Vivian Conroy

Lady Alkmene Collection: Four fabulous 1920s murder mysteries you won’t want to miss!


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summer one of Father’s countryside acquaintances had found out that his sister had lent a substantial sum of money to a smooth-talking young man who had found a gold mine in Africa and only needed the money to mine it. Needless to say, he had vanished with the money – never to be heard of again.

      The gullible woman had been so mortified she had left her gossiping friends behind for a stay with a friend in Rome. Alkmene agreed with her that if you had to rethink your own stupidity, it could best be done in the Mediterranean sun.

      The waiter brought a cup for her and filled it with a deliciously aromatic tea. Alkmene detected a hint of lavender and some other sweet fragrance she couldn’t quite identify. She wanted to ask about it, determined to buy it for her own collection at home, but the countess forestalled her by placing a delicate hand on Alkmene’s arm, while saying to the well-dressed man, in a conspiratorial tone, ‘Mr Dubois, you must tell Alkmene what you have discovered so far.’

      Alkmene hitched a brow at Mr Dubois.

      He shrugged, looking at the countess. ‘I told you, madame, that I am still gathering evidence and that I am not yet in a position to lay blame at anybody’s door.’

      Alkmene narrowed her eyes at the choice of words. ‘Are you with the police?’

      Dubois tilted his head back and laughed. ‘Fortunately not. In some cases they are my worst enemies.’

      ‘Cases?’ Alkmene picked up her teacup. ‘So you do investigate matters. More like a consulting detective?’

      Perhaps she could engage him to gather some information for her on the man returned from the dead? She had no idea how else one engaged a detective, except by advertising for one, but if her father ever found out about that, he’d burst a vessel.

      The countess’s Russian companion seemed to have perked up at the word police. Although she was still knitting like her life depended on it, her face was scrunched up in a typical listening expression.

      But the countess had emphasized time and time again to Alkmene and anybody else who wanted to hear that the woman only spoke Russian and didn’t understand anything of whatever was said around her. Where the countess took the greatest care never to gossip when a servant was around, she considered the presence of this supposedly ignorant woman perfectly safe.

      ‘Mr Dubois,’ the countess said in the excited tone of a debutante on the eve of her first ball, ‘is a journalist. He has written for papers in Paris.’

      Paris was by far the countess’s favourite city, where she had also spent her honeymoon. Whenever she mentioned it, her eyes lit up, and her whole face flushed with happy memories. Alkmene had to admit Paris was probably one of her own dream destinations for a little trip, but saying that right now might look like she was inviting herself.

      She gave the man another glance. ‘You are French?’

      ‘Half.’

      ‘Father French, mother English?’ Alkmene conjectured based on his foreign last name. ‘Did they meet on the Riviera? I have heard it is quite the must-see.’

      In fact, when one happened to be in Paris and had a fast car at one’s disposal, one could easily pop down to the Riviera for a spell, Freddie had told her. If he hadn’t wasted his entire inheritance at the card table, he might have taken her some time.

      Perhaps she should be grateful for the card debacle, as Freddie might have gotten it into his head to propose to her, and the whole trip would have been spoiled by her rejection.

      Not that Freddie was in love with her or anything. They had always just been friends, meeting at the races or the theatre, sharing a laugh and a joke, and forming the ideal object of a lot of gossip about the possibilities if they ever became engaged. It was no secret Freddie was desperate to land a rich heiress, and venomous tongues agreed that Alkmene, at her age and with her temper, should be happy any man wanted her at all.

      Alkmene just hoped that Freddie would be smarter than to ever propose to her, on the Riviera or wherever, as he was such a sore loser that after her resounding NO! he’d no doubt be sulking for three months.

      Mr Dubois didn’t seem enticed by the Riviera either. He looked out of the window, even shifting position in his chair to catch a better view of something out there.

      Alkmene would have thought it rather rude, had not something in his expression convinced her there was something really worthwhile to see.

      The countess also tried to catch a glimpse of the object of his interest. ‘Ah. It is her.’ She focused on Alkmene, adding, ‘The woman who caused such a commotion at the theatre. You saw her at the party, busy with that…’ she looked for the appropriate word ‘…screen?’

      Alkmene nodded. ‘Isn’t she called Evelyn Steinbeck?’

      Dubois glanced at her. ‘The American actress, yes. You know her?’

      Alkmene shrugged. ‘Casually. What is she doing here this morning? Art perhaps?’

      Dubois glanced at her again, sharper this time. ‘What has she told you about the art?’

      Alkmene didn’t think it prudent to admit Evelyn hadn’t told her a thing, about any subject. Apparently her knowledge of Evelyn Steinbeck made her interesting to Dubois, and on her part she wanted to know what he knew about the actress and her dead uncle. She said casually, ‘Just that it is one of the best collections in the country. Rembrandt, Van Gogh, Rodin.’

      She was just repeating what she had read in the paper an hour ago, but Dubois nodded seriously. ‘I wanted to interview him about his collection. He managed to get his hands on some very wanted pieces. It was hard getting through to him though. Lived like a hermit, hardly showing his face anywhere. And when he did appear, he shied away from strangers like they were rabid dogs.’

      ‘Strangers, or just reporters?’ Alkmene asked, holding Dubois’s gaze. ‘The press doesn’t always have a good name.’

      ‘I don’t see what harm there is in a nice piece about someone’s art collection,’ Dubois countered with a tight expression.

      The countess interrupted, saying in a thoughtful tone, ‘It looks like she is taking up residence there. So many suitcases.’

      Quickly Alkmene slipped into an empty seat to catch a view of the street. On the other side the Hotel Metropolitan’s uniformed porters carried a dozen suitcases through the open double doors. A familiar statuesque figure with blonde hair catching the sunshine stood watching everything with a critical intensity. Evelyn Steinbeck, fleeing the murder scene…

      The countess said, ‘I have heard the Metropolitan’s mattresses are quite good, but their bread is bad. All English bread is, by the way. You cannot bake bread like the Russians can.’

      ‘But does it relate to the murder?’ Alkmene wondered out loud as she scooted back into her old place.

      At the word murder the countess’s companion knocked over her teacup.

      Although almost empty, a stream of brown liquid flowed over the table’s crisp white damask cover.

      The woman raised her hands and whimpered in what could be Russian curses or supplications to the saints from the gold-rimmed icons.

      Dubois pulled out his handkerchief and pushed it on the wet spot.

      The countess clicked her tongue and said, ‘You shouldn’t be so clumsy, Oksana Matejevna. The whole room is looking at you.’

      The woman continued to make high-pitched sounds of regret and frustration while tugging the handkerchief from Dubois’s hand and dabbing herself.

      That hand, with a small scar on the thumb and the deep tan matching his face, didn’t seem that of someone chained to a typewriter in an office, but of an adventurous sailor who had travelled the seven seas.

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