Instead the pallbearers have opted to carry the coffin to the graveyard—Beezer, Jay-Jay, and some other young men I don’t recognize, friends of Eva’s, maybe.
A few doors down at the Witch House, a group of day-camp kids, preschoolers, is lined up on either side of a thick yellow rope with loops every few feet. Each child holds on to a loop with one hand; some are absently sucking thumbs with the other. A few of the older ones, more used to the buddy system than to the rope, clutch a loop with one hand while holding hands under it, not taking any chances. It would be difficult to walk this way, but they’re not walking now, they’re just standing in line waiting to get inside. I wonder at their teachers, bringing them here to the house of Jonathan Corwin, who was one of the hanging judges, though he was far more skeptical and less committed to the sad practice than were the rest. The kids won’t get it. They’ll think, as I did at their age, that the Witch House is a place where witches lived. If they think of anything, they’ll think of Halloween and candy and what their costumes are going to be for next year. They won’t get the rest of the dark story, which is just as well. Some are sleepy with the heat, distracted, looking for something to pull them out of their dazed state. Their eyes catch the coffin as it moves slowly out of the church driveway, and they watch as it bobs down the street, locking onto it, going for a ride with their eyes, unaware that they shouldn’t. They have no frame of reference for death; to them it’s just part of a tour they got tickets for, or perhaps they think we’re like the street performers they’ve seen wandering the town doing skeleton skits, trying to lure you to the Salem Witch Museum or the Witch Dungeon or even one of the haunted houses.
We pass the gardens of the Ropes Mansion. The cars are stopped in both directions as we cross Essex Street and head up Cambridge toward Chestnut Street, which was Eva’s favorite street in town. The Whitneys had originally lived on it, before politics drove them down to Washington Square with the rest of the Jeffersonian Republicans. It is Beezer’s intention to turn right on Chestnut Street and pass the old Whitney house before turning up Flint Street and down Warren, then looping back up Cambridge Street again toward the Broad Street graveyard. It’s an idea that sounded good at the time (and would have made Eva happy), but it is far too ambitious. The heat makes it almost impossible. Already I’m exhausted and out of breath. I’m thinking it would be better if they went straight and didn’t make the detour at all. I try to send Beezer that thought, but when the procession gets to Chestnut Street and Hamilton Hall, Beezer steers them right, as planned, and the coffin follows, the back end swinging wide like the stern of a boat.
Chestnut Street is decked out for summer with window boxes and flowering planters on the front steps of the old Federal houses. It’s beautiful at any time, but it’s never been the easiest place to walk. The old brick sidewalks are like waves dipping up and down to accommodate the twisted tree roots and frost heaves of the last two centuries. It’s a moment in time, this street, but it’s as uneven as Salem Harbor in a storm tide, and the coffin bobs along as if it were floating on the water. A tourist trolley pulls around the corner, and some of the visitors, sensing a photo opportunity, lean out to snap pictures as they pass. As the trolley rings its bell, an older man playing solitaire at a window table shoots a look of tolerant annoyance at the trolley, only to be surprised as the coffin floats by his window at eye level, our entire parade behind it. He gets up, walks to the window, and closes the Indian shutters.
Broad Street Cemetery sits high on a hill and falls in a subtle slope toward the church. It is not far “as the crow flies,” but it is too distant for the pallbearers in this heat. I can see the strain of it on Beezer’s face; he is wondering if this was a bad idea. We are coming to the burial hill now, the relatives in front with some of the hatted ladies. The cemetery is just up ahead, but the road dips down before it rises up again. Although I can see the gravestones on the hillside, I can no longer see the entrance to the cemetery, so I have no idea what everyone is looking at until I’m almost on top of it. The witches, who are on the rise behind us and can still see the whole picture, have stopped cold and are staring at something in their path.
“What’s going on?” the pastel woman asks her friend. “What are they looking at?”
I can feel the protesters before I see them, and it feels like a wall, or a locked gate. Then I spot the signs: big ones, handwritten on poster board with Magic Markers: NO CHRISTIAN BURIAL and SORCERY IS AN ABOMINATION UNTO THE LORD.
Detective Rafferty, who looks as if he’s been expecting trouble all along, is already on his cell phone, calling for backup. One of the pallbearers, who managed to navigate the sidewalks of Chestnut Street without a false step, stumbles now, although we’re back on solid pavement. He almost falls but recovers at the last second. The ripple of unbalance moves through them, and for a quick moment I think they’re going to drop the coffin right there on the sidewalk.
“Move along,” Rafferty is saying to the protesters as another squad car pulls up. Two officers jump out, blocking the way of the protesters so that the coffin may pass. The pallbearers start up the hill, but it is steep. I can see the sweat soaking through their jackets.
“I don’t understand,” one of the women in pastel says to one of the Red Hats. “Who are those people supposed to be?”
“They’re Calvinists,” the Red Hat replies. I’m suddenly feeling the way Beezer looks. I realize I probably should have eaten something before we came, but I couldn’t. It’s as if I’m looking at the whole thing through binoculars held wrong side out, so that everything in view moves far away into the distance.
“As in old-time Puritans?”
The Red Hat moves carefully past the protesters, sidestepping so she doesn’t get in their way but not daring to turn her back on them.
“You’ve got to be kidding,” the pastel woman says, both to the hatted woman and to the demonstrators. Getting no response, she hurries to catch up. In the distance the sound of a siren draws closer.
“Let them pass,” Rafferty says again, tougher this time, now that reinforcements are on the way. “You want to protest, that’s your right, but you’re not doing it inside this cemetery.” Rafferty steps between the Calvinists and the witches. The witches move together in a silent group, and I can feel something shift. One man crosses himself as they pass, an old superstition from his previous Catholicism, as if he’s not sure (in a pinch) that this new religion he has adopted will hold. Even I can tell that these men are afraid of the witches. Their fear shifts the balance of power, and now the witches feel strong enough to pass; they know that these guys are afraid of them, especially in such a large group.
Anya takes Auntie Emma’s arm, directing her up to the top of the hill, where the Whitney family plot is. I walk behind, keeping an eye on the Calvinists. From below I can see more police cars pulling up.
The wind is blowing off the water. Once we’re at the top of the hill, the air finally begins to move. It smells of salt ocean and low tide. I can feel the stitches from my surgery, still undissolved, throbbing from every uphill step. I look around for a place to sit down, but there is nothing. I want to cry, know I should want it, but it isn’t possible for me, not here with these people who are all watching us. Watching me.
In front of me is the tall Whitney monument and then the small markers that surround it. I look down at the marker in front of me, my grandfather’s stone, G. G. Whitney. Everyone you meet in Salem can tell you a story about my grandfather. But it is not G.G.’s marker I am looking for today, it is Lyndley’s. By the time my sister was buried, I was already in the hospital. I glance down at the end of the row, to the newest-looking stone, hers.
Eva’s marker stone has already been cut. It lies on its side next to the open grave. Anya is ranting about it. She is very angry, because they got the name wrong. They spelled it “Eve,” not “Eva.” It may be an honest mistake, but she wants someone to pay for it. “And look at the way they spelled the word ‘died,’” she says. “They spelled it with a y. Like hair dye. Where did you find these people?”
She isn’t talking to me. Or to anyone who can do anything about it. The same family has done the Whitney gravestones for years, stonecutters from Italy, marble cutters