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Sense & Sensibility JOANNA TROLLOPE
For Louise and Antonia
Table of Contents From their windows – their high, generous Georgian windows – the view was, they all agreed, spectacular. It was a remarkable view of Sussex parkland, designed and largely planted two hundred years before to give the fortunate occupants of Norland Park the very best of what nature could offer when tamed by the civilising hand of man. There were gently undulating sweeps of green; there were romantic but manageable stretches of water; there were magnificent stands of ancient trees under which sheep and deer decoratively grazed. Add to all that the occasional architectural punctuation of graceful lengths of park railing and the prospect was, to the Dashwood family, gathered sombrely in their kitchen, gazing out, perfection. ‘And now,’ their mother said, flinging an arm out theatrically in the direction of the open kitchen window, ‘we have to leave all this. This – this paradise.’ She paused, and then she added, in a lower voice but with distinct emphasis, ‘Because of her.’ All three daughters watched her, in silence. Even Marianne, the middle one, who had inherited in full her mother’s propensity for drama and impulsiveness, said nothing. It was clear to all of them, from long practice, that their mother had not finished. While they waited, they switched their collective gaze to the scrubbed top of the kitchen table, to the spongeware jug of artless garden flowers, randomly arranged, to their chipped and pretty tea mugs. They were quite still, scarcely breathing, three girls waiting for the next maternal tirade. Belle Dashwood continued to gaze longingly at the view. It had been the girls’ father – their recently, appallingly, dead father – who had called their mother Belle. He said, in his emotional, gallant way, that, as a name, Belle was the perfect fit for its owner, and in any case, Isabella, though distinguished, was far too much of a mouthful for daily use. And so Isabella, more than twenty years ago, had become Belle. And in time, quietly and unobtrusively, she had morphed into Belle Dashwood, as the wife (apparently) of Henry Dashwood, and (more certainly) the mother of Elinor and Marianne and Margaret. They were a lovely family, everyone remarked upon it: that open-hearted man; his pretty, artistic wife; those adorable girls of theirs. Their charm and looks made them universally popular, so that when Henry had had a fairy-tale stroke of luck, and was summoned, with Belle and the girls, to share the great house of a childless old bachelor uncle to whom Henry was the only heir, the world had rejoiced. To be transported from their happy but anxiously threadbare existence to live at Norland Park, with its endless bedrooms and acres, seemed to most of their friends only a delightful instance of the possibility of magic, an example of the occasional value of building castles in the air. Old Henry Dashwood, uncle to young Henry, was himself part of that nostalgic and romantic belief in the power of dreams. He had been much beloved, a kind of self-appointed squire to the whole district, generous to the local community and prepared to open the doors of Norland to all manner of charitable events. He had lived at Norland all his life, looked after by a spinster sister, and it was only after she died that he realised the house needed more human life in it than he could possibly provide by himself. And that realisation was swiftly followed by a second one, a recollection of the existence and circumstance of his likeable if not particularly high-achieving heir, his nephew Henry, only child of his younger and long-dead sister, who was now, by all accounts, living on the kind of breadline that old Henry was certain that no Dashwood should ever be reduced to. So young Henry was summoned for an audience, and arrived at Norland with a very appealing companion in tow, and also, to
