Marion Harland

Jessamine


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       Marion Harland

      Jessamine

      A Novel

      Published by Good Press, 2019

       [email protected]

      EAN 4064066220785

       CHAPTER I.

       CHAPTER II.

       CHAPTER III.

       CHAPTER IV.

       CHAPTER V.

       CHAPTER VI.

       CHAPTER VII.

       CHAPTER VIII.

       CHAPTER IX.

       CHAPTER X.

       CHAPTER XI.

       CHAPTER XII.

       CHAPTER XIII.

       CHAPTER XIV.

       CHAPTER XV.

       CHAPTER XVI.

       CHAPTER XVII.

       CHAPTER XVIII.

       CHAPTER XIX.

       CHAPTER XX.

       CHAPTER XXI.

       CHAPTER XXII.

       CHAPTER XXIII.

       CHAPTER XXIV.

       CHAPTER XXV.

       CHAPTER XXVI.

       CHAPTER XXVII.

       Table of Contents

      A young girl lay upon a lounge in the recess of an oriel-window. If disease held her there, it had not altered the contour of the smooth cheek, or made shallow the dimples in wrist and elbow of the arm supporting her head; had not unbent the spirited bow of the mouth, or dimmed the glad light of the gray eyes. Most people called these black, deceived by the shadow of the jetty lashes. They were wide open, now, and the light of a sunny mid-day streamed in upon her face through the window, yet the upper part of the irid was darkened by the heavy fringe that matched in line the well-defined brows. Her hair, also black, with purple reflections glancing from every coil and fold, was braided into a coronal, and about the heavy plait knotted at the back of the head was twisted a half-wreath of yellow jessamine. Her skin was dark and clear, but she had usually little color; her forehead was not remarkable for breadth or height; the nose was a nondescript, and the mouth rather piquant than pretty, with suggestions of wilfulness in the full, lower lip, and the slight, downward lines at the corners. Her dress was white muslin, with no ornament beyond the gold clasp of her girdle, and a spray of jessamine at her throat.

      The casement was canopied with the vine from which this last had been plucked. Hundreds of bright bells were swinging lazily in the warm breeze, and were tossed into livelier motion and perfume by the kisses of brown-coated bees and vivid humming-birds. Heightening the glow of the tropical creeper, while they relieved the eye of the spectator, drooped still, lilac clusters of wisteria, and these the girl put aside with impatient fingers when she raised herself upon her elbow to obtain a better view of the outer scene. A flower-garden, lively with Spring blossoms, opened through a wicket in the white fence into a church-yard—green and level on the roadside—green likewise, but swelling into long ranks of unequal and motionless billows behind the building. This was an ancient structure, as was shown by the latticed windows with rounded tops, and the quaint base of the steeple that yet tapered gracefully into a shimmering point against the pale noon of the sky. But loving eyes had watched it, and reverent hands guarded it against decay. The brick walls were sound, the masonry of gray stone about windows and doors smooth and solid with cement made hard as the stone by years and weather. The sward was shaven evenly, and the two great elms at the entrance to the rural sanctuary were the pride of the region. A double row of these trees bordered the road for a hundred yards in either direction, and now offered shade and coolness to an orderly herd of horses tethered beneath them. A few handsome equipages were there, two or three stately family carriages and several jaunty buggies, but most of the vehicles which the animals were attached, bore the stamp of rusticity, hard usage, and infrequent ablutions, while the preponderance of roadsters and ponderous draught-horses over blooded stock, betokened that in this, as in other agricultural districts, the beautiful was held in subordination to the useful. The little church, thanks to the taste of the present pastor and the economical proclivities of past generations, had escaped the vulgarizing influence of "a good coat of paint." Slow circles of lichens, hoary and russet, had toned down the original ruddiness of the bricks, and green mosses dotted the slated roof. It stood on the edge of a cup-like valley, surrounded by mountains. So near was the lofty chain on the north-east, that the rising sun sent the shadow of the Anak of the range—"Old Windbeam," across the graveyard to the foot of the sacred walls; so remote on the west that the Day-god looked his last upon the fertile pastures, winding streams, and peaceful homesteads, over hills round and blue with distance.

      The watcher in the oriel-window saw neither flowers nor elms; noticed the throng of patient dumb horses and motley collection of carriages as little as she did the mountains, near and far. Every feature was stirred with exultant wistfulness, and her eyes never moved from a certain window of the church from which the inner shutters had been folded back. The house was densely packed with living beings—she could see through this—galleries and