear herself once more pay him the attention of taking him up. “Difficult material?”
“I work in life!”
At this she turned away, leaving him the impression that she probably misunderstood his speech, thinking he meant that he drew from the living model or some such platitude: as if there could have been any likelihood he would have dealings with the dead. This indeed would not fully have explained the abruptness with which she dropped their conversation. Gabriel, however, was used to sudden collapses and even to sudden ruptures on the part of those addressed by him, and no man had more the secret of remaining gracefully with his conversational wares on his hands. He saw Mrs. Dallow approach Nick Dormer, who was talking with one of the ladies of the embassy, and apparently signify that she wished to speak to him. He got up and they had a minute’s talk, after which he turned and took leave of his fellow-visitors. She said a word to her brother, Nick joined her, and they then came together to the door. In this movement they had to pass near Nash, and it gave her an opportunity to nod good-bye to him, which he was by no means sure she would have done if Nick hadn’t been with her. The young man just stopped; he said to Nash: “I should like to see you this evening late. You must meet me somewhere.”
“Well take a walk — I should like that,” Nash replied. “I shall smoke a cigar at the café on the corner of the Place de l’Opéra — you’ll find me there.” He prepared to compass his own departure, but before doing so he addressed himself to the duty of a few civil words to Lady Agnes. This effort proved vain, for on one side she was defended by the wall of the room and on the other rendered inaccessible by Miriam’s mother, who clung to her with a quickly-rooted fidelity, showing no symptom of desistance. Nash declined perforce upon her daughter Grace, who said to him: “You were talking with my cousin Mrs. Dallow.”
“To her rather than with her,” he smiled.
“Ah she’s very charming,” Grace said.
“She’s very beautiful.”
“And very clever,” the girl continued.
“Very, very intelligent.” His conversation with Miss Dormer went little beyond this, and he presently took leave of Peter Sherringham, remarking to him as they shook hands that he was very sorry for him. But he had courted his fate.
“What do you mean by my fate?” Sherringham asked.
“You’ve got them for life.”
“Why for life, when I now clearly and courageously recognise that she isn’t good?”
“Ah but she’ll become so,” said Gabriel Nash.
“Do you think that?” Sherringham brought out with a candour that made his visitor laugh.
“You will — that’s more to the purpose!” the latter declared as he went away.
Ten minutes later Lady Agnes substituted a general, vague assent for all further particular ones, drawing off from Mrs. Rooth and from the rest of the company with her daughters. Peter had had very little talk with Biddy, but the girl kept her disappointment out of her pretty eyes and said to him: “You told us she didn’t know how — but she does!” There was no suggestion of disappointment in this.
Sherringham held her hand a moment. “Ah it’s you who know how, dear Biddy!” he answered; and he was conscious that if the occasion had been more private he would have all lawfully kissed her.
Presently three more of his guests took leave, and Mr. Nash’s assurance that he had them for life recurred to him as he observed that Mrs. Rooth and her damsel quite failed to profit by so many examples. The Lovicks remained — a colleague and his sociable wife — and Peter gave them a hint that they were not to plant him there only with the two ladies. Miriam quitted Mrs. Lovick, who had attempted, with no great subtlety, to engage her, and came up to her host as if she suspected him of a design of stealing from the room and had the idea of preventing it.
“I want some more tea: will you give me some more? I feel quite faint. You don’t seem to suspect how this sort of thing takes it out of one.”
Peter apologised extravagantly for not having seen to it that she had proper refreshment, and took her to the round table, in a corner, on which the little collation had been served. He poured out tea for her and pressed bread and butter on her and petits fours, of all which she profusely and methodically partook. It was late; the afternoon had faded and a lamp been brought in, the wide shade of which shed a fair glow on the tea-service and the plates of pretty food. The Lovicks sat with Mrs. Rooth at the other end of the room, and the girl stood at the table, drinking her tea and eating her bread and butter. She consumed these articles so freely that he wondered if she had been truly in want of a meal — if they were so poor as to have to count with that sort of privation. This supposition was softening, but still not so much so as to make him ask her to sit down. She appeared indeed to prefer to stand: she looked better so, as if the freedom, the conspicuity of being on her feet and treading a stage were agreeable to her. While Sherringham lingered near her all vaguely, his hands in his pockets and his mind now void of everything but a planned evasion of the theatrical question — there were moments when he was so plentifully tired of it — she broke out abruptly: “Confess you think me intolerably bad!”
“Intolerably — no.”
“Only tolerably! I find that worse.”
“Every now and then you do something very right,” Sherringham said.
“How