demanded impatiently, her voice more high pitched than usual. She tensed, and unexpectedly felt a rush of real fear as she observed his anxiety increasing.
‘Ssssh! Not so loud,’ Norman warned. ‘It’s Terry. He’s in real trouble, and I need your help, Katharine. Now.’
‘Trouble,’ Katharine repeated, keeping her voice low. ‘What kind of trouble?’ Her eyes were wide with apprehension, for Norman’s acute distress was being transmitted more forcibly than ever.
‘Well, for one thing, he’s dead bloody drunk. Three sheets to the wind,’ he told her in a voice that was practically inaudible. ‘Can you get dressed and come with me to Albany? I’ll fill you in on the way there.’
‘Yes, love,’ Katharine said, rising at once. She wrenched her clothes out of the wardrobe, dashed behind the screen and was dressed within a few seconds. She emerged and said, ‘I just have to get my boots, then I’m ready.’ Seating herself on the couch she began to pull them on.
Looking up, her eyes questioning, she stated: ‘Terry’s insisting on going on tonight, isn’t he?’
‘Yes. The bloody fool,’ Norman responded with a tight grimace. ‘And he mustn’t. At least not in his present condition.’ He glanced at his watch. ‘It’s almost four o’clock. We’ve got three hours to sober him up. If we can’t, then I’ll have to try and restrain him somehow, and his understudy will have to play tonight.’ Norman’s eyes remained on her face and he regarded her carefully. After a second, he said with a worried frown, ‘If Terry does go on, it’ll be quite a burden for you, Katharine. I’m afriad the whole play will be on your shoulders. And Terry’s going to need every bit of help you can give him. You’ll have to cue him, lead him, cover up for him, and literally carry him through his performance.’ He smiled faintly. ‘It won’t be easy, Katharine. It’s going to take all your strength and ability and ingenuity to camouflage his disabilities from the audience.’
Katharine’s heart sank but she returned Norman’s steady gaze with one equally level. Although her face was grave, the tone she adopted was light and cheerful. ‘Yes, I understand what you’re saying, Norman. But we’ll think about that eventuality later. Come on,’ she cried. ‘Let’s go!’
Nicholas Latimer, being the consummate novelist, often elected to play the spectator. He sat back, enveloped in silence, and listened and watched and stored everything away in the computer that was his mind, for future reference and use in his work. Once, a few years ago, a female acquaintance had said she hated having writers as friends, because, as she stringently pointed out, ‘They steal everything about you, and recycle it in their books.’ He had exploded with laughter at the time, but now he suddenly recalled her comments, and he said to himself: she was right.
At this moment he was once again the spectator, and he knew he was going to revel in the scene which was on the verge of being enacted before him. And naturally he would hoard it away, and push it into the typewriter when he needed it. The protagonists were fascinating opposites, which added to the drama – Victor Mason and Mike Lazarus. And they were poised like gladiators about to do battle, to fight to the death. Nick smiled at his own rather melodramatic analogy. On the other hand, much was at stake, and if the daggers were not exactly drawn, they were sheathed and waiting, figuratively speaking, of course.
Instinctively, he knew Victor would emerge the … victor. He smiled again at his childish game but he couldn’t help himself. Words were his drug, and old habits were hard to break. Victor had had the upper hand before they had met Lazarus. Not that Lazarus realized this, being ignorant of the meeting with Hélène Vernaud and thus unaware that she had passed on a certain amount of crucial information. Lazarus most probably thought he had the upper hand, especially since it was the hand which held the chequebook.
Nick had been taken aback when Victor had told him they were meeting Lazarus in the lounge of the Ritz Hotel. For tea. Good God, for tea! When he had questioned Victor about this somewhat weird location, Victor had laughed dryly and remarked: ‘Wasn’t it Napoleon who said that when he was about to do battle with the enemy, he liked to select the location and the time for his preference? He believed it gave him the advantage. So do I.’
Nick had nodded, constantly amazed at Victor’s esoteric knowledge, and said, ‘Yes, it was Napoleon. But why a public place, kid?’ Another dry chuckle from Victor, who had gone on to explain, ‘When we reach an impasse, as we undoubtedly will, I don’t want to have to kick him out of my hotel suite, or have him eject me from his offices. Also, on neutral territory, such as the Ritz, he’ll have to curb his temper. He’s hardly likely to throw one of his famous tantrums in the middle of the hotel.’ Nicholas had nodded and said nothing, but he had thought: Well, you’re wrong there, because he just might. Lazarus is unpredictable, according to what I’ve heard.
So here they were, the three of them, at four o’clock in the afternoon, sitting in a secluded corner of the Ritz, amidst gilded period furniture, potted palms and elegant, behatted ladies. All very genteel and civilized, Nick commented to himself, and swallowed a laugh of wry amusement. There was nothing very genteel or civilized about Mike Lazarus, despite his impeccable linen and well-tailored suit and his façade of genial containment. Nick had never met Lazarus before, but he knew of him by reputation. It was common knowledge that he would go for the jugular at the least provocation, if it suited his purposes to do so. He was cold and ruthless.
As Nick observed them both, his best friend and his best friend’s adversary, he had to admit there was something unusual about Lazarus. For a moment he was not quite sure what this was. He was stocky and muscular, had angular features and dark hair slightly tinged with grey. Nondescript was perhaps the best word to describe him. As he studied Mike Lazarus Nick suddenly reversed this opinion. Lazarus was not really nondescript at all, he just seemed curiously diminished in comparison to Victor. But then what man isn’t, Nick said to himself. Victor’s immense presence was as potent off the screen as on it, probably even more so.
Nick moved his head slightly, and his cool blue eyes swept over Victor, regarded him objectively, took in the dark grey pin-striped suit, the stark white shirt, the silver grey silk tie. Elegant. Immaculate. Conservative. In contrast, the handsome face and dark arresting looks and raw masculinity acquired a greater vibrancy, stunned with their startling impact. And there was a very special aura surrounding Victor, one that set him apart from other men. Success, fame, wealth, Nick thought. Yet it was more elemental than that. Is it his sexuality? Nick wondered. Partially, he answered himself. It’s also his adventurous spirit. Soldier of fortune. Buccaneer. Riverboat gambler, he characterized, and then smiled inwardly and said to himself: Maybe I’ve seen too many of his movies.
Nick’s eyes rested briefly on Mike Lazarus now, and he was conscious yet again of a quality in the other man. It was something not immediately definable, or initially apparent, yet it grew on one, slowly and most forcefully. Suddenly, like a bolt of lightning striking, Nick knew what it was. Mike Lazarus had the effluvium of power. Enormous power. He exuded it, reeked of it, and it was distinguishable in the way he held himself in the chair, his body tautly controlled like a panther ready to spring, and in his very pale blue eyes, as cold as a dead fish’s, yet strangely magnetic and compelling. They seemed to penetrate with their keen intelligence, and Nick unexpectedly had the unpleasant feeling that those eyes were like lasers, beaming into his brain to pierce his thoughts. He looked away quickly, and reached for a cigarette, filled with discomfort.
From all the things he had read and heard about Lazarus, he knew the man had an austere discipline, an abrasive energy and a restless ambition. Nick, who on his Rhodes Scholarship to Oxford University had read history, was addicted to the sixteenth-century period. He thought: If Lazarus had lived at the time of Catherine de Medici he would undoubtedly have been a Prince of the Blood, one of those dark and sinister figures stalking across the complex and elaborate tapestry that was France in the 1500s. A Bourbon Prince, such as a Condé, perhaps. Or possibly a duc from the notorious House of Guise. Yes,