Leah Fleming

The War Widows


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as nice as pie after that, and Alf gave them a wide berth. It was then that Lily realised that having two brothers had its advantages. There was nothing she wouldn’t do for them then.

      Lily buried her nose in her handkerchief. She could still see Freddie as a little lad, not a grown man. In six years all she had of him were a bunch of letters full of jokes and pleasantries, she sighed. They knew nothing of his real life, his war, his lovers, nothing about the real Freddie. He was a stranger.

      Both her brothers were strangers and that was what war had done to this family: torn them apart. In truth she’d lost Freddie years ago.

      This can’t be a real church, thought Ana as she stared around the bare walls as they were escorted down a side aisle into a series of boxed cupboard pews. The mourners sat in silence until a man in a suit and teacher’s gown stood before the Winstanley family and began the service.

      To her a church was the very soul of a place, set high on a hill or in the market square, painted white, shining in the sunlight, not tucked up in some grimy street like a factory, she mused. Where was the rainbow of colours: ochre, crimson, azure wall paintings? Where were the bells, candlelight and smell of incense?

      The walls of Zion Chapel were painted white, the woodwork was dark oak polished to a mirror finish. There were no flowers, no silken robes and vestments, shimmering purples and crimson velvets, embroidered with silver and gold threads, no wall hangings and frescoes, nothing on which to rest her sad eyes for comfort. Where were the scenes from the Gospels, painted between the windows and the walls, by monks centuries ago, some depicting the miracles wrought by St Andreas, Archbishop of Crete? Did Grimbleton not have its own patron saint to adorn with jewels and gold leaf?

      She looked up to the wooden rafters holding the ceiling. Where was the risen Christ in glory arching over the cupola in mosaic tiles glistening gold and silver and sapphire in the heavens?

      There was nowhere to light a sacred candle of intercession for Freddie. She could not hate him for his weakness. He was a man and men had needs. He brought her back to life after years of darkness. He was her candle of light and she wept that their time together had been so short.

      There were no jewelled icons to pray before, hanging with silver tamata, those precious votive offerings, flowers, silver templates with eyes and legs and bodies, offered for a cure. There was no cure for death, only the resurrection in the fullness of time.

      She did not understand this English plainness. How could anyone find comfort in such stark surroundings? It felt an insult to all that was holy in her heart. Freddie would not rest in peace until she had found a proper church and lit candles and all the rituals were performed.

      She was weeping not for her loss now but for herself and memories of the little white chapel of St Dionysius, the patron saint of her village, weeping for the comfort of familiar faces processing to the great Easter ceremonies and Christmas festival, weeping an exile’s tears. There was no going back now.

      There was such a silence, no weeping and wailing of death songs, no mother and black-clad widows keening. The sounds of grief could purge away suffering. Her family had kneeled prostrate over her sister’s grave, wailing in agony, only to rise and prepare a meal for the living family as if that beautiful girl was not in the graveyard.

      Eleni was the first of many deaths in their village, the year the Germans came from the sky, floating down into their olive groves. But no, she could not think of all that again.

      They were singing hymns now, ones she could not understand, and there were words, so many words. There was no ceremony in this memorial. There was no body to wash with wine and rosewater, no linen to bind up, no body to bury. How could you lay to rest a man who was not there?

      She twisted the brass ring around her wedding finger. It was loose. What would a real priest make of these lies? Susan Brown was sitting in front, prim with her straw hat bound with black ribbon, her luscious coil of hair constrained in a hairnet. She was used to English worship. She was wearing her gold earrings, showing them off for all to see.

      Ana sensed there were curious eyes in the congregation, wondering just who these strangers were. There would be more stories to make up when they went back home for the funeral tea and guests sidled up to her with polite questions about her connection to the family.

      I will never get used to this chilly air, she sighed, the dampness of the rooms, the smells of soot and smoke and burning rubber, or people with faces like doughy white bread rolls. You made your bed, now you must lie on it, she thought. There is no other way, sigara, sigara… take it easy.

      However many layers she borrowed from Lily she could not keep warm. It was as if a mist of forgetfulness and lethargy clouded all her resolve and energy, sapping her hope away. Only Dina gave her a reason to rise each morning to do all the chores her mother-in-law insisted they divide between them. They must earn their board and lodgings until they had achieved their independence from the Winstanleys.

      They had been taken down to the town hall, a soot-black building like a Greek temple, where she had to sit in a long queue for hours with Dina, waiting to register as a refugee with child. It was all papers to sign in a language she couldn’t read very well, but Lily tried to explain why she must do this.

      It felt wrong to be sitting in her best clothes, not in black widow’s weeds. Black and grey were the colours of this drab town. What on earth was she doing here?

      There were other queues she must stand in to register for identity papers, rations, welfare. She was a refugee with no status. Susan had a passport. Susan had gold bracelets stuffed in her bag to buy extras for her child. Despite their ruse, Susan was still thought to be a regular wife who was just a visiting relative here under sufferance.

      Ana’s only relief was to borrow the bucket pram and walk up Green Lane to the top shops where the family was registered for groceries. Here she could pretend to be an ordinary housewife with her baby, not a lonely exile trapped by winter in an alien land.

      Freddie, I hate you, she sighed, shaking her head. But how can I hate the man who brought me back to life?

      The man with the smiling face and freckled nose who waltzed into her dreams. How could she forget the brush of khaki on her cheek and the smell of eau-de-Cologne. ‘Moonlight Serenade’, dancing under the stars, strolling through the village square.

      You told me about the other woman, how she never wrote and you feared she might be dead, thought Ana. You were sad and I was sad, for I had lost my home and my sister. You filled the hunger in my belly with food from the NAAFI and wine from cellars that loosened our limbs. You filled the hunger for love with your caresses and promises. I heard what I wanted to hear. Were all your words lies as we lay among the stars?

      I cannot hate you. You were a gift from God, a candle in the darkness to guide my path. May you rest in peace.

      Susan sat in a trance listening to the hymn, such a familiar hymn but in such a strange place. Memories came flooding back, of the high-vaulted roof, the fan whirring, the heat of the old church. She was so cold she could hardly think for the chattering of her teeth.

      I am a prisoner now, she decided, a prisoner in a cold dark dungeon with no escape, only lies and sleeping next to the enemy: the girl who stole my sweetheart; the big liar with dark eyes and big bosoms.

      Her spirits sank so low she wanted to fade away but Joy bounced on her knee, unaware that she was fatherless and nameless. Joy was the one true precious trophy.

      So many babies took sick and died on the trek north, bundles passed down and buried at the border on Burmese soil, little graves in the track. Her child was round and rosy and full of life, a special gift. Big Ana’s baby was plain and too thin and cried. Joy was the true number one daughter.

      She would be strong for her, fight for her and make her a true Winstanley. She recalled the night Joy was made. Her cheeks flushed and for a second she felt the heat of the tropical night.

      It was a night of a thousand stars. They had danced and she had worn her best silk skirt with a blouse the colour of orchid pink. They had walked back slowly to the veranda where Auntie