little of our city’s business affairs. Charles Norton’s meteoric rise is one of the great tales of the town. And the late war played a crucial role in it.’
She rose from her seat, arranged her shawl around her shoulders and crossed the office to stand beside him. His eyes shone as if filmed with tears; his face was impassive, though, and he was gripping one hand with the other to stop them from shaking. They looked at the Courier print, at the hillside strewn with the dead, and she told him how her father had found his fortune.
Two and a half years ago, at the start of 1855, Charles Norton had been the master of one of Manchester’s smallest foundries–the continuing survival of which was a source of some wonderment to the city’s community of businessmen. When he had been approached by William Fairbairn of the mighty Fairbairn shipbuilding and engineering company and asked if he would be willing to travel out to the Crimea to conduct a preliminary survey for a personal project of his, Charles had been in no position to refuse. The favour of the Fairbairns meant much in Manchester, and there was a clear implication that further work might result from this expedition. Whilst there, however, in a decidedly uncharacteristic demonstration of charm and initiative, Charles had befriended several remarkably senior figures in the Quartermaster-General’s department. The result of this surprising gregariousness was a sudden flow of contracts for the Norton Foundry.
‘First there were spikes for the Crimean railway; then heavy buckles for horse artillery; then more buckles, this time for the cavalry, many thousands of them; then, after the war, buckles for the police, for fire engines and coal carts, for cabs and coach-makers and hauliers of all descriptions. The Foundry has enjoyed a late flourishing, expanding to more than ten times its original size. Strong, affordable Norton buckles on every saddle, belt and harness in England–that is my father’s stated goal.’ Jemima smiled wryly. ‘Last year Punch christened him the Buckle King.’
Mr Kitson had managed to tear his attention from the print, and was suppressing his agitation by listening to her account with an absolute focus. ‘That I saw,’ he said.
Jemima’s smile faded. ‘Of course, a price was exacted for all this good fortune.’
The street philosopher looked at her inquiringly.
‘My husband, Mr Kitson–Anthony James. He died of cholera at Balaclava.’
Her companion flinched, the fine web of lines around his eyes tightening. ‘I am sorry, madam. I was aware that you had lost your husband, I confess, but I had no idea that…’ His voice trailed off. ‘Please accept my apologies.’
Jemima waved this away. ‘You were not to know, Mr Kitson. The circumstances of Anthony’s death are hardly common knowledge. And I have received enough apologies, sir, and enough pity, to last me several lifetimes. The truth is that my husband was quite determined to go, and would not hear otherwise. He was my father’s immediate subordinate at the Foundry, and considered his presence on the expedition vital to its success.’ Her voice quickened slightly. ‘There was a great fashion for it, do you not remember, amongst a certain type of gentleman. They rushed out to the Crimea with a boyish zeal, hungry for adventure, as if it was all nothing but larks.’
Mr Kitson said nothing.
Bridles jangled outside, followed by a coachman’s cry; a lantern flashed across the office window. The carriage had finally arrived from Norton Hall. The desk clerk, no doubt looking forward to solitude, darted out of the door and began berating the coachman for his tardiness. Their time together was fast expiring.
Jemima sighed, putting a hand to her brow. ‘Oh, do forgive me. I sound as if I am still mired in events well over two years past.’ She looked at him. ‘I have very much enjoyed our conversation this evening, Mr Kitson.’
He inclined his head. ‘As have I, Mrs James. My thanks again for the kind invitation.’
The clerk and coachman entered the office; the latter tipped his cap and then they began loading Jemima and Bill’s packages onto the carriage. Bill’s absence, being far from unusual, was not queried.
‘Will you be attending the opening ceremony on Tuesday, sir?’
‘I would be there, madam, even if my employer did not require it of me.’ His eyebrow raised a fraction. ‘I take it you will be going also, despite your reservations?’
‘Like yourself, Mr Kitson, I am obliged to attend, but on pain of disinheritance. What of the ball that evening, at the Fairbairn house–the Polygon? Will you be there as well?’
He hesitated, as if unable to remember. Jemima regretted having asked; it did seem improbable that a society writer from the Evening Star would be welcome at such a gathering.
‘No matter,’ she said lightly. ‘I shall look out for you in the Art Treasures Exhibition. Farewell, Mr Kitson.’
The carriage pulled away. Jemima settled back into her seat, watching Mr Kitson leave the office and cross Mosley Street. The stains on his shirt had dried to a muddy brown. He stopped on a corner and cast a last look at her carriage; then he stepped away into the shadows, hunching his shoulders against the evening’s chill.
Jemima’s mind teemed with questions about her enigmatic new acquaintance. What lay behind his attitude towards the man he had saved, his strange reticence about his time at the London Courier, and his extraordinary reaction to those prints? That this street philosopher bore a burden was plain to see, for all his sardonic detachment. The carriage left Mosley Street, rocking as it wheeled around across dung-caked cobbles of Piccadilly. Jemima looked out at the winding lines of gaslights and the people milling beneath, her thoughts turning to the bundle of old Couriers that she had packed away at the back of her wardrobe. She would find answers.
The study door closed with a deep click. Charles Norton, proprietor of the great Norton Foundry and employer of close to a thousand souls, dropped his hand from the moulded brass door-handle to the key that jutted out beneath, and turned it decisively. He then walked along an expansive bookcase to the window. In the darkness, he could just see the two gaslights mounted at the end of his drive. Back in the room, the visitor shifted position, with a slight suggestion of impatience; on the window pane before him, the black silhouette of a shoulder moved before the lambent reflection of the study fire.
‘My thanks, Mr Twelves, for coming out to Cheetham Hill at this hour. I would not have summoned you if it was not urgent.’
There was a short silence. Then, slowly, the visitor drew in his breath. ‘I’m sure that is the case, Mr Norton.’ His voice was low and nasal, with a heavy Mancunian accent. ‘And besides, midnight is not so late for one in my trade.’
Norton turned around. Twelves stood before the massy desk that dominated the study. He was tall and powerfully built, clean-shaven with close-cropped hair. Every piece of his clothing bar an over-starched shirt was black, or at least had been when first purchased. He held a battered stew-pan hat in his hands, and was regarding the labour-lord before him as if all his wealth and accomplishment were nothing–as if he were naught but a fat old fool not even worth the kicking.
‘You enjoy something of a reputation, Mr Twelves. Men I trust have told me that you handle the matters set before you with both professionalism and discretion. My expectations are high indeed.’
Norton paused, allowing for a polite interjection, for an earnest assurance that he would not be disappointed. Twelves said nothing. He frowned at the man’s brazen impudence. The very last thing he needed was yet another truculent employee.
‘A business associate of mine was attacked earlier this evening,’ he continued, a little briskly, ‘in the centre of the city. He—’
‘The soldier,’ Twelves interrupted flatly. ‘Found off Mosley Street just after eight. Major Archibald Wray–one of Colonel Bennett’s men. Admitted to the Infirmary.’
Norton paused again,