he added, "are the only man besides myself they know. You shall see them again, but I beg you will take care not to leave anything behind you, for in this town of prejudices that would be a great misfortune for them and for me."
"You are always moderate in your enjoyment, then?" I said to him.
"Unfortunately, that is no merit as far as I am concerned. I was born for the service of love, and Venus has punished me for worshipping her when I was too young."
After a good night's sleep I awoke in an active mood, and began to write a letter to Voltaire in blank verse, which cost me four times the pains that rhymed verses would have done. I sent it to him with the poem of Theophile Falengue, but I made a mistake in doing so, as I might have known he would not care for it; one cannot appreciate what one does not understand. I then went to Mr. Fox, where I found the two Englishmen who offered me my revenge. I lost a hundred Louis, and was glad to see them set out for Lausanne.
The syndic had told me that the three young ladies belonged to respectable families, but were not rich. I puzzled my head to think of some useful present I might make them without offending them, and at last I hit on a plan of the most ridiculous nature, as the reader will see. I went to a jeweller and told him to make me three golden balls, each of two ounces in weight.
At noon I went to M. de Voltaire's. He was not to be seen, but Madame Denis consoled me for his absence. She had wit, learning without pretension, taste, and a great hatred for the King of Prussia, whom she called a villain. She asked about my beautiful housekeeper, and congratulated me on having married her to a respectable man. Although I feel now that she was quite right, I was far from thinking so then; the impression was too fresh on my mind. Madame Denis begged me to tell her how I had escaped from The Leads, but as the story was rather a long one I promised to satisfy her another time.
M. de Voltaire did not dine with us; he appeared, however, at five o'clock, holding a letter in his hand.
"Do you know," said he, "the Marquis Albergati Capacelli, senator ofBologna, and Count Paradisi?"
"I do not know Paradisi, but I know Albergati by sight and by reputation; he is not a senator, but one of the Forty, who at Bologna are Fifty."
"Dear me! That seems rather a riddle!"
"Do you know him?"
"No, but he has sent me Goldoni's 'Theatre,' the translation of myTancred, and some Bologna sausages, and he says he will come and see me."
"He will not come; he is not such a fool."
"How a fool? Would there be anything foolish in coming to see me?"
"Certainly not, as far as you are concerned; but very much so far his own sake."
"Would you mind telling me why?"
"He knows what he would lose; for he enjoys the idea you seem to have of him, and if he came you would see his nothingness, and good-bye to the illusion. He is a worthy man with six thousand sequins a year, and a craze for the theatre. He is a good actor enough, and has written several comedies in prose, but they are fit neither for the study nor the stage."
"You certainly give him a coat which does not make him look any bigger."
"I assure you it is not quite small enough."
"But tell me how he can belong to the Forty and the Fifty?"
"Just as at Bale noon is at eleven."
"I understand; just as your Council of Ten is composed of seventeen members."
"Exactly; but the cursed Forty of Bologna are men of another kind."
"Why cursed?"
"Because they are not subject to the fisc, and are thus enabled to commit whatever crimes they like with perfect impunity; all they have got to do is to live outside the state borders on their revenues."
"That is a blessing, and not a curse; but let me return to our subject. I suppose the Marquis Albergati is a man of letters?"
"He writes well enough, but he is fond of the sound of his own voice, his style is prolix, and I don't think he has much brains."
"He is an actor, I think you said?"
"Yes, and a very good one, above all, when he plays the lover's part in one of his own plays."
"Is he a handsome man?"
"Yes, on the stage, but not elsewhere; his face lacks expression."
"But his plays give satisfaction?"
"Not to persons who understand play writing; they would be hissed if they were intelligible."
"And what do you think of Goldoni?"
"I have the highest opinion of him. Goldoni is the Italian Moliere."
"Why does he call himself poet to the Duke of Parma?"
"No doubt to prove that a wit as well as a fool has his weak points; in all probability the duke knows nothing about it. He also calls himself a barrister, though he is such only in his own imagination. Goldoni is a good play writer, and nothing more. Everybody in Venice knows me for his friend, and I can therefore speak of him with authority. He does not shine in society, and in spite of the fine satire of his works he is a man of an extremely gentle disposition."
"So I have been told. He is poor, and wants to leave Venice. The managers of the theatres where they play his pieces will not like that."
"People talked about getting him a pension, but the project has been relegated to the Greek Kalends, as they said that if he had a pension he would write no more."
"Cumae refused to give a pension to Homer, for fear that all the blind men would ask for a pension."
We spent a pleasant day, and he thanked me heartily for the copy of the Macaronicon, which he promised to read. He introduced me to a Jesuit he had in his household, who was called Adam, and he added, after telling me his name, "not the first Adam." I was told afterwards that Voltaire used to play backgammon with him, and when he lost he would throw the dice and the box at his head. If Jesuits were treated like that all the world over, perhaps we should have none but inoffensive Jesuits at last, but that happy time is still far off.
I had scarcely got to my inn in the evening when I received my three golden balls, and as soon as the syndic came we set off to renew our voluptuous orgy. On the way he talked about modesty, and said,—
"That feeling which prevents our shewing those parts which we have been taught to cover from our childhood, may often proceed from virtue, but is weaker than the force of education, as it cannot resist an attack when the attacking party knows what he is about. I think the easiest way to vanquish modesty is to ignore its presence, to turn it into ridicule, to carry it by storm. Victory is certain. The hardihood of the assailer subdues the assailed, who usually only wishes to be conquered, and nearly always thanks you for your victory.
"Clement of Alexandria, a learned man and a philosopher, has remarked that the modesty which appears so deeply rooted in women's hearts really goes no farther than the clothes they wear, and that when these are plucked off no trace of it remains."
We found the three girls lightly clad and sitting on a large sopha, and we sat down opposite to them. Pleasant talk and a thousand amorous kisses occupied the half hour just before supper, and our combat did not begin till we had eaten a delicious repast, washed down with plenty of champagne.
We were sure of not being interrupted by the maid and we put ourselves at our ease, whilst our caresses became more lively and ardent. The syndic, like a careful man, drew a packet of fine French letters from his pocket, and delivered a long eulogium on this admirable preservative from an accident which might give rise to a terrible and fruitless repentance. The ladies knew them, and seemed to have no objection to the precaution; they laughed heartily to see the shape these articles took when they were blown out. But after they had amused themselves thus for some time, I said,
"My dear girls, I care more for your honour than your beauty; but do not think I am going to shut myself in a piece of dead skin to prove that I am alive. Here," I added, drawing out the three golden balls, "is a surer and less disagreeable way of securing