to get for me, but even a 3rd Ast Dir needs a union card and that is the hardest thing in the world to get: actually it is the same card as a director needs to work on a film, but it is a different grade. David has promised to try and come up with a scheme to get round the union ‘closed shop’ rule. I trust him.
Mr P has other worries and so has SLO. I’m not surprised. I saw the play on which the film is going to be based: The Sleeping Prince. Larry and Vivien did it together – at the Phoenix Theatre in 1953–415 – and it was a very slight piece indeed. Typical Rattigan16 – theatrical, charming and that’s all. Vivien was enchanting as ever, despite a funny accent. But I thought Larry was at his worst. He has an old-fashioned notion that it is funny to play European royalty, and he gets wooden and mannered. The whole play ended up like a sort of 1930s in-joke – hardly Hollywood. I can’t see it being a good role for MM. I suppose she thinks it will enhance her new ‘intellectual’ image. She will certainly have been told what a fantastic opportunity it is to play opposite the greatest classical actor of the generation etc. But Rattigan is no Shakespeare. Unless MM is cleverer than she looks, she will find it jolly hard to mix her style with Olivier’s. She is said to be reading Dostoevsky or War and Peace or something so maybe she will surprise us all. Diana Dors surprised me, but she’s more a crafty cockney than an intellectual.
FRIDAY, 22 JUNE
SLO came in, in quite a state. Problems already. After a bit I was called in to Mr P’s office to ‘join the discussions’ – providing I do not speak unless asked a direct question! It seems that MM is going to marry Arthur Miller17 this weekend. What sort of an effect will that have on her? And on the production? Will Miller persuade her not to come, and whisk her off on a glamorous honeymoon? SLO says he is a self-satisfied, argumentative, pseudo-intellectual. Charming. Will he help MM or make her argumentative too? She has a dreadful reputation already among movie directors. She is always late on the set, often does not show up for days on end, and can never remember her lines. What on earth can be the matter?
Her producer, and the co-producer of the film, with SLO, is called Milton Greene.18 It is for him that I have rented Tibbs Farm. He will be responsible for MM while she is here, making sure she does turn up and keeping an eye on the expenses. But it seems he does not like Arthur Miller. He got MM out of her 20th Century contract, together with a lawyer called Irving Stein.19 Evidently Milton Greene has given SLO his assurance that he can make MM behave herself.
After all it is her own money that is involved this time. Marilyn Monroe Productions (MMP) has a big share in the profits, just like LOP. If MM doesn’t turn up for work, then she (and her partners, Greene and Stein20) start losing money. That is the theory. I don’t know if it has occurred to any of them that while the three men involved (MG, IS and AM) want money, MM may be more interested in her career, but I didn’t dare say so. Poor SLO. He is already upset enough. He doesn’t trust any of the Americans and is out of his depth.
‘What have I got myself into, Colin?’
‘I think it will be a fantastic success, Larry,’ I replied (using Larry for the last time, I swear it).
Mr P beamed in the background. His prodigy had said the right thing. ‘Success for her or success for me?’ said SLO but he was comforted for the moment (so easily?!).
And on top of AM there is the problem of the Strasbergs.21 Lee Strasberg is the head of the Actors’ Studio in New York, where MM sometimes studies (like once??). He is her god. He doesn’t want to come over to London and desert his other students so he is sending over his wife, Paula. Paula Strasberg is a famous menace. As MM’s ‘drama coach’ she could undermine SLO.
Naturally SLO wants a professional actor’s approach. MM learns the role and decides how to play it; SLO makes suggestions, they discuss them, MM alters her performance accordingly etc. What will Paula’s approach be? How will she fit in between them?
Throughout all this, a new idea has occurred to me. A couple of years ago, Lee and Paula’s daughter Susan completely stole my heart in a film called Picnic. Susan played the kid sister of a blonde called Kim Novak. KN was meant to be the beautiful one and SS the ugly duckling – aged about 15, I suppose. Needless to say SS was 100 times more attractive than Novak in every way. I am a complete sucker for little skinny girls with big brown eyes. At the time I fell in love with Susan Strasberg, I had only just got over Pier Angeli marrying some dreadful Hollywood crooner.22 I could hardly stop myself from asking whether Paula was bringing her daughter with her. I suppose not, but with luck, Susan might visit her Mum.
Anyway, I kept quiet.
Mr P and SLO had a long moan about Hollywood and Hollywood types and agents, lawyers, producers, stars. I don’t think SLO is jealous. After all he and Vivien have both had huge Hollywood successes. He just can’t stand the lack of professionalism. He sees ‘the Method’, which originates in New York, of course, but influences all the new Hollywood stars, as an excuse for self-indulgence.
Everyone is seduced by MM’s particular form of glamour and SLO fears he has fallen into a trap. MM is not like any leading lady he’s ever known and he can’t fathom it. He can’t figure out whether she has a brain in her head or not. He knows he’s a very attractive man, but she doesn’t seem to have really noticed him. She only sees his reputation. She’ll be here in three weeks and then we’ll find out.
It’s true that I don’t think of SLO as a movie star, despite Henry V and all the films he’s made. I think of him as a great actor. How will a ‘star’ and an actor mix. They’ll have to find somewhere to meet between the sky and the stage.
I know I want to be a professional, like SLO. If I get a job on the film, I must stick to him like glue!
MONDAY, 25 JUNE
The whole office is busy planning for MM’s arrival. Frequent directions arrive from America about the colours she likes, the materials she likes, the decorations she likes. The dressing-room suite at Pinewood is to be all beige. In fact beige is the only colour everyone agrees is safe. Red is out. Blue is out. Green is out. It is as if these colours were enemies.
Garrett and Joan are having the master bedroom suite at Englefield Green repainted white. They say they hate beige and won’t change it. I told them I was having their village renamed Englefield Beige. For the money we (well, MMP to be accurate) are paying them, they could repaint the whole house many times over, but Garrett is too mean.
I made an appointment for Thursday with the police at Heathrow Airport to plan MM’s arrival on 14 July. The Inspector thought I was kidding at first. But when I threatened 3000 fans he took me seriously.
Evidently when the crooner Johnny Ray came through, he – the Inspector – had his little finger broken in the mêlée. Johnny Ray’s publicity people had gone down to the East End and filled up four buses with slum teenagers. They gave each one 10 shillings to cause as much pandemonium as possible when Ray appeared. This they duly did, and Johnny Ray’s arrival was instant front-page news.
The Inspector says if we plan something like this he will personally have me arrested. I assure him that SLO himself has entrusted me with the job of getting MM into the country as discreetly as possible. He is still doubtful but I can tell that even he cannot resist the chance of meeting MM in the flesh. Her name has a magic effect.
People who are going to be associated with the production of the film drift in.
Roger Furse23 is going to be the designer. I have met him before with Vivien – I think at Notley. He always seems to have a hangover, never stops smoking. He ran out of Capstans and cadged three of my Woodbines.