the red mud and the hardsounds of the orange laterite that spoiled the shining coffin polish. She heard the dullthudding through the polished coffin wood, through the satin coffin lining. The sad priests’ voices muffled by mud and wood.
We entrust into thy hands, most merciful Father, The soul of this our child departed, And we commit her body to the ground, Earth to earth, ashes to ashes, dust to dust.
Inside the earth Sophie Mol screamed, and shredded satin with her teeth. But you can’t hear screams through earth and stone.
Sophie Mol died because she couldn’t breathe.
Her funeral killed her. Dus to dus to dus to dus to dus. On her tombstone it said A Sunbeam Lent To Us Too Briefly.
Ammu explained later that Too Briefly meant For Too Short a While.
After the funeral Ammu took the twins back to the Kottayam police station. They were familiar with the place. They had spent a good part of the previous day there. Anticipating the sharp, smoky stink of old urine that permeated the walls and furniture, they clamped their nostrils shut well before the smell began.
Ammu asked for the Station House Officer and when she was shown into his office, she told him that there had been a terrible mistake and that she wanted to make a statement. She asked to see Velutha.
Inspector Thomas Mathew’s moustaches bustled like the friendly Air India Maharajah’s, but his eyes were sly and greedy.
‘It’s a little too late for all this, don’t you think?’ he said. He spoke the coarse Kottayam dialect of Malayalam. He stared at Ammu’s breasts as he spoke. He said the police knew all they needed to know and that the Kottayam Police didn’t take statements from veshyas or their illegitimate children. Ammu said she’d see about that. Inspector Thomas Mathew came around his desk and approached Ammu with his baton.
‘If I were you,’ he said, ‘I’d go home quietly.’ Then he tapped her breasts with his baton. Gently. Tap, tap. As though he was choosing mangoes from a basket. Pointing out the ones that he wanted packed and delivered. Inspector Thomas Mathew seemed to know whom he could pick on and whom he couldn’t. Policemen have that instinct.
Behind him a red and blue board said:
Politeness Obedience Loyalty Intelligence Courtesy Efficiency
When they left the police station Ammu was crying, so Estha and Rahel didn’t ask her what veshya meant. Or for that matter, illegitimate. It was the first time they’d seen their mother cry. She wasn’t sobbing. Her face was set like stone, but the tears welled up in her eyes and ran down her rigid cheeks. It made the twins sick with fear. Ammu’s tears made everything that had so far seemed unreal, real. They went back to Ayemenem by bus. The conductor, a narrow man in khaki, slid towards them on the bus rails. He balanced his bony hips against the back of a seat and clicked his ticket-puncher at Ammu. Where to? the click was meant to mean. Rahel could smell the sheaf of bus tickets and the sourness of the steel bus-rails on the conductor’s hands.
‘He’s dead,’ Ammu whispered to him. ‘I’ve killed him.’
‘Ayemenem,’ Estha said quickly, before the conductor lost his temper.
He took the money out of Ammu’s purse. The conductor gave him the tickets. Estha folded them carefully and put them in his pocket. Then he put his little arms around his rigid, weeping mother.
Two weeks later, Estha was Returned. Ammu was made to send him back to their father, who had by then resigned his lonely tea estate job in Assam and moved to Calcutta to work for a company that made carbon black. He had remarried, stopped drinking (more or less), and suffered only occasional relapses.
Estha and Rahel hadn’t seen each other since.
And now, twenty-three years later, their father had re-Returned Estha. He had sent him back to Ayemenem with a suitcase and a letter. The suitcase was full of smart new clothes. Baby Kochamma showed Rahel the letter. It was written in a slanting, feminine, convent school hand, but the signature underneath was their father’s. Or at least the name was. Rahel wouldn’t have recognized the signature. The letter said that he, their father, had retired from his carbon black job and was emigrating to Australia where he had got a job as Chief of Security at a ceramics factory, and that he couldn’t take Estha with him. He wished everybody in Ayemenem the very best and said that he would look in on Estha if he ever came back to India, which, he went on to say, was a bit unlikely.
Baby Kochamma told Rahel that she could keep the letter if she wanted to. Rahel put it back into its envelope. The paper had grown soft, and folded like cloth.
She had forgotten just how damp the monsoon air in Ayemenem could be. Swollen cupboards creaked. Locked windows burst open. Books got soft and wavy between their covers. Strange insects appeared like ideas in the evenings and burned themselves on Baby Kochamma’s dim 40-watt bulbs. In the daytime their crisp, incinerated corpses littered the floor and windowsills, and until Kochu Maria swept them away in her plastic dustpan, the air smelled of Something Burning.
It hadn’t changed, the June Rain.
Heaven opened and the water hammered down, reviving the reluctant old well, greenmossing the pigless pigsty, carpet bombing still, tea-coloured puddles the way memory bombs still, tea-coloured minds. The grass looked wetgreen and pleased. Happy earthworms frolicked purple in the slush. Green nettles nodded. Trees bent.
Further away, in the wind and rain, on the banks of the river, in the sudden thunderdarkness of the day, Estha was walking. He was wearing a crushed-strawberry-pink T-shirt, drenched darker now, and he knew that Rahel had come.
Estha had always been a quiet child, so no one could pinpoint with any degree of accuracy exactly when (the year, if not the month or day) he had stopped talking. Stopped talking altogether, that is. The fact is that there wasn’t an ‘exactly when’. It had been a gradual winding down and closing shop. A barely noticeable quietening. As though he had simply run out of conversation and had nothing left to say. Yet Estha’s silence was never awkward. Never intrusive. Never noisy. It wasn’t an accusing, protesting silence as much as a sort of aestivation, a dormancy, the psychological equivalent of what lungfish do to get themselves through the dry season, except that in Estha’s case the dry season looked as though it would last forever.
Over time he had acquired the ability to blend into the background of wherever he was—into bookshelves, gardens, curtains, doorways, streets—to appear inanimate, almost invisible to the untrained eye. It usually took strangers a while to notice him even when they were in the same room with him. It took them even longer to notice that he never spoke. Some never noticed at all.
Estha occupied very little space in the world.
After Sophie Mol’s funeral, when Estha was Returned, their father sent him to a boys’ school in Calcutta. He was not an exceptional student, but neither was he backward, nor particularly bad at anything. An average student, or Satisfactory work were the usual comments that his teachers wrote in his Annual Progress Reports. Does not participate in Group Activities was another recurring complaint. Though what exactly they meant by ‘Group Activities’ they never said.
Estha finished school with mediocre results, but refused to go to college. Instead, much to the initial embarrassment of his father and stepmother, he began to do the housework. As though in his own way he was trying to earn his keep. He did the sweeping, swabbing and all the laundry. He learned to cook and shop for vegetables. Vendors in the bazaar, sitting behind pyramids of oiled, shining vegetables, grew to recognize him and would attend to him amidst the clamouring of their other customers. They gave him rusted film cans in which to put the vegetables he picked. He never bargained. They never cheated him. When the vegetables had been weighed and paid for, they would transfer them to his red plastic shopping basket (onions at the bottom, brinjal and tomatoes on the top) and always a sprig of coriander and a fistful of green chillies for free. Estha carried them home in the crowded tram. A quiet bubble floating on a sea of noise.