Simone Beauvoir de

The Mandarins


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above all, he has always wanted not to emulate. No, between those alternatives, no choice is possible. In either case, it would mean defeat, impotence; and for Robert that would be a living death. That’s why he’s thrown himself so energetically into the fight. He tells me the present situation offers an opportunity he’s been waiting for all his life. All right. But it also carries with it a graver danger than any he has ever experienced, and he knows it. Yes, I’m sure he’s already told himself everything I’ve been thinking. He’s told himself that his future might be nothing but the grave, that he’ll be buried without leaving any more trace of himself than Rosa and Diego. And it’s even worse: perhaps the men of tomorrow will look upon him as a dunderhead, a fool, a charlatan, a drone, a complete failure. It may even be that one day he’ll be tempted to look upon himself through their mean, cruel eyes. In that case, he’ll live out the rest of his life in disillusionment. Robert disillusioned! That would be an even more intolerable horror than death itself. I can accept my death and his, but never his disillusionment. No. To think of waking up tomorrow, and the next day, and all the days that follow, with that monstrous menace on the horizon! I won’t stand for it. No. But I can say no, no, no; I can say it a hundred times, and it won’t change a thing. I’ll wake up facing that menace tomorrow and all the days after that. When you’re faced with an inescapable fact, you can at least choose to die. But when it’s nothing more than a baseless fear, you have to go on living with it.

       CHAPTER TWO

      The next morning the radio confirmed the German collapse. ‘It’s really the beginning of peace,’ Henri repeated to himself, sitting down at his desk. ‘At last I can start writing again!’ He would, he assured himself, write every day from now on. But what exactly would he write? He didn’t know and he was perfectly content not to know; always before he had known only too well. Now he would attempt to talk to the reader without premeditation, as one writes to a friend. And perhaps he would at last succeed in saying all those things for which he had never found room enough in his too carefully constructed books. There are so many things one would like to preserve with words but which are forever lost. He raised his head and looked through the window at the cold sky. What a pity to think that this winter morning would be lost; everything seemed so precious: the white, virginal paper, the smell of alcohol and stale cigarette ends, the Arab music drifting up from the café next door. Notre Dame was as cold as the sky, a tramp with a huge collar of bluish chicken feathers was dancing in the middle of the street, and two girls in their Sunday clothes were watching him and laughing. It was Christmas, it was the German collapse, and life was beginning again. Yes, all those mornings, all those evenings, that he had let slip through his fingers in the last four years, he was determined to make up for them during the next thirty. You can’t say everything, that’s true enough. But nevertheless you can try to get across the real flavour of your life. Every life has a flavour, a flavour all its own, and if you can’t describe it, there’s no point in writing. ‘I’ve got to tell about what I liked, what I like, what I am,’ he said to himself as he finished sketching a cluster of flowers on a scrap of paper. Who was he? What manner of man would he discover after that long absence? It’s difficult, working from within, for a person to define himself, to set limits on himself. He wasn’t a political fanatic, nor a literary aesthete, nor a dedicated man in any sense. Rather, he felt quite ordinary, and the feeling didn’t upset him in the least. A man like everyone else, who spoke sincerely of himself, would speak in the name of everyone, for everyone. Complete sincerity: that was the only distinctive thing he felt he had to aim for, the only restriction he would have to impose upon himself. He added another flower to the cluster. But it isn’t easy to be sincere. First of all, he had no intention of making an open confession. And secondly, whosoever says novel, says lie. Well, he would think about that later. For the moment, he had above all else to keep himself from becoming burdened with too many problems. Say anything, begin anywhere – beneath the moon in the gardens of El Oued. The paper was bare; he had to take advantage of it.

      ‘Did you start your light novel?’ Paula asked.

      ‘I don’t know.’

      ‘What do you mean, you don’t know? Don’t you know what you’re writing?’

      ‘I’m planning to surprise myself,’ he said with a laugh.

      Paula shrugged her shoulders. As a matter of fact, what he said was quite true; he really didn’t want to know. Without any semblance of order, any basic plan, he jotted down odds and ends of his life, and it amused and pleased him, and he could ask for nothing more.

      The evening he went to meet Nadine, he left his writing regretfully. He had told Paula he was going out with Scriassine; during the last year he had learned to be more discreet. To have said ‘I’m going out with Nadine’ would have brought on so many questions, so many misinterpretations, that he chose not to say it. But it was really absurd to hide the fact that he was meeting that awkward girl whom he had always looked upon as a sort of niece. It was even more absurd to have made the appointment in the first place. He pushed open the door to the Bar Rouge and walked over to her table. She was sitting between Lachaume and Vincent.

      ‘No fights tonight?’

      ‘No,’ Vincent said peevishly.

      Young men and women crowded into that red cellar not primarily to be among friends, but rather to confront adversaries. Every conceivable shade of political opinion was represented there, and Henri often came there to spend a few pleasant moments talking with his friends. He would have liked to sit down now and chat casually with Lachaume and Vincent while he watched the crowd in the room. But Nadine got up at once.

      ‘Are you taking me to dinner?’

      ‘That’s what I’m here for.’

      Outside, it was dark; the sidewalk was covered with dirty slush. What in the world, he wondered, would he be able to do with Nadine?

      ‘Where would you like to go?’ he asked. ‘To the Italian place?’

      ‘To the Italian place.’

      She wasn’t difficult to please. She let him choose the table and ordered the same things as he – peperoni and osso bucco. She approved of everything he said with a delighted air which somehow seemed rather suspect to Henri. The truth was that she wasn’t listening to him; she was eating greedily and quietly, smiling into her plate. He let the conversation lapse and Nadine appeared not to notice it. Having swallowed the last mouthful, she wiped her lips with a broad gesture.

      ‘And now where do you plan to take me?’

      ‘You don’t like jazz and you don’t like dancing?’

      ‘No.’

      ‘Well, we can try the Tropic of Cancer.’

      ‘Can we have any fun there?’

      ‘Why? Do you know some place we can have some fun? The Tropic isn’t a bad place for a quiet talk.’

      She shrugged her shoulders. ‘Public benches are all right, too, for talking.’ Her face lit up. ‘As a matter of fart, there are some places I do like – the ones where you see those naked women.’

      ‘Really? That sort of thing amuses you?’

      ‘Oh, yes. Of course, the Turkish baths are better, but the cabarets aren’t bad.’

      ‘You wouldn’t by any chance be just a little bit perverted, would you?’ Henri asked, laughing.

      ‘It’s possible,’ she said dryly. ‘Have you anything better to suggest?’

      It was impossible to imagine anything more incongruous than going to see naked women with this tall, awkward girl who was neither a virgin nor yet a woman. But Henri had taken it upon himself to entertain her and he had no idea of how to go about it. They went to Chez Astarte and sat down at a table in front of a champagne bucket. The room was still empty; at the bar, the house girls were chattering