repose—are sure indications; but, to judge of what a man is, you must look to the whole. You don’t know precisely where to look for it—any more than do those know who cannot see it at all. You cannot say that it lies in the forehead, the eyebrows, the eyes, or the chin. You see it, and that is the most you can tell. Beauty and ugliness, in themselves, have nothing to do with it. An ugly countenance may, and often does, bear its own innate goodness, as certainly as that one of beauty sometimes bears its own repulsion. Were there certain unerring signs to judge by, the whole human race might become readers of character: but that will never be, so long as the world shall last.
In like manner, as we cannot tell precisely where nature’s marks lie, so are we unable to tell where lies the capacity to read them. Is it a faculty? or an instinct? This I do know: that it is one of the great gifts of God. Where the power exists in an eminent degree, rely upon it its possessor is never deceived in his estimation of character. It is born with him into the world. As a little child he has his likes and dislikes to persons: and sometimes may be whipped for expressing them too strongly. As he grows up, the faculty—instinct—call it what you will—is ever in exercise; at rest when he sleeps; never at any other time.
Those who do not possess the gift (no disparagement to them: they may possess others, equally or more valuable) cavil at it—laugh at it– do not believe in it. Read what people are by their face? Nonsense! they know better. Others, who admit the fact, have talked of “reducing it to a science,” whatever that may mean; of teaching it to the world, as we teach the classics to our boys. It may be done, say they. Pos sibly. We all acknowledge the wonders of this most wonderful age. Fishes are made to talk; fleas to comport themselves as gentlemen; monkeys are discovered to be men—or men monkeys—which is it? a shirt is advertised to be made in four minutes by a new sewing machine. We send ourselves in photograph to make morning calls. The opposite ends of the world are brought together by electric telegraph. Chloroform has rendered the surgeon’s knife something rather agreeable than otherwise. We are made quite at home with “spirits,” and ghosts are reduced to a theory. Not to mention other discoveries connected with the air, earth, and water, which would require an F.R.S. to descant upon. Wonderful discoveries of a wonderful age! Compare the last fifty years with the previous fifty years; when people made their wills before going to London, and flocked to the fair to see the learned pig point out the identical young woman who had had the quarrel with her sweetheart the previous Sunday afternoon! It is not my province to dispute these wonders: they may, or may not, be facts; but when you attempt to reduce this great gift to a “science,” the result will be failure. Try and do so. Set up a school for it; give lectures; write books; beat it into heads; and then say to your pupils, “Now that you are accomplished, go out into the world and use your eyes and read your fellow-men.” And the pupil will, perhaps, think he does read them; but, the first deduction he draws, will be the last—a wrong one. Neither art nor science can teach it; neither man nor woman can make it theirs by any amount of labour: where the faculty is not theirs by divine gift, it cannot be made to exist by human skill.
A reader of character would have noted the contrast between those two young ladies as they stood there: he would have trusted the one; he would not have trusted the other. And yet, Charlotte Pain had her good qualities also. She was kind-hearted in the main, liberal by nature, pleasant tempered, of a spirit firm and resolute, fitted to battle with the world and to make good her own way in it. But she was not truthful; she was not high principled; she was not one, whom I—had I been George Godolphin—would have chosen for my wife, or for my bosom friend.
Maria Hastings was eminent in what Charlotte Pain had not. Of rare integrity; highly principled; gentle, and refined; incapable of deceit; and with a loving nature that could be true unto death! But she was a very child in the ways of the world; timid, irresolute, unfitted to battle with its cares; swayed easily by those she loved; and all too passionately fond of George Godolphin.
Look at them both now—Charlotte, with her marked, brilliant features; her pointed chin, telling of self-will; her somewhat full, red lips; the pose of the head upon her tall, firm form: her large eyes, made to dazzle more than to attract; her perfectly self-possessed, not to say free manners!—All told of power; but not of innate refinement. Maria had too much of this refinement—if such a thing may be said of a young and gentle lady. She was finely and sensitively organized; considerate and gentle. It would be impossible for Maria Hastings to hurt wilfully the feelings of a fellow-creature. To the poorest beggar in the street she would have been courteous, considerate, almost humble. Not so much as a word of scorn could she cast to another, even in her inmost heart. The very formation of her hands would betray how sensitive and refined was her nature. And that is another thing which bears its own character—the hand; if you know how to read it. Her hands were of exceeding beauty; long, slender, taper fingers, of delicate aspect from a physical point of view. Every motion of those hands—and they were ever restless—was a word; every unconscious, nervous movement of the frail, weak-looking fingers had its peculiar characteristic. Maria Hastings had been accused of being vain of her hands; of displaying them more than was necessary: but the accusation, utterly untrue, was made by those who understood her but little, and her hands less. Such hands are rare: and it is as well that they are so: for they indicate a nature far removed from the common; a timid, intellectual, and painfully sensitive nature, which the rude world can neither understand, nor, perhaps, love. The gold, too much refined, is not fitted for ordinary uses. Charlotte Pain’s hands were widely different: firm, plump, white; not small, and never moving unconsciously of themselves.
These pretty hands resting upon her knee, sat Maria Hastings, doing nothing. Maria—I grieve to have it to say of her in this very utilitarian age—was rather addicted to doing nothing. In her home, the Rectory, Maria was reproved on that score more than on any other. It is ever so with those who live much in the inward life. Maria would fall into a train of thought—and be idle.
Master Reginald Hastings would have lost his bet—that George Godolphin would be in Scotland a week after they arrived there—had he found any one to take it. Ten or eleven days had elapsed, and no George had come, and no news of his intention of coming. It was not for this, to be moped to death in an old Scotch country-house, that Charlotte Pain had accepted the invitation of Lady Godolphin. Careless George—careless as to the import any of his words might bear—had said to her when they were talking of Scotland: “I wish you were to be of the party; to help us while away the dull days.” Mr. George had spoken in gallantry—he was too much inclined so to speak, not only to Charlotte—without ever dreaming that his wish would be fulfilled literally. But, when Lady Godolphin afterwards gave the invitation—Sir George had remarked aloud at the family dinner-table that Miss Pain had fished for it—Charlotte accepted it with undisguised pleasure. In point of fact, Mr. George, had the choice been given him, would have preferred having Maria Hastings to himself there.
But he did not come. Eleven days, and no George Godolphin. Charlotte began to lay mental plans for the arrival of some sudden telegraphic message, demanding her immediate return to Prior’s Ash; and Maria could only hope, and look, and long in secret.
It was a gloomy day; not rainy, but enveloped in mist, almost as bad as rain. They had gone out together, after luncheon, these two young ladies, but the weather drove them in again. Charlotte was restless and peevish. She stirred the fire as if she had a spite against it; she dashed off a few bars at the piano, on which instrument she was a skilful player; she cut half the leaves of a new periodical and then flung it from her; she admired herself in the pier-glass; she sat down opposite Maria Hastings and her stillness; and now she jumped up again and violently rang the bell, to order her desk to be brought to her. Maria roused herself from her reverie.
“Charlotte, what is the matter? One would think you had St. Vitus’s dance.”
“So I have—if to twitch all over with the fidgets is to have it. How you can sit so calm, so unmoved, is a marvel to me. Maria, if I were to be another ten days in this house, I should go mad.”
“Why did you come to it?”
“I thought it might be a pleasant change. Ashlydyat grows gloomy sometimes. How was I to know my lady led so quiet a life here? She was always talking of ‘Broomhead,’ ‘Broomhead!’ I could not possibly suppose it to be so dull a place as this!”
“It