on>
Esther Singleton
The Standard Galleries - Holland
Published by Good Press, 2019
EAN 4057664594853
Table of Contents
CHICAGO A. C. MCCLURG & CO. 1908
Preface
The Stedelijk Museum, the Town Hall , Haarlem and the Boijmans Museum
The Standard Galleries of Holland
THE BOIJMANS MUSEUM, ROTTERDAM
THE MUSEUM'S ORIGIN AND GROWTH
HOLLAND
THE STANDARD GALLERIES
HOLLAND
BY
ESTHER SINGLETON
Author of "Dutch and Flemish Furniture, " "Great Pictures
Described by Great Writers, " etc., etc.
WITH FORTY-SIX ILLUSTRATIONS
CHICAGO
A. C. MCCLURG & CO.
1908
Copyright
A. C. McClurg & Co.
1908
Entered at Stationers' Hall, London, England
All rights reserved
Published October 10, 1908
THE UNIVERSITY PRESS, CAMBRIDGE, U. S. A.
Preface
When a tourist who, having mapped out his itinerary in accordance with the time at his disposal for a European trip, arrives at a city for seeing which he has allowed two or three days at the utmost, the first question he puts to a fellow traveller, the hotel clerk, or his Baedeker is, "What must I see?"
First, there is the city itself: its streets, bridges, canals, parks, and drives. Then there are famous churches, city halls, and other ancient buildings, including city gates and castles in the immediate neighborhood. Perhaps there is a palace, and most certainly one or more museums of art and antiquities. The tourist gazes his fill on architecture, stone and wood carving, exterior and interior; but above all he feels that he must make the best use of his opportunities of seeing the pictures, the fame of which has spread into all civilized countries. His time is short. He is therefore grateful for a guide that will direct him to the beauties and celebrities of the famous local picture-gallery, and point out to him the qualities of the paintings as well as tell him something of the art of the masters and of the school to which they belong. It is important first for him to know what he should see, and secondly what he should see in it beyond the bare facts he can gather from the catalogue.
On returning home with a few photographs of the canvases that have struck his fancy, he is also pleased to renew his acquaintance with the gallery in the pages of a modest work that does not go too deeply into art questions beyond the grasp of the ordinary layman. Such a guide and companion this book