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Richard Jefferies
The Gamekeeper at Home
Sketches of Natural History and Rural Life
Published by Good Press, 2021
EAN 4057664578983
Table of Contents
"Sketches of Natural History and Rural Life"
"Sketches of Natural History and Rural Life"
Preface.
Those who delight in roaming about amongst the fields and lanes, or have spent any time in a country house, can hardly have failed to notice the custodian of the woods and covers, or to observe that he is often something of a “character.” The Gamekeeper forms, indeed, so prominent a figure in rural life as almost to demand some biographical record of his work and ways. From the man to the territories over which he bears sway—the meadows, woods, and streams—and to his subjects, their furred and feathered inhabitants, is a natural transition. The enemies against whom he wages incessant warfare—vermin, poachers, and trespassers—must, of course, be included in such a survey.
Although, for ease and convenience of illustration, the character of a particular Keeper has been used as a nucleus about which to arrange materials that would otherwise have lacked a connecting link, the facts here collected are really entirely derived from original observation.
R.J.
Chapter One.
The Man Himself—His House, and Tools.
The keeper’s cottage stands in a sheltered “coombe,” or narrow hollow of the woodlands, overshadowed by a mighty Spanish chestnut, bare now of leaves, but in summer a noble tree. The ash wood covers the slope at the rear; on one side is a garden, and on the other a long strip of meadow with elms. In front, and somewhat lower, a streamlet winds, fringing the sward, and across it the fir plantations begin, their dark sombre foliage hanging over the water. A dead willow trunk thrown from bank to bank forms a rude bridge; the tree, not even squared, gives little surface for the foot, and in frosty weather a slip is easy. From this primitive contrivance a path, out of which others fork, leads into the intricacies of the covers, and from the garden a wicket gate opens on the ash wood. The elms in the meadow are full of rooks’ nests, and in the spring the coombe will resound with their cawing; these black bandits, who do not touch it at other times, will then ravage the garden to feed their hungry young, despite ingenious scarecrows. A row of kennels, tenanted by a dozen dogs, extends behind the cottage: lean retrievers yet unbroken, yelping spaniels, pointers, and perhaps a few greyhounds or fancy breeds, if “young master” has a taste that way.
Beside the kennels is a shed ornamented with rows upon rows of dead and dried vermin, furred and feathered, impaled for their misdeeds; and over the door a couple of horseshoes nailed for luck—a superstition yet lingering in the by-ways of the woods and hills. Within are the ferret hutches, warm and dry; for the ferret is a shivery creature, and likes nothing so well as to nozzle down in a coat-pocket with a little hay. Here are spades and billhooks, twine and rabbit nets, traps, and other odds and ends scattered about with the wires and poacher’s implements impounded from time to time.
In a dark corner there lies a singular-looking piece of mechanism, a relic of the olden times, which when dragged into the light turns out to be a man-trap. These terrible engines have long since been disused—being illegal, like spring-guns—and the rust has gathered thickly on the metal. But, old though it be, it still acts perfectly, and can be “set” as well now as when in bygone days poachers and thieves used to prod the ground and the long grass, before they stepped among it, with a stick, for fear of mutilation.
The trap is almost precisely similar to the common rat-trap or gin still employed to destroy vermin, but greatly exaggerated in size, so that if stood on end it reaches to the waist, or above. The jaws of this iron wolf are horrible to contemplate—rows of serrated projections, which fit into each other when closed, alternating with spikes a couple of inches long, like tusks. To set the trap you have to stand on the spring—the weight of a man is about sufficient to press it down; and, to avoid danger to the person preparing this little surprise, a band of iron can be pushed forward to hold the spring while the catch is put into position, and the machine itself is hidden among the bushes or covered with dead leaves. Now touch the pan with a stout walking-stick—the jaws cut it in two in the twinkling of an eye. They seem to snap together with a vicious energy, powerful enough to break the bone of the leg; and assuredly no man ever got free whose foot was once caught by these terrible teeth.
The keeper will tell you that it used to be set up in the corner of the gardens and orchard belonging to the great house, and which in the pre-policemen days were almost nightly robbed. He thinks there were quite as many such traps set in the gardens just outside the towns as ever there were in the woods and preserves of the country proper. He recollects but one old man (a mole-catcher) who actually had experienced in his youth the sensation of being caught; he went lame on one foot, the sinews having been cut or divided. The trap could be chained to its place if desired; but, as a matter of fact, a chain was unnecessary, for no man could possibly drag this torturing clog along.
Another outhouse attached to the cottage contains a copper for preparing the food for both quadrupeds and birds. Some poultry run about the mead, and perhaps with them are feeding the fancy foreign ducks which in summer swim in the lake before the hall.
The cottage is thatched and oddly gabled—built before “improvements” came into fashion—yet cosy; with walls three feet thick, which keep out the cold of winter and the heat of summer. This is not solid masonry; there are two shells, as it were, filled up between with rubble and mortar rammed down hard.
Inside the