Emile Zola

The Three Cities Trilogy: Paris, Volume 2


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the most ardent republican ideas, had there married Agathe Dagnan, the youngest of the five girls of an old Protestant family from the Cevennes. Young Madame Leroi was enceinte when her husband, threatened with arrest for contributing some violent articles to a local newspaper, immediately after the "Coup d'Etat," found himself obliged to seek refuge at Geneva. It was there that the young couple's daughter, Marguerite, a very delicate child, was born in 1852. For seven years, that is until the Amnesty of 1859, the household struggled with poverty, the husband giving but a few ill-paid lessons, and the wife absorbed in the constant care which the child required. Then, after their return to Paris, their ill-luck became even greater. For a long time the ex-professor vainly sought regular employment; it was denied him on account of his opinions, and he had to run about giving lessons in private houses. When he was at last on the point of being received back into the University a supreme blow, an attack of paralysis, fell upon him. He lost the use of both legs. And then came utter misery, every kind of sordid drudgery, the writing of articles for dictionaries, the copying of manuscripts, and even the addressing of newspaper wrappers, on the fruits of which the household barely contrived to live, in a little lodging in the Rue Monsieur-le-Prince.

      It was there that Marguerite grew up. Leroi, embittered by injustice and suffering, predicted the advent of a Republic which would avenge the follies of the Empire, and a reign of science which would sweep away the deceptive and cruel divinity of religious dogmas. On the other hand, Agathe's religious faith had collapsed at Geneva, at sight of the narrow and imbecile practices of Calvinism, and all that she retained of it was the old Protestant leaven of rebellion. She had become at once the head and the arm of the house; she went for her husband's work, took it back when completed, and even did much of it herself, whilst, at the same time, performing her house duties, and rearing and educating her daughter. The latter, who attended no school, was indebted for all she learnt to her father and mother, on whose part there was never any question of religious instruction. Through contact with her husband, Madame Leroi had lost all belief, and her Protestant heredity inclining her to free inquiry and examination, she had arranged for herself a kind of peaceful atheism, based on paramount principles of human duty and justice, which she applied courageously, irrespective of all social conventionalities. The long iniquity of her husband's fate, the undeserved misfortunes which struck her through him and her daughter, ended by endowing her with wonderful fortitude and devotion, which made her, whether as a judge, a manager, or a consoler, a woman of incomparable energy and nobleness of character.

      It was in the Rue Monsieur-le-Prince that Guillaume became acquainted with the Leroi family, after the war of 1870. On the same floor as their little lodging he occupied a large room, where he devoted himself passionately to his studies. At the outset there was only an occasional bow, for Guillaume's neighbours were very proud and very grave, leading their life of poverty in fierce silence and retirement. Then intercourse began with the rendering of little services, such as when the young man procured the ex-professor a commission to write a few articles for a new encyclopaedia. But all at once came the catastrophe: Leroi died in his armchair one evening while his daughter was wheeling him from his table to his bed. The two distracted women had not even the money to bury him. The whole secret of their bitter want flowed forth with their tears, and they were obliged to accept the help of Guillaume, who, from that moment, became the necessary confidant and friend. And the thing which was bound to happen did happen, in the most simple and loving manner, permitted by the mother herself, who, full of contempt for a social system which allowed those of good hearts to die of hunger, refused to admit the necessity of any social tie. Thus there was no question of a regular marriage. One day Guillaume, who was twenty-three years old, found himself mated to Marguerite, who was twenty; both of them handsome, healthy, and strong, adoring one another, loving work, and full of hope in the future.

      From that moment a new life began. Since his father's death, Guillaume, who had broken off all intercourse with his mother, had been receiving an allowance of two hundred francs a month. This just represented daily bread; however, he was already doubling the amount by his work as a chemist, – his analyses and researches, which tended to the employment of certain chemical products in industry. So he and Marguerite installed themselves on the very summit of Montmartre, in a little house, at a rental of eight hundred francs a year, the great convenience of the place being a strip of garden, where one might, later on, erect a wooden workshop. In all tranquillity Madame Leroi took up her abode with the young people, helping them, and sparing them the necessity of keeping a second servant. And at successive intervals of two years, her three grandchildren were born, three sturdy boys: first Thomas, then Francois, and then Antoine. And in the same way as she had devoted herself to her husband and daughter, and then to Guillaume, so did she now devote herself to the three children. She became "Mere-Grand" – an emphatic and affectionate way of expressing the term "grandmother" – for all who lived in the house, the older as well as the younger ones. She there personified sense, and wisdom, and courage; it was she who was ever on the watch, who directed everything, who was consulted about everything, and whose opinion was always followed. Indeed, she reigned there like an all-powerful queen-mother.

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      1

      See M. Zola's "Lourdes," Day I., Chapter II.

      2

      See M. Zola's "Rome," Chapters IV. and XVI.

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1

See M. Zola's "Lourdes," Day I., Chapter II.

2

See M. Zola's "Rome," Chapters IV. and XVI.