his game; to shave himself regularly before he came to the house, and to wash his hands with good cleansing soap; not to swear, to speak her kind of French, to wear boots instead of shoes, cotton shirts instead of sacking, and to brush up his hair instead of plastering it flat. During the preceding week Elisabeth had finally succeeded in persuading Falleix to give up wearing a pair of enormous flat earrings resembling hoops.
“You go too far, Madame Baudoyer,” he said, seeing her satisfaction at the final sacrifice; “you order me about too much. You make me clean my teeth, which loosens them; presently you will want me to brush my nails and curl my hair, which won’t do at all in our business; we don’t like dandies.”
Elisabeth Baudoyer, nee Saillard, is one of those persons who escape portraiture through their utter commonness; yet who ought to be sketched, because they are specimens of that second-rate Parisian bourgeoisie which occupies a place above the well-to-do artisan and below the upper middle classes, – a tribe whose virtues are well-nigh vices, whose defects are never kindly, but whose habits and manners, dull and insipid though they be, are not without a certain originality. Something pinched and puny about Elisabeth Saillard was painful to the eye. Her figure, scarcely over four feet in height, was so thin that the waist measured less than twenty inches. Her small features, which clustered close about the nose, gave her face a vague resemblance to a weasel’s snout. Though she was past thirty years old she looked scarcely more than sixteen. Her eyes, of porcelain blue, overweighted by heavy eyelids which fell nearly straight from the arch of the eyebrows, had little light in them. Everything about her appearance was commonplace: witness her flaxen hair, tending to whiteness; her flat forehead, from which the light did not reflect; and her dull complexion, with gray, almost leaden, tones. The lower part of the face, more triangular than oval, ended irregularly the otherwise irregular outline of her face. Her voice had a rather pretty range of intonation, from sharp to sweet. Elisabeth was a perfect specimen of the second-rate little bourgeoisie who lectures her husband behind the curtains; obtains no credit for her virtues; is ambitious without intelligent object, and solely through the development of her domestic selfishness. Had she lived in the country she would have bought up adjacent land; being, as she was, connected with the administration, she was determined to push her way. If we relate the life of her father and mother, we shall show the sort of woman she was by a picture of her childhood and youth.
Monsieur Saillard married the daughter of an upholsterer keeping shop under the arcades of the Market. Limited means compelled Monsieur and Madame Saillard at their start in life to bear constant privation. After thirty-three years of married life, and twenty-nine years of toil in a government office, the property of “the Saillards” – their circle of acquaintance called them so – consisted of sixty thousand francs entrusted to Falleix, the house in the place Royale, bought for forty thousand in 1804, and thirty-six thousand francs given in dowry to their daughter Elisabeth. Out of this capital about fifty thousand came to them by the will of the widow Bidault, Madame Saillard’s mother. Saillard’s salary from the government had always been four thousand five hundred francs a year, and no more; his situation was a blind alley that led nowhere, and had tempted no one to supersede him. Those ninety thousand francs, put together sou by sou, were the fruit therefore of a sordid economy unintelligently employed. In fact, the Saillards did not know how better to manage their savings than to carry them, five thousand francs at a time, to their notary, Monsieur Sorbier, Cardot’s predecessor, and let him invest them at five per cent in first mortgages, with the wife’s rights reserved in case the borrower was married! In 1804 Madame Saillard obtained a government office for the sale of stamped papers, a circumstance which brought a servant into the household for the first time. At the time of which we write, the house, which was worth a hundred thousand francs, brought in a rental of eight thousand. Falleix paid seven per cent for the sixty thousand invested in the foundry, besides an equal division of profits. The Saillards were therefore enjoying an income of not less than seventeen thousand francs a year. The whole ambition of the good man now centred on obtaining the cross of the Legion and his retiring pension.
Elisabeth, the only child, had toiled steadily from infancy in a home where the customs of life were rigid and the ideas simple. A new hat for Saillard was a matter of deliberation; the time a coat could last was estimated and discussed; umbrellas were carefully hung up by means of a brass buckle. Since 1804 no repairs of any kind had been done to the house. The Saillards kept the ground-floor in precisely the state in which their predecessor left it. The gilding of the pier-glasses was rubbed off; the paint on the cornices was hardly visible through the layers of dust that time had collected. The fine large rooms still retained certain sculptured marble mantel-pieces and ceilings, worthy of Versailles, together with the old furniture of the widow Bidault. The latter consisted of a curious mixture of walnut armchairs, disjointed, and covered with tapestry; rosewood bureaus; round tables on single pedestals, with brass railings and cracked marble tops; one superb Boulle secretary, the value of which style had not yet been recognized; in short, a chaos of bargains picked up by the worthy widow, – pictures bought for the sake of the frames, china services of a composite order; to wit, a magnificent Japanese dessert set, and all the rest porcelains of various makes, unmatched silver plate, old glass, fine damask, and a four-post bedstead, hung with curtains and garnished with plumes.
Amid these curious relics, Madame Saillard always sat on a sofa of modern mahogany, near a fireplace full of ashes and without fire, on the mantel-shelf of which stood a clock, some antique bronzes, candelabra with paper flowers but no candles, for the careful housewife lighted the room with a tall tallow candle always guttering down into the flat brass candlestick which held it. Madame Saillard’s face, despite its wrinkles, was expressive of obstinacy and severity, narrowness of ideas, an uprightness that might be called quadrangular, a religion without piety, straightforward, candid avarice, and the peace of a quiet conscience. You may see in certain Flemish pictures the wives of burgomasters cut out by nature on the same pattern and wonderfully reproduced on canvas; but these dames wear fine robes of velvet and precious stuffs, whereas Madame Saillard possessed no robes, only that venerable garment called in Touraine and Picardy “cottes,” elsewhere petticoats, or skirts pleated behind and on each side, with other skirts hanging over them. Her bust was inclosed in what was called a “casaquin,” another obsolete name for a short gown or jacket. She continued to wear a cap with starched wings, and shoes with high heels. Though she was now fifty-seven years old, and her lifetime of vigorous household work ought now to be rewarded with well-earned repose, she was incessantly employed in knitting her husband’s stockings and her own, and those of an uncle, just as her countrywomen knit them, moving about the room, talking, pacing up and down the garden, or looking round the kitchen to watch what was going on.
The Saillard’s avarice, which was really imposed on them in the first instance by dire necessity, was now a second nature. When the cashier got back from the office, he laid aside his coat, and went to work in the large garden, shut off from the courtyard by an iron railing, and which the family reserved to itself. For years Elisabeth, the daughter, went to market every morning with her mother, and the two did all the work of the house. The mother cooked well, especially a duck with turnips; but, according to Saillard, no one could equal Elisabeth in hashing the remains of a leg of mutton with onions. “You might eat your boots with those onions and not know it,” he remarked. As soon as Elisabeth knew how to hold a needle, her mother had her mend the household linen and her father’s coats. Always at work, like a servant, she never went out alone. Though living close by the boulevard du Temple, where Franconi, La Gaite, and l’Ambigu-Comique were within a stone’s throw, and, further on, the Porte-Saint-Martin, Elisabeth had never seen a comedy. When she asked to “see what it was like” (with the Abbe Gaudron’s permission, be it understood), Monsieur Baudoyer took her – for the glory of the thing, and to show her the finest that was to be seen – to the Opera, where they were playing “The Chinese Laborer.” Elisabeth thought “the comedy” as wearisome as the plague of flies, and never wished to see another. On Sundays, after walking four times to and fro between the place Royale and Saint-Paul’s church (for her mother made her practise the precepts and the duties of religion), her parents took her to the pavement in front of the Cafe Ture, where they sat on chairs placed between a railing and the wall. The Saillards always made haste to reach the place early so as to choose the best seats, and found much entertainment in watching the passers-by. In those days the Cafe Ture was the rendezvous of the fashionable society